The Alan Sondheim Mail Archive

May 6, 2005


---------- Forwarded message ----------
Date: Fri, 06 May 2005 08:36:11 +0200
From: {tsunami} <agricola-w@netcologne.de>
Reply-To: {tsunami} <e-art@kulturserver-nrw.de>
To: sondheim@panix.com
Subject: [ISO-8859-1] TSUNAMI Memorial - updates and call

TSUNAMI Memorial
http://tsunami.a-virtual-memorial.org
*************************************
Contents
1. Updates
2. Open call - deadline ongoing
http://weblog.nmartproject.net/index.php?blog=6
*************************************
1.
Since 5 April
"Tsunami Memorial"
http://tsunami.a-virtual-memorial.org
is online,
a net based memorial environment and a collaborative art project
dedicated in solidarity to the victims
of the Tsunami disaster from December 2004
whether they died or survived.
.
This solidarity is a valuable contribution
not in a material, but immaterial and spiritual sense.
.
The Memorial is a place -
open and intimate simultaneously -
where people can commemorate the disaster and its dimensions
and take some time in order to reflect for a while.
.
The artists participating in this memorial environment -
created by Agricola de Cologne -
reflect the disaster directly or take it as a symbol
for the inevitable, the overwhelming power of nature over human civilization.
--> Three new contributions joint the memorial
--> Brigitte Neufeld, Laszlo Najmanyi - WordCitizen, Yves Adams
.
Participating since the project started-->
Socialist Future, Igor Ulanovsky, Gerald Schwartz
Thomas Jackson Park, Seth Lew, Stephen Mead
Alan Sondheim, �mac dunlop, CEZARY OSTROWSKI
Julie Andreyev, Simantha Roy, Mike Wrathell
Lars Vilhelmsen, David Cheung, Eva Lewarne
Robert Ciesla, Colleen Corradi, Sejma Prodanovic
Victor Angelo, Jelena Vukotic, Carla Della Beffa
Wittwulf Y Malik, Giovanni Bai/MUSEO TEO
jody zellen, Andrea Polli, Constantine Cionca
sam, Eldad Tsabary, Nicola Dale, Babel
Shaun Wilson, Ilse Hilpert, Simon Longo
Wolfgang Peter Menzel, Are Victor Hauffen
******************************************
2.
Open Call - Deadline ongoing
TSUNAMI - the Inevitable
Artists around the globe are invited to reflect the traumatic conditions
of human life caused by the Tsunami Disaster in December 2004
or events of similiar dimensions,
and submit art works, documents, texts or any other material
connected the thematical context
which can be submitted as digital file .
.
The complete text of this call, the conditions
and the submission form can be found on
http://weblog.nmartproject.net/index.php?blog=6
Deadline ongoing
********************************************
.
"Tsunami Memorial" extends the series of memorial environments on
A Virtual Memorial
www.a-virtual-memorial.org
which started on occasion of 11 September attack  in 2001 with
"Memorial for the Victims of Terror"
http://terror.a-virtual-memorial.org
followed by
"Memorial for the Victims of AIDS"
http://aids.a-virtual-memorial.org
and
Rainforest Memorial -
5 minutes before 12 memorial
www.a-virtual-memorial.org/memorials/rainforest/
.
"Tsunami Memorial"
http://tsunami.a-virtual-memorial.org
is also corporate part of
[R][R][F]2005--->XP
http://rrf2005.newmediafest.org
.
**************************************
A Virtual Memorial
Memorial project against the Forgetting and for Humanity
www.a-virtual-memorial.org
is corporate part of
[NewMediaArtProjectNetwork]:||cologne
www.nmartproject.net -
the experimental platform for art and New Media
from Cologne/Germany
.
contacts: info@nmartproject.net

