The Alan Sondheim Mail Archive

May 7, 2003


Secret TAZ

   Secret TAZ 4: TAZondheO!Om@ mb
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   projekeyttzzzh h ml ___

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___

1
 <b>...</b> Outliners IRC log started Sat Oct 20 23:01 *** Value of LOG
set to ON *** <b>Nikuko</b><br> ([qIbgrP30O@panix3.panix.com) has joined
channel #<b>nikuko</b> *** Users on #<b>nikuko</b> <b>...</b>

2
 <b>...</b> eyebeam&gt;&lt;blast&gt; <b>Nikuko</b> Fights Back. <b>...</b>
<b>Nikuko</b> Fights Back &lt;^Tonguer^&gt; hi ther *** #cybersex<br>
887461296 &lt;Grampian&gt; any ladies here for cybersex or just looking ??
<b>...</b>

3
 <b>...</b> eyebeam&gt;&lt;blast&gt; <b>Nikuko</b>. <b>...</b>
Jericho^one&gt; must be net lag ^***^ rd1 has joined channel<br>
<b>Nikuko</b> looks at morning plum tree blossoms and light morning sky.
<b>...</b>

4
<b>Nikuko</b>&quot; writes out the contents of <b>Nikuko</b>. <b>...</b>

5
<b>NIKUKO</b> &lt;&lt;&lt;&lt; texts by &gt;&gt;&gt;&gt; ALAN SONDHEIM
<b>...</b>

6
May 13<br> 05:55:01 2001: Previous <b>...</b> [ system calls etc. with
writing <b>NIKUKO</b>! to <b>...</b>

7
of <b>Nikuko</b>: Daishin <b>Nikuko</b><br> offers parts of body for
miraculous cure and saintly absolution. <b>...</b>

8
 [7-11] connecting to <b>nikuko</b> and not connect to america. Alan
Sondheim <b>...</b> quit?<br> are you out there <b>nikuko</b> Do you
really want to quit? i <b>...</b>

9
 [7-11] new message from <b>nikuko</b> -. Alan Sondheim
7-11@mail.ljudmila.org<br> Fri Aug 9 01:34:01 2002: Previous message:
[7-11] 2001 judges <b>...</b>

10
01 <b>nikuko</b>-arm-----armarmarm}. <b>...</b> 01
<b>nikuko</b>-arm-----armarmarm}<br> you open your arms wide, begging the
populace to embrace you. <b>...</b>

11
 <b>...</b> ====. your writing. does writing matter? ( i sit on the chair
naked, <b>nikuko</b><br> sits on me, she says, i want to show myself ).
does my writing matter? <b>...</b>

12
 <b>...</b> Subject: mystery signal <b>nikuko</b> lost search for
<b>nikuko</b>-nikoletta: korella koren<br> koressa kori korie korney
korrie korry nariko nikoletta veronike kameko <b>...</b>

13
 <b>...</b> THE PRESIDENT sits down, nods. <b>Nikuko</b> stands: I wish to
introduce Jennifer.<br> Jennifer nods, remains standing. Jennifer: Thank
you, <b>Nikuko</b>. <b>...</b>

14
 <b>...</b> THE PRESIDENT sits down, nods. <b>Nikuko</b> stands: I wish to
introduce Jennifer.<br> Jennifer nods, remains standing. Jennifer: Thank
you, <b>Nikuko</b>. <b>...</b>

15
 <b>...</b> Relay Chat, as a means of composition, as in
&quot;Outliners&quot; which begins: IRC log started<br> Sat Oct 20 23:01
*** Value of LOG set to ON *** <b>Nikuko</b> ([qIbgrP30O@panix3 <b>...</b>

16
 <b>...</b> <b>nikuko</b> at 67: i am a beautiful woman. <b>nikuko</b> at
19: i am a beautiful young woman<br> with many years before me. <b>...</b>
<b>nikuko</b> at 19: i must break the cycle of wiseness. <b>...</b>

17
 <b>...</b> that. <b>Nikuko</b> laughs at <b>Nikuko</b>! <b>Nikuko</b>
cries on <b>Nikuko's</b> shoulder.<br> <b>Nikuko</b> is jumping up and
down, yelling and screaming at <b>Nikuko</b>! <b>...</b>

18
 <b>...</b> Serial K. alan&gt;&gt; FLASH! Flesh flush!
<b>nikuko</b>&gt;&gt; Male mole mule mele mile! alan&gt;&gt;<br> Put pot,
pat pit, pet woman, women! <b>nikuko</b>&gt;&gt; Gad God! Dig dug dog!
<b>...</b>

19
<b>nikuko</b>.tri <b>nikuko</b>.tri <b>nikuko</b>.tri<br>
<b>nikuko</b>.tri <b>nikuko</b>.tri <b>nikuko</b>.tri <b>nikuko</b>.tri

