In the garden: 1'02" silent:
she looks at the camera, removes her shirt, looks up, the camera's already
left her
she looks at the camera, removes her shirt, looks up, the camera's
already left her
LUMINANCE TRANSPARENCY BROADBAND
she's totally nude, looks up, the camera's swinging out of the way
she looks at the camera, removes her shirt, looks up, the camera's
already left her
LUMINANCE TRANSPARENCY NARROWBAND
she's totally nude, looks up, the camera's swinging out of the way
aiming upward towards the bridge above
aiming upward along the tracks of the bridge
aiming upwards towards the bridge above
aiming upward along the beams and tracks of the bridge
she looks at the camera, removes her shirt, turns away
LUMINANCE TRANSPARENCY NARROWBAND
film leader countdown
title: the stranger on the bridge
the garden
mmii
title: the stranger on the bridge
the garden
mmii
a. See Incident at Owl Creek Bridge.
b. Too much voyeurism/nudity in the current work.
c. There is no man on the bridge.
d. Other title: Stranger on the Bridge.
e. No mention of the wilderness beneath the bridge: riparian/marshland/
woodland thicket.
f. Doubling producing dream-like landscape.
g. Is this the usual staking-out of the female body.
h. Attitude of the female.
i. Male equivalence in future work.
j. Text/performance forthcoming: Sex Seduced by Text.
k. she's totally nude, looks up, the camera's swinging out of the ways--of
course, associations are multiple and> >called the style "el
aiming upward towards the bridge aboveontinuous.:
Then he mentions a key te
aiming upward along the tracks of t
l. the gardenry
m. "the transference, comes in. In Lacan we have a distin"
she's totally nude, looks up, the camera's swingin
n. Filename to write: zzemotional machin
_
Hi - I know this one's for real! I feel it in my bones! It's the sixth
I've received today from different people! Let's all invest!
love, Alan (you know it's real because he's an ENGINEER!)
---------- Forwarded message ----------
Date: Sat, 08 Jun 2002 02:58:38
From: ENGR. JOHNSON DURU <johnsonduru@post.com>
To: sondheim@panix.com
Subject: STRICTLY CONFIDENTIAL
FROM: ENGR. JOHNSON DURU
email:- johnsonduru@go.com
FAX:- 234-1-7599618
LAGOS NIGERIA
STRICTLY CONFIDENTIAL
ATTN.: PRESIDENT/CEO
SIR,
REQUEST FOR URGENT BUSINESS RELATIONSHIP I AM ENGINEER
JOHNSON DURU, A DEPUTY DIRECTOR AND CHAIRMAN OF CONTRACT AWARD
COMMITTEE IN THE NIGERIA NATIONAL PETROLEUM CORPORATION (NNPC) I GOT
THE INFORMATION OF YOUR GOODSELF FROM A VERY RELIABLE FRIEND OF MINE
WHO HAS LIVED IN YOUR COUNTRY BEFORE .
HE ATTESTED FOR YOUR RELIABILITY AND TRUST WORTHINESS IN THIS BUSINESS PROPOSAL I WANT TO DISCUSS WITH YOU.I, AND MY COLLEAGUES ARE TOP OFFICIALS OF THE FEDERAL GOVERNMENT CONTRACT REVIEW AND AWARD PANEL . WE ARE IN A POSITION TO TRANSFER THE SUM OF
THIRTY FIVE MILLION FIVE HUNDRED THOUSAND UNITED STATES DOLLARS (US$35,500.000.00) IN TO YOUR PRIVATE /COMPANY BANK ACCOUNT FOR MUTUAL BENEFIT.
THIS AMOUNT OF MONEY WAS GOT FROM OVER-INFLATION OF
CONTRACTS AND SERVICES CARRIED OUT BY FOREIGN FIRMS WITH THE NIGERIA
NATIONAL PETROLEUM CORPORATION (NNPC). THE ORIGINAL CONTRACTORS
HAVE BEEN PAID AND WE ARE NOW LEFT WITH THESE OVER INVOICED AMOUNT
FLOATING IN THE CENTRAL BANK OF NIGERIA, HENCE MY COLLEAGUES ENTRUSTED
ME TO CONTACT YOU FOR ASSISTANCE.
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AND FAX NUMBERS FOR EASY COMMUNICATION .
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C. ASSURANCE THAT YOU WILL KEEP THIS TRANSACTION SECRET CONSIDERING THE PERSONALITIES INVOLVED AND ABOVE ALL, YOU WILL NOT SIT ON THIS FUND WHEN IT FINALLY GOES IN TO YOUR ACCOUNT.
MY COLLEAGUES AND I HAVE AGREED THAT IF YOUR COMPANY CAN ACT AS THE BENEFICIARY OF THIS FUNDS ON OUR BEHALF, YOU OR YOUR COMPANY WILL RETAIN 30% OF THE TOTAL AMOUNT WHILE 60% WILL BE FOR US (OFFICIALS ) AND THE REMAINING 10% WILL BE USED IN OFFSETTING ALL BTS/EXPENSES
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N:B. PLEASE DON'T FAIL TO REPLY TO THE TWO EMAIL
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theory of medieval touch
she ran towards him, he fled, i'm cutting you, she said: your flesh is
mine, your eyes, shall see my own in fright, the dying of the light, she
said: your body there is spread, this is all a dream, alone except the
ream, blood ran down their legs, violate, she begs: violate, he begs,
they're down into the lake, their screams are but a fake, within the
double hash, within their double gash.:she turned into her skin, she said:
everything's within, look into the sky, the world's turned on a cry, the
bird's are screaming there, she said: you start your reaming bare, you've
always been betrayed, the trees are thick around, she said: nothing makes
a sound, nothing in these parts, forget their broken hearts, he's cut into
your skin, inscribed the sign within, she said: there's everlasting scar,
and that is where you are, she said: turn and cut his flesh, make
everything a crash, cut deeper than a lash, ream her in the gash, she
said: in the theory of medieval sound, you are thrown upon the ground,
there are only things, now gather all your things, she said: the trees
with echo sing, you've always been betrayed.:things caught down in the
mesh, stretch and open your raw flesh, in the theory of medieval eyes,
you are wanton in disguise, within the double hash, light penetrates the
glade, everything will crash, everything is made: she said: just a tiny
little gash, haven't you been flayed: she said: the world is in your
stash, you've always been betrayed.:: the partial third emerges, they're
still alive::
_