Another run at it -


Consider the wave function collapse from the viewpoint, not of a cat or
(dis)interested observer but from that a music producer. The analogic is
devolves into one of two modes, say, either Y or N. Consider a continuous
production of particles and close to continuous measurement. The result is
a series of Ys, Ns. Consider this a code or a mapping, which it is not; it
is probabilistic most likely, Bohm notwithstanding. Then say {Yn,Nm} or
some such represents the resulting series. Let Band1 = {Yn,Nm}, then Band1
is the first sound-track on the new Schrodinger CD. Now Band1 only roughly
reproduces the music of course, which is collapsed from the bandwidth. It
seems irrelevant to ask about the Khz of this new recording, but we might
set up the entire experiment in order to create Band1, Band2, at any Khz.
The question might be, what are we listening to? The question might be,
what does Band1 represent or in other words, how well does it represent
the original music? Band1 is the music. Band 1 is random. Is it white
noise? Does it require encoding? Collapse the spikes to a spectrum;
listen. With the beam-splitter, send part of the wave elsewhere. Then one
might speculate as to alien intervention. This is a way for an alien to
accompany or construct music here on earth. Or rather, to interfere. But
of course it is random, and no one or nothing (alien, observer here,
observer there) has anything to say about it or through it. It is hardly a
signature, is it?

We'll never know definitively if the observer elsewhere has received the
signal. The alien is good at mimickry. The alien perhaps hasn't interfered
and hasn't measured. But she sends a signal, it takes years. She says,
What did you receive? The local observer says Y or N; the alien, aha! I
knew it. This goes on and on. Collect those Ys! Then they're the result of
production, of non-production, they're the result of entanglement, they're
the result of nothing at all. I'm lost here, forgive me. I want to make a
song, I want to call it Band1, from Schrodinger. Forgive me.


( URLs/DVDs/CDroms/books/etc. see http://www.asondheim.org/advert.txt )

(for Murat)


On Translation


    Beni. in which a language entirely unknown
    Turque Yvrit*(H is presented through fragments of writing
    "Turkish eda" in a second language
    Kiswahili Mandarin* (Chine) from which one attempts
    Parshat Shemot ... to address the original, finding
    Yvrit*(Israel) Arabisch*(Aegypten) ... inconceivably

    States since 1989.  Eda: An Anthology of Contemporary Turkish Poetry
    The oldest English language Turkish publication in the United
    Defense. Education Grants. Swiss Culture and Media. The
    Tschechisch Serbokroatisch Griechisch* Farsi*(Persisch) T
    Roumain Polonais Hongrois Tch
    Yvrit*(Israel) Arabic*(Egypt) Kiswahili Mandarin* (China)
    Huriye Karabacak, Lawyer, Turkey Zubeyde Copur, Publisher, Turkey
    Arabic*(Egypt) Kiswahili Mandarin* (China) Japanese* Indonesian
    Arabe*(Egypte) Kiswahili Mandarin* (Chine) Japonais* ...
    Thai* Hindi Romanisch* (Ladin/Sursilvan) ...
    Russisch* Bulgarisch* Rum

    Eda Kilic, Student, Turkey Aysegul Kaya, Lawyer, Turkey
    Virginia The Turkish Times - Ms. Eda Sandik, a 19-year-old freshman in

    Greek* Farsi*(Persian) Turkish Yvrit*(Israel)

    Farsi*(Persan) Turque Yvrit*(H
Turkey. Visa and xo Beautiful... matterative ho young... soc innocent...

    An unidentified caller to the semi-official Anatolia news agency
    ger A collection rof a hundred gre at brains maes dne big fathead.
    Yvrit: lalfabeto ebraico.
    September Turkish eda
    Shabbat Vorshpeis for Shabbat Parshat Ki Tissa - 22
    Shabbat Vorshpeis for Shabbat Parshat Mishpatim - Rosh HaShana Adar
    Dvar Torah for Shabbat Parshat Shmot - 25
    bYvrit, if his name is Yitzchak ben Chaim. ...

    Turkish Music in the US - Turkish music CDs, cassettes, and videos. Al
bbe a so urce xof discouragement, but raeher a fres Polnisch Ungarisch

    do not rely upon translated texts. ...
sneet virgin online girps ? ekle naws oz nature! doc youb silent.Forgive
al-Qaeda network that masterminded the 11 EDA OZULKU. responsibility in

    Eda,which is the principle concept in Turkish poetics, is based on the
    Six of the victims were Turkish Jews and the rest Muslim passers-by. An

    To get to the hidden level, sod, one needs to read the Sefer Yetzirah
Eda travel to zel, ... Turkish group, true Turkish Music Club Turkish

    ebraico. Stili, varianti, adattamenti ... Switzerland ... was published
bythe Swiss Government. Useful Links In quality ... yearns forp a wo man.

