VERSE
. but it's all there^^^^^^^^^^^^^^^^ but of which this 1?^^^^^^^^^^^^^^^^.
don't hit me when i'm down^^^^^^^^^^^^^^^^ don't kill me with.
kindness^^^^^^^^^^^^^^^^ don't massacre my mind^^^^^^^^^^^^^^^^ don't
take. my mind^^^^^^^^^^^^^^^^ goodbye, body^^^^^^^^^^^^^^^^ hello,.
mind^^^^^^^^^^^^^^^^ hello, mind^^^^^^^^^^^^^^^^ how so.^^^^^^^^^^^^^^^^
i. don't have much^^^^^^^^^^^^^^^^ i see my mind^^^^^^^^^^^^^^^^ i'm
almost. dead^^^^^^^^^^^^^^^^ i'm almost gone^^^^^^^^^^^^^^^^ i'm pushed to
the. limit^^^^^^^^^^^^^^^^ if to the base 1 then + 2 already is.
nonsense.^^^^^^^^^^^^^^^^ if you take my mind^^^^^^^^^^^^^^^^ it's on the.
road^^^^^^^^^^^^^^^^ it's walking off^^^^^^^^^^^^^^^^ my mind's all i've.
got^^^^^^^^^^^^^^^^ of the calculation or accumulation.^^^^^^^^^^^^^^^^
the. image is blank.^^^^^^^^^^^^^^^^ then of the plus? asks the
continuity. girl.^^^^^^^^^^^^^^^^ you take everything^^^^^^^^^^^^^^^^.
CHORUS
but it's all there.
but of which this 1?.
don't hit me when i'm down.
don't kill me with kindness.
don't massacre my mind.
don't take my mind.
goodbye, body.
hello, mind.
hello, mind.
how so..
i don't have much.
i see my mind.
i'm almost dead.
i'm almost gone.
i'm pushed to the limit.
if you take my mind.
it's on the road.
it's walking off.
my mind's all i've got.
of deadly calculus..
push it to the limit..
the image is blank..
push it to the image.
the limit is blank.
_
-
conjugations of programming aesthetics
broken symmetries such that there are returns to the hook or diacritical
mark that might tend towards an increase or decrease of index, leading in
the direction of recursivity
indirect addressing to sufficient depth that the resulting tangled skein
folds in the form of a protein potentially addressable by external
routines grappling with available sites
objects which break or collapse in overflow, resulting in availability of
internal variables which suddenly behave on an almost organic-molecular
level
intense multi-leveled coding on a micro-level with a limited character set
leading to redundancy and the possibility of subroutine escape routes
creating unforeseen texts of disturbance and potential anxiety
massive transitivities resulting in subtextual currents of discarded and
subaltern symbols guaranteeing the upwelling of rails or scaffoldings with
their own semi-autonomous organization and symmetries
texts appearing as if from nowhere in relation to the centripetal forces
of remaining gotos and other endif closures, leading towards counter-
centrifugal movements of symbolic emanations and spews
renderings and rerenderings of programming commentaries as textual inter-
ferences speaking to anyone who takes the privilege of dissection upon
herself
collapse and spreading of subroutines across the programming sememe,
interpenetrating one another, blurring meta-levels, programming inputs and
outputs, filling the pipes in the development of a skein with its own
inscriptive potentials
programmings manipulating and collapsing sequencing, breaking the cycles,
finding new and problematic entrance-points, altering variables and
constants, tending towards the production of defensive and messy ur-texts
masquerading as proper residue or product
programmings presenting perfect symmetries to the environment, no perceiv-
able input or output, foreclosed with the presumption of rich inner lives,
and programmings constructing fortification-modules within them, sharing
culture and weaponry, their own symptom certain cycles of parallel-proces-
sing or other cpu time
programs inscribed in the inert substances of the world, unworkable,
coded, untranslated, uncompiled, permanently uninterpreted
programs of the beholder's aesthetics or symmetries or fuzzy or stochastic
programming breaking down distinctions of internal and external, virtual
and virtual-real worlds and worldings
_