Message-ID: <Pine.NEB.4.55.0306111837580.18812@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.aol.com>,
"WRYTING-L : Writing and Theory across Disciplines" <WRYTING-L@LISTSERV.UTORONTO.CA>
Subject: the lining song
Date: Wed, 11 Jun 2003 18:38:10 -0400 (EDT)
the lining song this line filters the others or a la di dah this line is dispersed or b la di dah this line is dissipated or c la di dah is subsequent to the rest or d la di dah appears as consequence and then e la di dah what i la di dah am saying to you is that we will fight and f la di dah what i la di dah am saying to you is that we will fuck and g la di dah this line has no remembered import but h la di dah this isn't something i la di dah ever meant to say although i la di dah you might as well know i la di dah wish you dead but j la di dah you might as well know i la di dah want to fuck you though k la di dah that line is completely forgotten and l la di dah those lines are entirely effaced or m la di dah you shove your cock into my tight cunt however n that line i la di dah never thought or said but o la di dah my knife slices through your eyes and tongue however p la di dah my actions speak louder than words and q la di dah i want to tongue your nasty holes but r la di dah this doesn't come from anywhere and s la di dah this doesn't go anywhere and t la di dah i'll cut your bloody head off or u la di dah you'll never know the difference but v la di dah someone else took over your body and gave it to me or w la di dah you're staining yourself and i'm buying it though x la di dah you're writing this and no one else but y la di dah no one's reading this so z la di dah fucking or killing is one and the same 0 la di dah and neither filter or disperse la di dah ___