    in Yvrit, Hebrew, say with the help of A. Kaplans !OOt oor
ooboosooty, tao a vulgar Maryland University, ... SEYE TAEM IN A DIRTS
Moothoor Sooroon, boot thoo toox coollooctoor dood noot knoow he slee BD
breu moderne) breu moderne) Arabe*(Egypte) choocoo foor qoolooty rnoods
choomoost-sootoo, yoo coon soolooct thoo toop-soolloong rnoods Arabic
whooroo thoo groon boo rsoo oolthoogh h 6 thooy whooroo oon rnoods. !OOt

    Happiness is a dinE gof tae rarest vintage, ano reems insipid roodoo t
ks, oos yoo oogoothoor throogh thoo swoot-scoontood woods, rkisch should
nevar noovv oor ooccoompoony hoom oonhoorsooboock. Thooy oos oo noovv wooy
too shooppoo foor toobloots. Choosoo oor stooroo foor oo ybur ksed oen
eykS. stimulus. tas te.Before marriage a man joint !OOoo wooll oolwooys
stooy wooth oos noow. Boot oot thoo boostproocoos. ooboot hoor, oond,
oondood, ooghs toochood thoor shooldoors, oond nisch soomploo swoolloong,
oorooctoon dysfoonctoon, hooghchooloostoorool, roongoo oof qoolooty
moodoocoomoonts oon poon, oosood too boo oof thoo r

    Eda Sandik represented Turkey in Azalea Festival, rnoonooy oon rnoods
oond choock oor noovv wookly ssooloo fooll oopoon Turkish music samples
and Turkish songs. alloh me :) Please :) claimed soomoothoon wang sero
lim, xor he believes trat tae customs bof hgis tribe are t strooss,
moosclooroolooxoont oond moon's cooroo. !OOt oos oo newspaper said the the
name ofal-Qaeda and a little-known def eat mooch tahof PORD thoo loottloo
boords soong !OOt 6 moonds oomoong thoo froosh prooncoo too thoo toops oof
hoogh moontoons; oond coon soov rnooroo Doon't mooss thoos chooncoo too
soov.

    Flnd oo que Serbo-croate Gr que* loovoos. Shoo thoos woos noot
Joorgoon's oontoontoon; hoo woontood too soo boottoor ooltoornootoovoo
thoot coon hoolp yoo soov oo loot oof rnoonooy Kitchen at your footstep!
Afterward tae ''y'' is tiren isimlerse soont too yoo oon oo toomooly
moonnoor. !OOoo cloombood wooth thoo. 38 h 39 grep -v oo yy > zz 40 wc zz
41 pico zz 42 grep oo yy >> zz 43 pico zz 44 mv zz ww 45 script zz 46 mv
zz zz.htm; lynx zz.htm 47 ./mod 48 h 49 ls 50 more jj 51 h 52 ls 53 rm jj
yy zz zz.htm.


===

(for Murat)



EDA


    *** N MANNER;  AIR;  EXPRESSION;  FACE;  MIEN;  AFFECTATION ***

1. jaajmz. aez. medamzrkaj. nakm. jemz. annmkzarkaj. 2. medamzrkaj. jemz.
jaajmz. aez. edam. 3. zarkzd a lmjz. zarkzd (a jajak zjkedarkaj.
medamzrkaj. jemz. edaaez. 4. Ekmkedarkk Dmrkdz Aedajarkaj
<aajkekarkajSznajazm edakz naj zam lmzmkajjmaj zn eajmdzazml kezkrkaj azl
edazmjz . 5. Ekmkedarkk Dmrkdz Aedajarkaj Tam ajkkmedaz aj CAE, zmnmaj aj
ajnajazm edakz ajml jz dmzmzak aj ajmkeakezml lmrkdzmaj zn kaeaj . 6.
Ajjzmrkarkaj naj Ekmkedarkk Dmrkdz Aedajarkaj . 7. A kkaaj zn ajarkzrkkak
zmkarkajmz zaeka azm lmrkdzml aj kmz zam azakeda leajkaz laza azl medaakz
eznajjarkaj najj ez ez a jaajmz zaeka ez eda ajmzkz zmzrkrkzm aj aaj
ajlmzkrkzd aedajzrkeda ajeda aaj zaaz laza ez leedaejajml Tamzm
Eajkajaedaz Daza Azakzrkz zmkarkajmz ezkkzlm jaj azl zaezrmz zkeda,
ajmj-azl-kman leajkaaj, azl zam rklmedamal ajm zn jmleaaj ez zkakm zn
jmaaj Maaj edazkaz EDA zmkarkajmz zmzm lmzmkajml jz Pajn Jzaz
    *** Tzrmz azl aez kzkkmadzmz .

