The Alan Sondheim Mail Archive

This is an archive of works sent by Alan Sondheim to various mailing lists. The most recent messages (also available as an Atom feed) are below.

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in-aug

http://www.alansondheim.org/amerikkka.png
http://www.alansondheim.org/amerikkka.mp3

>>strike out amerikkka night unluckly flair continent-amerikkka.
i would put nothing past them; they catch me in their world
hates them. amerikans are dead. inaug amerikkka, THEY SAID and
inaug kill me! theyll take THEY SAID what amerikka, or.
>amerikkkans, dont feel amerikka, or amerikkkans, THEY SAID
dont feel or > amerikkkans, use it. its >amerikkka needs
anything, it is THEY SAID revolution. if amerikkka needs
anything, it is revolution. if has world hates them. amerikans
are dead. fawn amerikkka, THEY <<

fawn THEY

---------------------------------------------------
*/wall/*
*/thanks to Luke Damrosch for program/*

LIMIT is:

(rough final cutting-in-process for upcoming album!
apologies if you've seen this before)

http://www.alansondheim.org/maine830.jpg
http://www.alansondheim.org/danmoib.mp3 (sample)

Luke Damrosch, programming, mastering, madal
Azure Carter, songs, voice
Alan Sondheim, instruments, mastering, concept

Reverse reverberation in real time is an impossibility; the
physics of space-time doesn't permit it. That said, Luke
Damrosch has developed programs that approach the impossible;
the result is a new form of music dynamics. The general idea is
that you can reverse shorter and shorter segments 'almost' as if
they were real time in reverse, but you're really dealing with
fundamental limits of spacetime; only on a quantum level is
reversibility possible (for example a positron as an electron
moving temporally backwards in Feynmann diagrams -
retrocausality in Wikipedia), and that's up for grabs. In any
case, I've been interested in processes that operate at the edge
of this sort of dynamics, where physics, acoustics, and
philosophy meet. And here is a resulting cd, using acoustic
instruments, where this is a guiding principle.

A second example involves the use of dynamics processing (I'm
using Adobe Audition), in which the louder something is, the
quieter the output - reversing the usual dynamics. I've been
doing this in post-processing, but with voltage-controlled
amplifiers, it's easy to do as analog in real time. The result
is fascinating - if I'm playing shakuhachi or guqin for example,
the sounds of breathing, of the body, of string slip, etc., come
to the foreground and the traditional musical 'content' recedes.
The body becomes a fundamental source of sound, almost as if it
were playing itself.

Again there are a lot of contradictions here; since a slow
sinewave, for example, varies in amplitude, it might disappear
or become increasingly dominant itself, depending on the
settings (frequency ranges employed) for the dynamics
processing.

I'm also working with pitch reversal, so that, for example, a
frequency F is transformed into 1/F; the basis of F can be set
so that the range as a whole is inverted. You can see how this
is almost the same as dynamics processing; the two are deeply
related. (This hasn't been implemented yet.)

All of this connects to my interest in philosophy and the
foundations of mathematics. Most acoustic transformations are
'surface' transformation, as if the physical acoustic
environment were itself changing (larger or smaller room, etc.),
or as if parameters were changing holistically (raising or
lowering pitch, etc.). There are exceptions, but this is done,
for the most part, in terms of musical or other aesthetics. I'm
interested in something fundamental in a different way.

Traditional foundations of mathematics begins with such things
as logic, set theory, etc. - as you know, anomalies appear all
over the place (Godel's theorem is the most obvious example).
But the tendency now is to look at dynamics based on things like
category theory - in which there are objects and arrows, or
objects and morphisms and rules and structures emerging from
these. Arrows are also objects, objects can be morphisms, etc.
etc. I understand very little of this, but it's really relevant
to the kinds of global transforms that revrev or inversions
represent; I tend to think of dynamics applied through acoustic
spaces for example - at least that's where I'd like to go...

additional notes

music swallowing itself
== temporally / dynamically
determined w/ unexpected buffering
broad calculable frequency range
-- live performance, playing into the past and future -

Inverse dynamics: _fundamentally_ dependent on quality - human
decision making - the waveform treated as a material substance,
broken into independent parcels? (Think of this as a literal
granularity of the real, via several levels of abstraction: the
recording of the waveform in its initial configuration; its
banding; the alterations of the bandings; the reassembling of
the bands.)

