Jonathan and Marjoram
Jonathan was driving, Marjoram (yes, that's her real name), was in the
passenger seat. They were traveling through the port of Los Angeles. They were
would-be terrorists. "Take a left here," Marjoram said. "We don't have much
farther to go." The refineries were close by. Jonathan reached over, signaled
left. http://www.asondheim.org/takingleft.mov He didn't want any trouble.
Marjoram was having second doubts. She replayed, over and over again, her
childhood dream, walking down a wooden pier of some sort, looking left and
right into the water. http://www.asondheim.org/takingstraight.mov There were
beautiful sea-creatures, kelp, algal mats, of all sorts; the water was alive.
'Perhaps the world is, as it is meant to be,' she thought. 'Perhaps we're
making an error.' She dreamed herself into a better life, waiting and walking,
there on the pier, happy children, innocent and unaware, running just ahead.
of
the Italian Renaissance, especially the Florentine
the Italian Renaissance, especially the Florentine
the Italian Renaissance, especially the Florentine
programs I developed my confused fumblings with knot theory programs I
developed
my confused fumblings with knot theory my
my confused fumblings with knot theory
my
my
self-hatreds and their ten realistic justifications self-hatreds and
their
ten realistic justifications Vito Acconci
ten realistic justifications
Vito Acconci
Vito Acconci
and Kathy Acker Rosemarie Mayer and Laurie Anderson and Kathy Acker
Rosemarie Mayer and Laurie Anderson my
Rosemarie Mayer and Laurie Anderson
Anglo-Saxon riddles and Bede's history and work on the Tabernacle
all Dostoevsky and most Dostoevsky and most
Dostoevsky and most
Dogen and the times the coming the coming
the coming
Ethnology my
Ethnology
my difficulty recognition various
recognition various
difficulty
various
laughter
Irigaray and the open door the chora and fluid mechanics Irigaray and
the open door
the chora and fluid mechanics guitars
the chora and fluid mechanics
guitars
guitars
and sitars and mrdangam and my recordings the movement and sitars and
mrdangam and my recordings
the movement my hands
the movement
my hands
my hands
film and video cameras and the transformation mechanism to the
film and video cameras and the transformation
mechanism to the
mechanism to the
internalized world electronics internalized world
electronics the Everglades and their
electronics
the Everglades and their
the Everglades and their
miraculous panoply flora and fauna miraculous panoply
flora and fauna rare species and our delight
flora and fauna
rare species and our delight
rare species and our delight
at seeing them for the very first time new species at seeing them for
the very first time
new species the people I
new species
the people I
the people I
have hurt and my inability to make amends the theory have hurt and my
inability to make amends
the theory the abacus
the theory
the abacus
the abacus
and the variety historical and prehistoric abaci and the variety
historical and prehistoric abaci the community
historical and prehistoric abaci
the community
the community
the
the
tendencies my wor tendencies
my wor the micrscope and the interiorities made
my wor
the micrscope and the interiorities made
the micrscope and the interiorities made
worlds to me my inability to seek or attain salvation worlds to me
my inability to seek or attain salvation the world
my inability to seek or attain salvation
the world
the world
books and my loss within them and losing myself within them
books and my loss within them and losing myself within them
Azure and her love me which I will never understand Azure and her love
me which I will never understand my family
me which I will never understand
my family
my family
whom I have cut f forever my
f forever my
some