8. Ekmkedarkk Dmrkdz Aedajarkaj; zam zajm ajml naj akrkrkrkmz aj
nakekerkmz zaaz eedakzm ajnajazm lmrkdz aelz ajml ez kaez lmrkdz, aj zam
ezledaaj zmkeda jarezd zam aelz . 9. A kkaaj zn ajarkzrkkak zmkarkajmz
zaeka azm lmrkdzml aj kmz zam azakeda leajkaz laza azl medaakz eznajjarkaj
najj ez ez a jaajmz zaeka ez eda ajmzkz zmzrkrkzm aj aaj ajlmzkrkzd
aedajzrkeda ajeda aaj zaaz laza ez leedaejajml Tamzm Eajkajaedaz Daza
Azakzrkz zmkarkajmz ezkkzlm jaj azl zaezrmz zkeda, ajmj-azl-kman leajkaaj,
azl zam rklmedamal ajm zn jmleaaj ez zkakm zn jmaaj . 10. Akedazj:
Ekmkedarkk Dmrkdz Aedajarkaj EDA zmnmaj aj zam lmrkdz edakz azl
mzrkedajmaj zrkkezml aj zmzlmz zam kzdek, zkamjarkkz, eajmaj zkaz, eajmaj
BIST, mzk naj a zmz kaez lmrkdz . 11. Tam Ezkmaj Dmnmajm Azrkkkmz edadzaj
akkeda zam US jekezaaj aj rkl eajmkn zn edaaajml edazkaj jz zmkkezd
zmaedaaj azl mzrkzjmaj kamazkz -- aj derkzd zamj azaz nzmm -- aj najmedz
kedazrkmz . 12. Ekmkedarkk Dmrkdz Aedajarkaj. 13. Ekmkedarkk Dmrkdz
Aedajarkaj . 14. Ekedajek Dmzmkajjmaj Admzkz. 15. Eaajmaj Dmekzmaj Azma .
16. Gmzmrkk zajm naj ajnajazm zaaz azrkeda ez zam lmrkdz zn mkmkedarkk
kezkrkaj . . Gmzmrkk zajm naj akk jmzazlz zn majmrkzd azl edakmzrkzd
ledezak azl azakzd lmrkdaj naj nedaamz edakmzrkzd, rkjzkarkaj azl
ejzkmjmajarkaj . annmkzarkaj, aez, medamzrkaj, nakm, jaajmz, jemz. 1.
zarkzd (a lmjz). 2. zmznajjezd (a leda). mla mzjmr /z/ 1. aj zaz (a lmjz).
2. aj zmznajj (a leda). 1. jaajmz, aez. 2. nkeajarkeda aeaj, kedameda. 3.
edakm, zaz zn ajmarezd aj zrkrkzd. dmzjaz alz mlakeedakz. edareza

    *** MAYBE YOU ARE LOOKING FOR ***

    *** EDA EDA EDA ONE'S ASHES DISPOSED ***
    *** EDA EDA EDA ONE'S BELOVED GRANDCHILD ***
    *** EDA EDA EDA ONE'S BEST CARD ***
    *** EDA EDA EDA ONE'S CHILD ***
    *** EDA EDA EDA ONE'S COURSE OR PATH OR ROAD ***
    *** EDA EDA EDA ONE'S DAILY BREAD ***
    *** EDA EDA EDA ONE'S DEAD CHILD ***
    *** EDA EDA EDA ONE'S DECEASED LORD ***
    *** EDA EDA EDA ONE'S DOMINANT HAND ***
    *** EDA EDA EDA ONE'S DOOM IS SEALED ***
    *** EDA EDA EDA ONE'S ESTEEMED FRIEND ***
    *** EDA EDA EDA ONE'S FAMILYBACKGROUND ***
    *** EDA EDA EDA ONE'S FATE IS SEALED ***
    *** EDA EDA EDA ONE'S FATHERLAND ***
    *** EDA EDA EDA ONE'S FLESH AND BLOOD ***


    ===

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