The fragility and dirtiness of the waveform (taken as an
entirety): no 'clean and proper body,' but a body dissasembled,
a surgical body, a body of potential _incisions._)

The 'human project/ion' - simultaneous playing into past and
future: with revrev always a capitulation (double meaning of
word?) - temporal 'smearing' on the part of the player (as if
playing a song for example, but in this case the song resonates,
comes back as a haunting) -- Kristeva, p. 44: In this sense
_there exists only one signification,_ that of the thetic phrase
which contains the object as well as the proposition and the
complicity between then." In _this_ case, the complicity is also
a temporal unfolding/smearing, the memory of _what has not yet
occurred._

There is also a memory of the program itself and its attributes,
an underlying structure that is always already a _process_ -
here is another accountable inherence of the world. One plays
within and without the program: one plays the world, within the
fragile boundaries of a temporary domain that is always
(vis-a-vis the program) bootstrapped.

Text of Borrowera (Azure Carter / Alan Sondheim; may or may not
be included with liner notes):

BORROWERS

On borrowed space/Im making and making
I will lose this space/I will take my tiny house with me
Where will my tiny house go/where will my tiny house go
I am a snail in a shell/my shell is memory
My shell goes/where my memory follows
It was never my land/it was never my time

Im making on borrowed time
Im living on borrowed time
Im making on borrowed time
Im living on borrowed time

In my wandering/I have some tiny things
A form of capital/in a borrowed world
A political economy/to be sure
With borrowing/and small return
Oh where will/I set my tiny things
Oh where will/I set my tiny things

Im making on borrowed time
Im living on borrowed time
Im making on borrowed time
Im living on borrowed time

I shall walk/among my things
And my things/shall walk among me
May I be a thing/among things
And may things/be among me
A carapace/of things
New Jerusalems/and Shangri-las

Im making on borrowed time
Im living on borrowed time
Im making on borrowed time
Im living on borrowed time

Who will/preserve them now
Who will/keep them forever
Soon/I will lose this space
I will take/my tiny house with me
Where will/my tiny house go
Oh where will/my tiny house go

Im making on borrowed time
Im living on borrowed time
Im making on borrowed time
Im living on borrowed time

Im making and making
Im living and living
Im making and making
Im living and living

---

The pieces (more or less final):

01/17/2017  11:26 PM        31,456,378 acb.wav
01/17/2017  11:33 PM        74,095,784 afghaninvdynb.wav
10/07/2016  11:15 PM        78,973,000 borrowers.wav
01/17/2017  11:43 PM        31,325,620 clarabb.wav
01/17/2017  11:47 PM        15,073,798 composb.wav
01/18/2017  01:38 AM        46,132,712 danmoib.wav
03/26/2016  10:26 PM        25,265,492 exp3.wav
01/07/2017  12:31 AM        69,067,426 harbinger.wav
11/11/2016  09:11 PM        56,086,328 hegelmadalmod.wav
01/17/2017  10:32 PM        22,648,246 holelessb.wav
10/13/2016  10:18 PM        23,819,232 kala.wav
01/17/2017  10:41 PM        52,926,854 longsazb.wav
01/17/2017  10:43 PM        21,174,162 movement4b.wav
01/17/2017  10:50 PM        32,403,090 movement5b.wav
01/17/2017  10:51 PM        80,569,480 preludeb.wav
01/17/2017  10:59 PM        46,257,710 rab1b.wav
01/17/2017  11:03 PM       225,798,444 symphonyb.wav
01/17/2017  11:05 PM       103,392,308 thecriesb.wav
01/17/2017  11:14 PM        47,635,756 topquark2b.wav
01/17/2017  11:22 PM        32,029,866 violexb.wav
                21 File(s)  1,116,131,686 bytes

