Message-ID: <Pine.NEB.4.63.0510160155250.23328@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.aol.com>,
"WRYTING-L : Writing and Theory across Disciplines" <WRYTING-L@LISTSERV.UTORONTO.CA>
Subject: Silence of the Avatars
Date: Sun, 16 Oct 2005 01:55:40 -0400 (EDT)
Silence of the Avatars The actant or actants' aesthetic aether, Alan, exists within the class of alterities, or Alterity. Amidah's analogic app appears as apperception within the aristotelian logics around. Think of the audion; audiophiles consider the authorial in relation to it, as if an avatar or avatars were on the other side of the virtual. Their bio? Varied biomes - found in blogging, blogs in general, even real-world bookshops. A kind of bricolage postulated as bushido. Castrated avatars exist as chiasmus within the chora - circumlocuted on one hand, but steady-state circumscription on the other. Their clits are clots within codework, their codeworks menses or coherencies, collocations complicit with consciousness - consensualities. Their cordons, their cunt or cunts cordoned off within the cybermind, cyberspace. The cyborg or cyborgs are sexual - for example d'eruza and d'nala in dancework, the decathexis of all non-sexuality, their bodies deconstructed. Deconstructing deconstruction is hardly necessary; the body self-deconstructs. All sorts of releases: deerflies for examples. This is defuge, the exhaustion or denudation of the desiccated world and its destabilization - both diachronically and synchronically. Diachrony works as diegesis, the diegetic of inexhaustible virginity. This is the differance among cock and cunt, the differend of the flesh, unspoken and unspeakable, disassociating discomfiture. Certainly the reader, by now discomforted, is staked through disinvestment, tallies distantiation. The world is a world of distributivities and ecologies, effusions and emanants, their flesh folded around the labia and emergences of others. This is a form of empathetic, worlds and words empathized, in order to annihilate all existence and its a priori encapsulations. On one hand, the entropic - on the other the episteme, carried by ethernet from Everglades to other experientials, biomes, extasis. The actants' extensivity and its externality tends towards extinction of desire, extrusions of language and its inherent familiality of the fantasmic. Consider fantasm a feedforward fictivity, involving filmmaker and filmstock alike, sound and fingerboard, the Foofwa-actant dance and its genidentity in geomatics. Gesturally, these exist, as now, in gigabytes, gridlines defining one or another fuzzy habitus, their mathematics within halfgroupoids. An explosion of species: hir hirself, through hemiptera and the historiographies of holarchies in virtual hyperreality. Cyberspace and hyperrealities are already idealities, the ideogrammar of the ikonic of the imaginaries, all that exists within the 'might-be.' Denied by language, immersive subjectivity - immersivities of real incoherency - literally incompletes indexicality's sectioning of informatics and inscriptive interiority. Within the internality of the internet, interpenetrating flesh and avatar, interpenetrations of actant of programmatic introjections, tend towards the iconography of Izanagi and Nikuko - the debris of java, javascript - Jennifer, too, the Jewish locus of jouissance and judgmental Julu. The kanji of the world wraps around koans, kwat! - Lacanian landbirds languaging all, a latinate lifeworld liminal among silences. Literarily, nothing philosophically occurs. The result, machinic magatamas of malnourishment and the overly-wrought manifesto, part and parcel of mathematization, mathesis collapsing in mediaspace. Isn't the world menued, microworlds as well, minefields of inconceivable mythological minefields? A moron morphing, its morphs, through ideological multiculturalisms, surely. Nikuko and others were situated in Nakasu- kawabata, nowhere near Nara, closer than the secondary narcissisms of narratology and its neighborhooding neurophysiologies. Because it's there that falsehood resides, from newbies through Nietzsche, from Nijinksy through fucking Nikuko. Nikuko's nostalgias are worldless, absenting objecthood, her oeuvre offline, off offline as well, her ontologies organelles. Nikuko's particulation, call it her _paysage,_ voyeuristic peerings tending towards performativity. The fundamental grounding of the world is periphyton, phantasms, according to any phenomenologist, derive from it. Ghastly playnt of the pneumosphere and its poolings. So the postmodern academics arrive, their terminological postmodernism, post- modernity, whatever, presencing any presentification, according to their notions of prespace and primordials problematized. Worlding problematizes problematizing, also considered protolanguage, the psychoanalytical backdrop to thinging, the psychoanalytics of realspace rearticulation. Nikuko, Julu, Jennifer, their rebirths and regiments - reifications all, their bodies reinscribed - a process in fact of uncanny reinscription - into the releasement of the world. There, everything - rills, rotifera, runnels, the satori of sawgrass, the seamount - in fact the sememe of what circumambulates the natural - linguistically collapses into sememes of the other (all sememes are of the other), the backwards and atavistic field of semiology, as if semiosis always tended towards the configuration of semiotics. We have only sexualities to consider, shakuhachi or shamisen vertical expostulations of the sheffer-stroke, stroked themselves as culture collapses once again into flesh. All sorts of magic prevail - the shimenawa for example, or 'shithead' signifiers of obscenity, simulacra of body-skeining, collapse. Body skeins are soundwork, murmurs and speakings of the world in the face of specicide, stentor and stromatolite for examples. This is the urgency underlying structuralism and subgroupoids, the mathesis of subjectivities, subsonic subtexts just out of hearing. Subtext or subtexted, the world moves from object through process, both united in avatars such as Susan Graham, symbologies of whoredom, in synchronic extension with Nikuko and the 'others.' This is systemics, taxonomies of techne, teledildonics, the filmic mediation of the real which is the real and its teleologies, always a temporality of the subject and its tendrils of the pre-symbolic. Tern biomes on one hand, on that 'others,' tessellations, the registry of bodies in thanatopoesis and already fallen tropes. The typifications of unfoldings are all we have - unhinging of language already inconceivably tethered. Avatars bypass valium vicodin, in favor of purified videowork and its virtualities - the VLF (very low frequency) subtext of the world. Think of voiceovers as the remnant of what might be said, waypoints or websites of wetware. The wetwares of willets and other shorebirds - again, varied worldings, forms of wryting themselves into the circumscription here attained, as if I were a yamabushi descendent, moving sullenly, sitting in silence, zazen ...