Message-ID: <Pine.NEB.4.40.0201022324380.10922-100000@panix1.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.aol.com>,
"WRYTING-L : Writing and Theory across Disciplines" <WRYTING-L@LISTSERV.UTORONTO.CA>
Subject: conjugations of programming aesthetics
Date: Wed, 2 Jan 2002 23:25:21 -0500 (EST)
- conjugations of programming aesthetics broken symmetries such that there are returns to the hook or diacritical mark that might tend towards an increase or decrease of index, leading in the direction of recursivity indirect addressing to sufficient depth that the resulting tangled skein folds in the form of a protein potentially addressable by external routines grappling with available sites objects which break or collapse in overflow, resulting in availability of internal variables which suddenly behave on an almost organic-molecular level intense multi-leveled coding on a micro-level with a limited character set leading to redundancy and the possibility of subroutine escape routes creating unforeseen texts of disturbance and potential anxiety massive transitivities resulting in subtextual currents of discarded and subaltern symbols guaranteeing the upwelling of rails or scaffoldings with their own semi-autonomous organization and symmetries texts appearing as if from nowhere in relation to the centripetal forces of remaining gotos and other endif closures, leading towards counter- centrifugal movements of symbolic emanations and spews renderings and rerenderings of programming commentaries as textual inter- ferences speaking to anyone who takes the privilege of dissection upon herself collapse and spreading of subroutines across the programming sememe, interpenetrating one another, blurring meta-levels, programming inputs and outputs, filling the pipes in the development of a skein with its own inscriptive potentials programmings manipulating and collapsing sequencing, breaking the cycles, finding new and problematic entrance-points, altering variables and constants, tending towards the production of defensive and messy ur-texts masquerading as proper residue or product programmings presenting perfect symmetries to the environment, no perceiv- able input or output, foreclosed with the presumption of rich inner lives, and programmings constructing fortification-modules within them, sharing culture and weaponry, their own symptom certain cycles of parallel-proces- sing or other cpu time programs inscribed in the inert substances of the world, unworkable, coded, untranslated, uncompiled, permanently uninterpreted programs of the beholder's aesthetics or symmetries or fuzzy or stochastic programming breaking down distinctions of internal and external, virtual and virtual-real worlds and worldings _