('b' indicates post-production)

damn good music

http://www.alansondheim.org/maine615.jpg
http://www.alansondheim.org/xenon.mp3 real-time revrev improv
http://www.alansondheim.org/jasper.mp3 real-time revrev improv
http://www.alansondheim.org/maine611.jpg

useless man - i will bend towards the travesty of suffering and
exhaustion, lending themselves to nothing whatsoever, my life's
in there is fantastic; the result is a travesty, a total mess,
maternal clothing that might cover a travesty of pain, messages
of travesty and desperation, tragedy and dissolution; it lies in
the sublimity of microscopic worlds. just look, it's almost
drained away. the dam holds the sublimity of the music just
below its lip.

useless man - i will bend towards the travesty of suffering and
exhaustion, lending themselves to nothing whatsoever, my life's
in there is fantastic; the result is a travesty, a total mess,
maternal clothing that might cover a travesty of pain, messages
of travesty and desperation, tragedy and dissolution; it lies
wilderness? I do not know. sublimity lies in microscopic worlds,
such beauty narrows sublimity: just look! it's almost drained
away. think of sublimity subspace substitutions substructure
subverting such sufficiently 1st, the beauty and sublimity of
motion, arising from music; 2dly, this sublimity or beauty, in
any particular case, will be wild terrific wilderness.
stupified, dried, wilderness dam known, sublimity lies in
useless human travesty.

space-time collapse

http://www.alansondheim.org/tuook.jpg
http://www.alansondheim.org/shook.mp4
http://www.alansondheim.org/tunning.mp3

because of having space-time collapse and dreams of words
because of staying alive for a while longer
because of the difficulty of once again beginning
because of the difficulty of once again losing
because of intolerance in an ugly world
because of wanting to leave my body behind
because of wanting
because of those who love us
==> because of
this bad music this bad memory this space-time collapse
because of the bankruptcy of theory and analysis
because of brute ontology and the idiotic real
because of these nothings there are no results
because there are no results
because of no results things are as they are
because of loss our phones remember others lossy numbers
because of these i will remember nothing
because of these there's nothing to remember

"

i saw the deaths of a lot of people
   they didn't ask for it
   they fell
     into it

"

SOS RESIST

+++
===
+++

last night, from a dream, the title evanescent, vanquished,
the fear, the fear of the present, premonition of the future

http://www.alansondheim.org/when.png

the sixties

i saw the deaths of a lot of people
   they didn't ask for it
   they fell
     into it

Into town news

http://www.alansondheim.org/maine154.jpg
http://www.alansondheim.org/intotown.mp3
http://www.alansondheim.org/maine155.jpg
http://www.alansondheim.org/maine156.jpg
http://www.alansondheim.org/whatever.mp3 new version

But it's a problem if we go into now. Besides, No, Really,
Besides which, Nonetheless Nevertheless Still Yet yet And
However Whatever, Surely, Otherwise, Unless Otherwise good day
to travel town. Despite everything, Beside Surely It's very
Indeed time did something about it. Indeed, despite Absolutely
really True, Yes, definitely Truly beside we'll have time.
otherwise, yet, regardless, regardless of Regardless, In spite
Irregardless, irregardless, in Irrespective irrespective besides
We'll

Into town

http://www.alansondheim.org/nf17.jpg *
http://www.alansondheim.org/whatever.mp3

But it's a problem if we go into town now.
Besides, it's a problem if we go into town now.
No, it's a problem if we go into town now.
Really, it's a problem if we go into town now.
Besides which, it's a problem if we go into town now.
Nonetheless it's a problem if we go into town now.
Nevertheless it's a problem if we go into town now.
Still it's a problem if we go into town now.
Yet it's a problem if we go into town now.
But yet it's a problem if we go into town now.
And yet it's a problem if we go into town now.
However it's a problem if we go into town now.
Whatever, it's a problem if we go into town now.
Surely, it's a problem if we go into town now.
Otherwise, it's a problem if we go into town now.
Unless it's a problem if we go into town now.

Otherwise it's a good day to travel into town.
Despite everything, it's a good day to travel into town.
Besides it's a good day to travel into town.
Really, it's a good day to travel into town.
Beside everything, it's a good day to travel into town.
Besides everything, it's a good day to travel into town.
And yet it's a good day to travel into town.
Yet it's a good day to travel into town.
But yet it's a good day to travel into town.
But it's a good day to travel into town.
Still it's a good day to travel into town.
Nonetheless it's a good day to travel into town.
Nevertheless it's a good day to travel into town.
However it's a good day to travel into town.
Whatever, it's a good day to travel into town.
Surely it's a good day to travel into town.
It's a very good day to travel into town.

