Installation mpgs
Installation mpgs, mostly of interest for the audio, in the Track 16 gal-
lery; some of this is live, some recorded, some audio tracks, some video
audio tracks, some video tracks. Images alost invisible, which also re-
flects the phenomenology of the show, in a certain direction. I like the
deployment of space in the videos. There's all sorts of theory stuff in
relation to them. I'm exhausted from the show and apologies for curtail-
ment.
- Alan
http://www.asondheim.org/t16show.mpg
http://www.asondheim.org/t16show2.mpg
*
s * 1 = s; u * 1 = u; b * 1 = b; s * 1 = s; t * 1 = t; a * 1 = a; n * 1 =
n; c * 1 = c; e * 1 = e; * 1 = ; w * 1 = w; e * 1 = e; l * 1 = l; l * 1 =
l; s * 1 = s; * 1 = ; t * 1 = t; h * 1 = h; r * 1 = r; o * 1 = o; u * 1 =
u; g * 1 = g; h * 1 = h; * 1 = ; i * 1 = i; n * 1 = n; d * 1 = d; i * 1 =
i; f * 1 = f; f * 1 = f; e * 1 = e; r * 1 = r; e * 1 = e; n * 1 = n; c * 1
= c; e * 1 = e; * 1 = ; a * 1 = a; n * 1 = n; d * 1 = d; * 1 = ; i * 1 =
i; n * 1 = n; c * 1 = c; e * 1 = e; s * 1 = s; s * 1 = s; a * 1 = a; n * 1
= n; t * 1 = t; * 1 = ; a * 1 = a; g * 1 = g; i * 1 = i; n * 1 = n; g * 1
= g; . * 1 = .; * 1 = ; t * 1 = t; h * 1 = h; e * 1 = e; * 1 = ; c * 1 =
c; o * 1 = o; n * 1 = n; c * 1 = c; e * 1 = e; p * 1 = p; t * 1 = t; * 1
= ; o * 1 = o; f * 1 = f; * 1 = ; t * 1 = t; h * 1 = h; e * 1 = e; * 1 =
; i * 1 = i; d * 1 = d; e * 1 = e; a * 1 = a; * 1 = ; i * 1 = i; s * 1 =
s; * 1 = ; s * 1 = s; u * 1 = u; b * 1 = b; s * 1 = s; t * 1 = t; a * 1 =
a; n * 1 = n; c * 1 = c; e * 1 = e; ; * 1 = ;; * 1 = ; a * 1 = a; b * 1 =
b; s * 1 = s; t * 1 = t; r * 1 = r; a * 1 = a; c * 1 = c; t * 1 = t; i * 1
= i; o * 1 = o; n * 1 = n; * 1 = ; a * 1 = a; n * 1 = n; d * 1 = d; * 1
= ; d * 1 = d; e * 1 = e; f * 1 = f; u * 1 = u; g * 1 = g; e * 1 = e; * 1
= ; a * 1 = a; r * 1 = r; e * 1 = e; * 1 = ; i * 1 = i; d * 1 = d; e * 1
= e; n * 1 = n; t * 1 = t; i * 1 = i; c * 1 = c; a * 1 = a; l * 1 = l; , *
1 = ,; * 1 = ; m * 1 = m; a * 1 = a; s * 1 = s; s * 1 = s; * 1 = ; a * 1
= a; m * 1 = m; a * 1 = a; s * 1 = s; s * 1 = s; e * 1 = e; s * 1 = s; . *
1 = .; * 1 = ; t * 1 = t; h * 1 = h; i * 1 = i; n * 1 = n; k * 1 = k; *
1 = ; o * 1 = o; f * 1 = f; * 1 = ; t * 1 = t; h * 1 = h; e * 1 = e; * 1
= ; w * 1 = w; o * 1 = o; r * 1 = r; l * 1 = l; d * 1 = d; , * 1 = ,; * 1
= ; L * 1 = L; i * 1 = i; z * 1 = z; z * 1 = z; i * 1 = i; e * 1 = e; , *
1 = ,; * 1 = ; t * 1 = t; h * 1 = h; i * 1 = i; n * 1 = n; k * 1 = k; *
1 = ; o * 1 = o; f * 1 = f; * 1 = ; t * 1 = t; h * 1 = h; e * 1 = e; * 1
= ; w * 1 = w; o * 1 = o; r * 1 = r; l * 1 = l; d * 1 = d; . * 1 = .; s *
0 = 0; u * 0 = 0; b * 0 = 0; s * 0 = 0; t * 0 = 0; a * 0 = 0; n * 0 = 0; c
* 0 = 0; e * 0 = 0; * 0 = 0; w * 0 = 0; e * 0 = 0; l * 0 = 0; l * 0 = 0;