20
 <b>...</b> other. One day <b>Nikuko</b> was wending her way from the
hotsprings in Oita<br> - an enlightened being, she allowed her mind to
drift. Suddenly <b>...</b>

21
 <b>...</b> _1 <b>Nikuko</b> under hot burned sun: <b>Nikuko</b> flesh
turned red: seared <b>Nikuko</b>-flesh <b>Nikuko</b><br> charred nipple:
charred cock: <b>Nikuko</b>-skin sloughed: fallen-flaked You say
<b>...</b>

22
 <b>...</b> Colors <b>Nikuko</b> places all colors on the color table
<b>Nikuko</b> separates them <b>Nikuko</b><br> says, &quot;Why are these
tables contiguous on the color table?&quot; <b>Nikuko</b> needs a
<b>...</b>

23
<b>nikuko</b> the world is out to kill us off! <b>...</b>

24
 <b>...</b> sondheim@PANIX.COM&gt; Subject: the dearth Name Connected Idle
time Location [1;24r<br> [23;1H [1;20r [20;80H ---- - <b>Nikuko</b> (#934)
9 <b>...</b>

25
 <b>...</b> amperes centihecto bytes kilomilli volts micromega degrees
giganano hectares picotera<br> grams petafemto meters exaatto farads split
ii login <b>nikuko</b> login <b>nikuko</b> <b>...</b>

26
 <b>...</b> <b>Nikuko</b>. <b>Nikuko</b> dead-girl down the streets,
wearing her fast-and-hard<br> boots. <b>Nikuko</b> turned towards the edge
by the fly-girl snack-bars. <b>...</b>

27
 <b>...</b> Subject: <b>Nikuko</b> Speaks On Her Play. <b>Nikuko</b> on
her Noh Play. [I ask her<br> to begin. <b>...</b> Yes, said <b>Nikuko</b>,
I seriously wanted to write a Noh play. <b>...</b>

28
<b>...</b> <b>Nikuko</b> and Jennifer,<br> The Abandonment of Names O
<b>Nikuko</b>! O Jennifer! I have missed thee so! <b>...</b>

29
 <b>...</b> sondheim@panix.com&gt; Subject: residues - epoetry conference
presentation: (live)<br> typed text 1. Presented: pi.avi :: m3.avi ::
m4.avi :: <b>nikuko</b>.asf &lt; &gt; perl j <b>...</b>

30
 NO PLAY &lt;The curtain rises. <b>Nikuko</b> and American boy on
stage.&gt; <b>Nikuko</b> speaks<br> (kabuki voice throughout): &quot;I,
<b>Nikuko</b>, do beg you to sew my eyes shut! <b>...</b>


___

I, ROBOT

tzzzh/([\UtZzzhE-YOU]*)ROBOT robot Tho
rnyornyornyornyornyornyornyornyornyorn
yornyornyornyornyornyornYkoRpoRatee(\U
tZzzhE-YOU)/1ROBOT robot Thornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornYkoRpoRatee2/g;
tzzzh/([\UtZzzhE-YOU]*)robot Thornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornyornYkoRpoRatee(\UtZzzhE
-YOU)/1robot ROBOT robot Thornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornYkoRpoRatee2/gO!O;
tzzzh/([\UtZzzhE-YOU]*)= Thornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornYat(\UtZzzhE-YOU)/1=2/gO
!O;
tzzzh/th([aeO!Oou!])/Thornyornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornYorn!1/g;
tzzzh/Th([aeO!Oou!])/Thornyornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyorn!1/gO!O;

___

Ur

( Production note: I wrote this originally as stand-alone companion piece
to the genealogy of machines. But then I disguised it through various
irreversible (many-to-one, one-to-many) transformations, as if I were
afraid to reveal my thought to you. Now I find it again, in the backwoods
of another computer; it holds its own, and I return it, unencumbered, to
you, as if for the very first time. So I might thank David Bohm here for
his discussions on making, art, harmony, and fitting, and the early 70s
Brown University Systems Group, to which I somewhat belonged. - Alan
Sondheim, Alan Sondheim, what are you afraid of? )

Everything goes into the [component of the] machine.
The machine is composed of nearly decomposable subsystems.
Each subsystem contributes to the whole.
Each fits within a harmonious fit or art.
The whole is the fit or art.
Within every component there are substances.
Within every component there is substance.
A machine is a functional substance.
The machine is a collapse of components and substances.
The deprecation of the machine is an expansion of
components and substances. A great breathing is the machine.
The machine! The machine!

"Yeah, but what if Matrix Reloaded is whack?"


___

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