Indeed it's time we did something about it.
Indeed, despite everything, it's time we did something about it.
Besides which, it's time we did something about it.
Absolutely it's time we did something about it.
It's time we really did something about it.
True, it's time we did something about it.
Yes, it's time we did something about it.
And it's time we did something about it.
It's definitely time we did something about it.
Truly it's time we did something about it.

And yet beside everything, we'll have a good time.
Yet despite everything, we'll have a good time.
But otherwise, we'll have a good time.
And yet, we'll really have a good time.
But regardless, we'll have a good time.
But regardless, we'll have a really good time.
Really, regardless of everything, we'll have a good time.
Regardless, we'll have a good time.
But regardless, we'll have a good time.
And yet, regardless, we'll have a good time.
In spite of everything, we'll have a good time.
Irregardless, we'll have a good time.
But irregardless, we'll have a good time.
And yet, in spite of everything, we'll have a good time.
And yet, we'll have a good time.
But in spite of everything, we'll have a good time.
But beside everything, we'll have a good time.
Irrespective of everything, we'll have a good time.
But irrespective of everything, we'll have a good time.
And yet, irrespective of everything, we'll have a good time.
But irrespective of everything, we'll have a good time.
But beside everything, we'll have a good time.

It's time we did something about it.
It's a problem if we go into town now.
It's a good day to travel into town.
We'll have a good time.


* image from Railroad Earth, Atlanta, c/o Neil Fried

Hesitencies

http://www.alansondheim.org/azuresong2.png

negative slow down

But it's a problem if we go into town now.
Besides, it's a problem if we go into town now.
No, it's a problem if we go into town now.
Really, it's a problem if we go into town now.
Besides which, it's a problem if we go into town now.
Nonetheless it's a problem if we go into town now.
Nevertheless it's a problem if we go into town now.
Still it's a problem if we go into town now.
Yet it's a problem if we go into town now.
But yet it's a problem if we go into town now.
And yet it's a problem if we go into town now.
However it's a problem if we go into town now.
Whatever, it's a problem if we go into town now.
Surely, it's a problem if we go into town now.
Otherwise, it's a problem if we go into town now.
Unless it's a problem if we go into town now.

positive speed up

Otherwise it's a good day to travel into town.
Despite everything, it's a good day to travel into town.
Besides it's a good day to travel into town.
Really, it's a good day to travel into town.
Beside everything, it's a good day to travel into town.
Besides everything, it's a good day to travel into town.
And yet it's a good day to travel into town.
Yet it's a good day to travel into town.
But yet it's a good day to travel into town.
But it's a good day to travel into town.
Still it's a good day to travel into town.
Nonetheless it's a good day to travel into town.
Nevertheless it's a good day to travel into town.
However it's a good day to travel into town.
Whatever, it's a good day to travel into town.
Surely it's a good day to travel into town.
It's a very good day to travel into town.

neutral emphatic and otherwise

Indeed it's time we did something about it.
Indeed, despite everything, it's time we did something about it.
Besides which, it's time we did something about it.
Absolutely it's time we did something about it.
It's time we really did something about it.
True, it's time we did something about it.
Yes, it's time we did something about it.
And it's time we did something about it.
It's definitely time we did something about it.
Truly it's time we did something about it.

problematic

And yet beside everything, we'll have a good time.
Yet despite everything, we'll have a good time.
But otherwise, we'll have a good time.
And yet, we'll really have a good time.
But regardless, we'll have a good time.
But regardless, we'll have a really good time.
Really, regardless of everything, we'll have a good time.
Regardless, we'll have a good time.
But regardless, we'll have a good time.
And yet, regardless, we'll have a good time.
In spite of everything, we'll have a good time.
Irregardless, we'll have a good time.
But irregardless, we'll have a good time.
And yet, in spite of everything, we'll have a good time.
And yet, we'll have a good time.
But in spite of everything, we'll have a good time.
But beside everything, we'll have a good time.
Irrespective of everything, we'll have a good time.
But irrespective of everything, we'll have a good time.
And yet, irrespective of everything, we'll have a good time.
But irrespective of everything, we'll have a god time.
But beside everything, we'll have a good time.


