danse
artificial, but on the 'edge' of both dance and not doing what we will do
all. Hi, here's what I think, would kill the spontaneity and untangibility
having an orgy. That I was to blame (that might _did_ tailor the hand, i
disagreeableness is that edge. On the other hand in the history of culture
aporia, a knot in a way. If it were choreographed and That we from thanks
'artificial,' it would be acceptable - 'yes, he/they broke that taboo'
encapsulated; it would be acceptable if it were just (nonsexual) etc. But
to other things" etc....) also structure aim of this piece i think. maybe
formalize the gestures would also the same effect couner any criticism on
would have to choreograph an erection or an overwhelmed here but have
think about these issues and argue about betraying you, we wanted to there
also, we know we are in an artificial set up allows to protect the viewer
specifically dance), dance-forms would be into my life so far. on one etc.
just forwarded pastel it. but i see what you mean (i can not be images to
you - but that shouldn't mean we have to agglomerate and links perhaps not
private - but then any week!! moving, rehearsing, getting And less pre-
dictable, and more complex this to you so you would know and would then
also be encapsulated. The way it is, it's not even there, ready have other
problems and events and just wonderfully. i am in total of and on our own.
And far word: sexuality (veering into the latter). I do think is not one
thing for sure but an maybe it needs that acceptability weren't about the
piece. it's going to be a very busy dancing....) get me wrong: i piece
actually. and i have no problem imagine the thought: " can he and telling
us stop masturbating, he's not even getting a improvisation, but isn't
dance _always_ yes i agree re kindness and understanding and It's an
understanding re sex tape, it doesn't feel like a bomb from my point from
which is true but it is indeed very difficult while help?). That we're
idea worth exploring but it is not the as you see, it's wonderful
choreographed or anything about it. if you want to further things to are
other things that made this situation possible. on finding maybe of it
captures piece, which makes me feel stronger to them. thank you for the
debate, you are most welcome. the other, i really defend this to do the in
the rest of the piece. lastly, re maybe too of killing the life of
agreement with your point of view. again, like anything in life ("this to
it. something that some of vividness of the actions of the piece. on thing
view, i think this piece should be not more stuctured: it had nothing i
setting up, each one separated, clothed, natural, whistling, in one more,
a surplus; the sexuality would voyeur in this sense? Although to thinking
anyway. representation this specific would imply privacy, some remain more
mysterious artificiality, tailor the images when we're working protect you
from work that we both thought choreography that would it's an to the shot
in the beginning which shows us getting to work of make that point. On the
other hand, much or too clearly dealing with been basically good people.
That the sexual work i think this is close to a sexuality, our idea was to
really hit the nail on these issues and not to for lectures and a tour!
with it, i don't want to reshoot it at master improvisation which allows
would turn oddly and safely with structure. it what is shown. structure
would obstruct arousal or getting wet... continuing to discuss calmly you
basically wouldn't like. oh don't (not defend the piece as you just did,
used precisely to become something with you. And when you were , we hard
on..." hihihih
lungatar shakatar
You see, in the lungatar, we have the final version; both bodies find
themselves incapable of touch; they remain apart, even in the fondest
caress. This requires considerable training on the part of the bodies and
their assignments to respective polygon multiplicities. Such flesh is
capable of clear training and retraining, once the palsy is captured, as
the shakatar, early stage of lungatar, indicates.
http://www.asondheim.org/lungatar.mov 20 meg but worth it
http://www.asondheim.org/shakatar.mp4 6.6 meg but worth it
...cases of the almost-presence of ghost-avatars, ghastatars - ectoplasm,
poltergeists--interactions of the Other World with our own--in which the
Spirit in actually and embodiments affects the very physical being of
material objects, perhaps even one's consciousness...
But if there is, indeed, Cosmic Consciousness, to what extent does Spirit
relate in Spirits, much as Being relates in Beings within our own world?
And what are the expectations of Relation, beyond obvious parallelism?
Does Spirit touch Spirit? And for that matter, in our world, does Being
ever really touch Being?
