The Alan Sondheim Mail Archive

November 26, 2005


wallltz

bored with 2^a/2^b time, momentary turning towards waltz!
waltz? complex because so much rushes with that accented beat!
there's not much time to complete anything after it!
the swaying goes against the 2/2 of arms/legs for example!
there are no 3^a with bilateral symmetry!
any code can be re/produced by the binary!
binary groupings tend towards singing! even teental! yes even teental!
lumbering back and forth, swaying back and forth, retarding and catching
up hither and yon, moving and lumbering and changing those feet and those hands 
and those arms and those legs - everything gets its turn!
more simple than simple yet more complicated because compact!
just those two lagging beats, and that accent, tends towards heaviness!
the oom-pahpah! attacking the binary! problems with the digital!
zeroes ones and twos, ones twos and threes, twos threes and fours!
here here! there there!
http://www.asondheim.org/takeeleven.mp3
http://www.asondheim.org/takefourteen.mp3
as usual parlor guitar (with echo, slight noise reduction on takeeleven)

the perfect wave from hawaii's pipeline, reimaged to reflect the
dream of the perfect wave from hawaii's pipeline, reimaged to reflect
the dream of the perfect wave from hawaii's pipeline

http://www.asondheim.org/perfectwave1.jpg
http://www.asondheim.org/perfectwhite.jpg

and the perfect vacation spot for white and black and brown alike, reimaged to 
reflect the perfect vacation spot for black and brown and
blue alike, reimaged to reflect the perfect vacation spot for brown
and blue and red alike, so much loaded flesh, so many perfect blends,
economies of tourism, housings for rich and poor (alike)

of course i do my best to hide everything with uncanny beauty, these
images will slip right past you

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