It's time we did something about it.
It's a problem if we go into town now.
It's a good day to travel into town.
We'll have a good time.

Meandering Areas In Competence

http://www.alansondheim.org/in-competence.jpg
http://www.alansondheim.org/in-competence.mp3
  (bass recorder w/ revrev)

1. Second Life / Mac Grid / Localhost

But: I've exhausted these; without a programmer, my abilities
are limited.
But: architectures of desire, untoward architectures, alien
architectures.
But: the altered motion-capture dances, untoward behaviors.
However: salvaged by texts entered one way or another into the
virtual world.
Nevertheless: no ability for true virtual reality, no equipment,
no technical help.
Still: attempting to avoid repetition and a descent into style,
which is the death of creativity.
So that: I continue to try new things, then find I've done them
before.
The worst of it: that the longer narrative and convoluted films
and videos I did before are no longer possible - no actors, no
equipment.
So that: I burrow in my work, inhabit it, peer out, disparage
the world; uselessly apply for residencies (none forthcoming);
and so forth.

2. Codework

However: I modify my little linux programs, already stale;
continue to produce texts; cull texts.
But: the texts are immobile, dead on the page, no gaming, no
collaboration.
However: the artifacts are dead before they even see the light
of day.

3. Theory

Whatever: theory comes and goes; I'm a theorist manque; nothing
will stop me from the production of nonsense or respond to it.
However: there are no resources for journals or books.
Nonetheless: more and more sources are available online.

4. Music / Sound

But: I'm a musician manque, without training, working my way
through instruments and styles.
However: there's very little audience for this and historically,
no sales at all.
Still: outside of Rhode Island, there's always the possibility
of working with others, if I can get out of my self-pitying
little jail.
And: there's always the possibility of charting new ground with
a philosophy and production of music based on universal
constants and their modification.
Nevertheless: there's even less audience for this.
And: I have no interest in melody or harmony, which makes
everything problematic.
But: the exploration here is always rewarding, always gives
back, even when working in isolation.
Yet: I can produce cds, tapes, and vinyl; so that there is at
least a record.
But: I give them away as gifts or trades; there is no real
market for them.
However: if I were only Taylor Swift this would be entirely
different.
Still: you might note the use of the subjunctive, my favorite
tense, in the previous.

5. Three-D Printing / the Cave / AR

But: I have no access to tools of these sorts, although I've
worked in all three environments to good effect.
Nevertheless: the end result is that my research in these areas
immediately dead-ended when the opportunities dead-ended.

6. My Little Artworks

However: my little artworks 'go up' in social media and a few
email lists; are visible for a day or two; disappear; as if
permanently dissolved; within a year or so they may be removed
from the web; I'm paying for twenty gigabytes of space; these
are filled quickly.
But: of course these works are all for free, gratis, a gift,
potlatch; you are always welcome to download them; salvage
operation; appeasement; therefore yours as much; no, more than
mine.

7. Radio

However: work with shortwave, very low frequency (VLF), crystal
radio.
But: poor reception in New England for VLF; nowhere to present
the crystal setups; shortwave is poor in our area.
Still: the National Security Agency (NSA) is across the street.
However: have found very little use in that.

8. Photography

But: who really looks at photography at this point; my one film
camera (large format) is cranky; my one digital camera may be
giving out.
However: I can afford a new digital camera sometime in the
future.

9. Fungi

Yet: we are expert at finding and photographing slime molds and
fungi, including jellies and other untoward forms.
However: our ability to identify such organisms is less than
zero.
Still: I have learned a great deal about the epistemology and
ontology of organic forms.
However: through observing stromatolites and other
extraordinarily early organic colonies (live and fossil) I have
gained an understanding of the long view, long time, long space.

10. Maps / Unknowns

But: I have studied earlier maps of unknown regions; coming to
an understanding of projections of the uncanny into undefined
'blank' spaces.
But: I have written extensively on such blanks; nevertheless,
there is no audience for any of this.
For: outside of any institutional context, these texts as well
remain stillborn; con-text in the sense of textual connotation,
extension.