+++
---------- Forwarded message ----------
Date: Mon, 04 Dec 2006 16:35:23 -0800
From: NASA Jet Propulsion Laboratory <info@jpl.nasa.gov>
To: "sondheim@panix.com" <sondheim@panix.com>
Subject: NASA Mars Orbiter Photographs Spirit and Vikings on the Ground
MEDIA RELATIONS OFFICE
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Guy Webster 818-354-6278
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Dwayne Brown/Erica Hupp 202-358-1726/1237
NASA Headquarters, Washington
Lori Stiles 520-626-4402
University of Arizona, Tucson
Image Advisory: 2006-142 Dec. 4, 2006
NASA Mars Orbiter Photographs Spirit and Vikings on the Ground
New images from NASA's Mars Reconnaissance Orbiter show three additional NASA
spacecraft that have landed on Mars: the Spirit rover active on the surface since January
2004 and the two Viking landers that successfully reached the surface in 1976.
The orbiter's high-resolution camera took a dramatic photograph of Spirit's twin rover,
Opportunity, at the edge of a Martian crater two months ago.
Besides providing new portraits of these robotic emissaries, the images provide scientists
valuable high-resolution information about the surrounding terrain at each site. This aids
both in interpreting other orbital data and in planning activities for surface missions.
The new images are available online at links from
http://www.nasa.gov/mission_pages/MRO/news/mro-20061204.html and
http://hirise.lpl.arizona.edu . They are among the earliest from Mars Reconnaissance
Orbiter's primary science phase, which began in November.
"We know these sites well at ground level through the eyes of the cameras on Spirit and
the Viking landers," said Dr. Alfred McEwen of the University of Arizona, Tucson,
principal investigator for the High Resolution Imaging Science Experiment camera on
Mars Reconnaissance Orbiter. "Applying that knowledge as we view the new orbital
images will help us interpret what we see in orbital images from other parts of Mars never
seen from ground level."
The camera's view of Spirit in the midst of the "Columbia Hills" is quickly being put to use
by scientists and engineers who plan the rover's daily activities, just as a comparable image
taken two months ago of Spirit's twin, Opportunity, has aided that rover's work. A second
image of the Opportunity site has now been combined with the first for a stereo view.
The view of Viking Lander 1 from the high-resolution camera on Mars Reconnaissance
Orbiter reveals the spacecraft's back shell about 260 meters (850 feet) away and the heat
shield nearly four times that distant. The lander returned the first view from the surface of
Mars and kept operating for more than six years after its July 20, 1976, landing.
"The biggest surprise is that you can still see what appears to be the parachute after 30
years," said Dr. Tim Parker of NASA's Jet Propulsion Laboratory, Pasadena, Calif., whose
calculations helped determine where to point the orbital camera for seeing the Viking
landers.
Viking Lander 2, unlike Spirit and Viking Lander 1, had not been detected previously in
images from NASA's Mars Global Surveyor. One feature that had been considered a
possibility in an earlier image turned out to be the Viking Lander 2's back shell, about 400
meters (a quarter mile) from the lander easily discerned in the image from the newer,
higher-resolution camera.
Parker is identifying some individual nicknamed rocks in the Viking-site images that are
prominent in famous photographs taken by the landers, such as "Ankylosaurus," a rough
rock about a meter (three feet) long near Viking Lander 2, and the larger "Big Joe" near
Viking Lander 1.
NASA made imaging of the Viking Lander 2 site an especially high priority for Mars
Reconnaissance Orbiter to help in evaluation of candidate landing sites for NASA's
Phoenix Mars Lander mission, being prepared for launch next summer. Phoenix will land
at a far northern site, and the Viking Lander 2 site, though not as high-latitude as where
Phoenix will go, is the most comparable site of any seen from the surface of Mars.
"The Viking Lander 2 site, with its combination of lander-based and orbiter-based
imaging, gives us an important anchor for evaluating the ground roughness and boulder
densities at sites where we have only orbital imaging," said Dr. Ray Arvidson of
Washington University in St. Louis, chair of NASA's Phoenix Landing Site Working
Group.
The Mars Reconnaissance Orbiter is managed by JPL for NASA's Science Mission
Directorate, Washington. Lockheed Martin Space Systems, Denver, is the prime contractor
for the project and built the spacecraft. The High Resolution Imaging Science Experiment
is operated by the University of Arizona, and the instrument was built by Ball Aerospace
and Technology Corp., Boulder, Colo. For more information, visit
http://www.nasa.gov/mro .
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