s * 0 = 0; * 0 = 0; t * 0 = 0; h * 0 = 0; r * 0 = 0; o * 0 = 0; u * 0 =
0; g * 0 = 0; h * 0 = 0; * 0 = 0; i * 0 = 0; n * 0 = 0; d * 0 = 0; i * 0
= 0; f * 0 = 0; f * 0 = 0; e * 0 = 0; r * 0 = 0; e * 0 = 0; n * 0 = 0; c *
0 = 0; e * 0 = 0; * 0 = 0; a * 0 = 0; n * 0 = 0; d * 0 = 0; * 0 = 0; i *
0 = 0; n * 0 = 0; c * 0 = 0; e * 0 = 0; s * 0 = 0; s * 0 = 0; a * 0 = 0; n
* 0 = 0; t * 0 = 0; * 0 = 0; a * 0 = 0; g * 0 = 0; i * 0 = 0; n * 0 = 0;
g * 0 = 0; . * 0 = 0; * 0 = 0; t * 0 = 0; h * 0 = 0; e * 0 = 0; * 0 = 0;
c * 0 = 0; o * 0 = 0; n * 0 = 0; c * 0 = 0; e * 0 = 0; p * 0 = 0; t * 0 =
0; * 0 = 0; o * 0 = 0; f * 0 = 0; * 0 = 0; t * 0 = 0; h * 0 = 0; e * 0 =
0; * 0 = 0; i * 0 = 0; d * 0 = 0; e * 0 = 0; a * 0 = 0; * 0 = 0; i * 0 =
0; s * 0 = 0; * 0 = 0; s * 0 = 0; u * 0 = 0; b * 0 = 0; s * 0 = 0; t * 0
= 0; a * 0 = 0; n * 0 = 0; c * 0 = 0; e * 0 = 0; ; * 0 = 0; * 0 = 0; a *
0 = 0; b * 0 = 0; s * 0 = 0; t * 0 = 0; r * 0 = 0; a * 0 = 0; c * 0 = 0; t
* 0 = 0; i * 0 = 0; o * 0 = 0; n * 0 = 0; * 0 = 0; a * 0 = 0; n * 0 = 0;
d * 0 = 0; * 0 = 0; d * 0 = 0; e * 0 = 0; f * 0 = 0; u * 0 = 0; g * 0 =
0; e * 0 = 0; * 0 = 0; a * 0 = 0; r * 0 = 0; e * 0 = 0; * 0 = 0; i * 0 =
0; d * 0 = 0; e * 0 = 0; n * 0 = 0; t * 0 = 0; i * 0 = 0; c * 0 = 0; a * 0
= 0; l * 0 = 0; , * 0 = 0; * 0 = 0; m * 0 = 0; a * 0 = 0; s * 0 = 0; s *
0 = 0; * 0 = 0; a * 0 = 0; m * 0 = 0; a * 0 = 0; s * 0 = 0; s * 0 = 0; e
* 0 = 0; s * 0 = 0; . * 0 = 0; * 0 = 0; t * 0 = 0; h * 0 = 0; i * 0 = 0;
n * 0 = 0; k * 0 = 0; * 0 = 0; o * 0 = 0; f * 0 = 0; * 0 = 0; t * 0 = 0;
h * 0 = 0; e * 0 = 0; * 0 = 0; w * 0 = 0; o * 0 = 0; r * 0 = 0; l * 0 =
0; d * 0 = 0; , * 0 = 0; * 0 = 0; L * 0 = 0; i * 0 = 0; z * 0 = 0; z * 0
= 0; i * 0 = 0; e * 0 = 0; , * 0 = 0; * 0 = 0; t * 0 = 0; h * 0 = 0; i *
0 = 0; n * 0 = 0; k * 0 = 0; * 0 = 0; o * 0 = 0; f * 0 = 0; * 0 = 0; t *
0 = 0; h * 0 = 0; e * 0 = 0; * 0 = 0; w * 0 = 0; o * 0 = 0; r * 0 = 0; l
* 0 = 0; d * 0 = 0; . * 0 = 0.
From: Jess
To: WRITING-AND-THE-DIGITAL-LIFE@JISCMAIL.AC.UK
Sent: Wednesday, May 31, 2006 10:11 AM
Subject: [WDL] Interviews with New Media Artists and Writers
Hello there,
Readers of the list may be interested in Simon Mill's latest project
concerned with interviewing new media artists and writers. The frAme
online journal published (between 1995 and 2004) a selection of work by
authors and artists involved with new media/digital technologies. Simon
has revisted a group of these writers and artists and has approached them
with questions regarding their artistic practise and the role of new media
in its development. The first four (Mark Amerika, Matthew Fuller, Christy
Sheffield Sanford, Alan Sondheim) of over twenty interviews are now
available online: http://www.framejournal.net/
Best,
Jess