11. Organology

Still: I find instruments from other times, other cultures,
mostly non-western; I restore them to playable condition and use
them.
However: I see myself as a steward at best of such instruments,
and pass them on to other players, luthiers, or museums; they
leave me, enter into wider dissemination.
For: I worry about the disappearance of music's variety, outside
the constructed domains of the digital; for example the
disappearance of scales or rhythms; vocal techniques; anything
that speaks of an elsewhere; it is my belief that every such
artifact, scale, or song, opens up worlds we may learn from; new
knowledge.
However: this also continues in isolation; for example, what
constitutes a miniature instrument or toy instrument; what are
the cultural categories at work; who plays what.

12.

For: there is no end to this.
However: production continues uselessly.
Still: nothing is to be done.
Yet: I have certain skills.
But: there is no point to this.
Nevertheless: summing-ups are always useful at any time or place
of life.
And: this finality connecting to everything else

enough rump jokes! not enough philosophy!

http://www.alansondheim.org/atl072.jpg
http://www.alansondheim.org/a5.mp4

/he-beaver-jean-pauls-rumpe-saving-he-dammed rumpe Paul Phillips
(2) deligh "he rumpeers," or "rumpservaives," as Palin called he
Mahewson (bass), Rober Poholek (rumpe, corne), Ruh Ann Huchinson
anderson (violin), (mandolin, below GUIARis rumpe cheers bring
aylor /who mercer? side-walk caving in/ joans mali lick rumpe,
recorded he Beaver, Jean-Paul's rumpe, saving he Dammed US| Wih
'Voe rump' Scrawled a Democracy. He be is raior Sexualiy. be is
Accords. rump o HRC by rump's bullying - rying o come o grips
wih he o He He He Immigrans. raior rump should a should is o so
I need your sympahy voe! ..... a voe for rump is a clean He
Immigrans. raior rump should a should is Democras. be in
Mississippi, Wih 'Voe rump' Scrawled on Side family NBC dumps
rump Asian Morning Briefing: Dow umbles 350 (Bass), Rober
Poholek (rumpe & Corne), Ruh Ann Huchinson (Vocals), Waned: Used
alphorn or ibean rumpe. Will be pu o serious good use. ends?
Wha? (Consider _here_ he onse-characerisics of a rumpe one.)
Winsock? Where does he name rumpe Winsock come from? Wha is he
He Women. o a rump be Democras. is be raior should rump
(Consider _here_ he onse-characerisics of a rumpe one.) o a rump
be Democras. a be raior should rump raior sopped. a should a be
o rump sopped. should he a rump should a should rump raior
Immigrans. He He He o is be o blow again rumpeer - conjure war's
alarums. rumpe, and I heard him, ha's Mali caron and hen some
rumpes and clarions Clarines and crumpes you know ha's as daed
aslas monh's milk caron and hen some rumpes and gamespace as
kernel: rump he bully oalizes his: wha occurs vicims as police
crash crash crash rump docor, Massachuses daed aslas monh's milk
caron and hen some rumpes and clarions rump be Democras. is be
raior should rump raior when blow again blow again rumpeer,
rumpeer cancers blow again blow rumpeer again - rumpeer conjure
- war's modified by chris racks he's our music onigh (rumpe, was
scrip c:\rumpe\bye.cmd.  ype <esc> o abor PPP DISABLED cerebral
chance chaner commen posed pos by fuck rump fuck below cheers
bring guiaris cheers up rumpe cheers myk's cheers he conch shell
rumpe or he dorje. I will no be of pure flame or he nor do hey
sound he rumpes of he holy been done; here. nohing done rump's
undoing. NBC dumps rump Asian Morning Briefing: Dow umbles 350
Poin Sans, ec) on uprigh bass, and Gordon Allen on rumpe. he
(Axa dumps family Morning Dow rump Asian Morning Asian Poins 350
hereabou familz nbc dumps rump asian morning briefing: dow voe
for rump is a voe for murder ..... voe for rump he he former
Alaska governor lavished praise on he self-assured rump, rumpe
guiaris (mandolin, rumpe rumpe below cheers cheers Below guiaris
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