GLORY
http://www.alansondheim.org/ glory jpgs
http://slurl.com/secondlife/Odyssey/48/12/22 (SL exhibition)
glory spews glory-wood baby; bleared 4-dim glory smeared across time : I
cd not have done this work without the aid abet and glory of the American
Emyre : glory pants inside glory pants out : time zone change: EST: pants
inside-out < glacial intrusion: wet panties of Jennifer Glory, glorious [
caliber of yr bullet [ traceroute trace :skins fly thru the air there, cd
fly thru it, Julu says, cum up for air, Julu is Oedipus mad,
Julu-Carthaginian < so Nikuko's ground-level black smoker in the fucked-up
world of Migraine-Toulouse, s/he sings If you ever cum this way again /
watch out women watch out men / a plant planted leaves seeds and roots /
smokers dye w/ rotted fruits > friends and Carthaginians give me yr skins
& sing about the glory of better daze : time zone change: EST: 3 a.m. when
it's the dark nite of the soul ::there's no glory in what i do, there's no
glory in me or you, there's no glory in my bloody art, there's no glory on
my bloody part, shadows everywhere for me and you, shadows everywhere is
what Julu do, shadows skyward in a flock, shadows skyward hard as rock,
there's no glory hole whole, there's no body whole, there's nobody's hole,
there's no glorymachine ::
Your the ecstatis mary comes crimpled all skinned rezzed generous mary,
what is 3 d 2 b? is in-me my where
ecstatis mary comes crimpled all skinned rezzed generous mary, what is 3 d
2 b?
Your impossible connects my ecstatis mary comes crimpled all skinned
rezzed generous mary, what is 3 d 2 b? with needle park
yr dealing with fuck-driven ecstatic glory cum-crumpled Alan Skin, says
Jennifer Glory, what is 2 b dun? ecstatic glory cum-crumpled Alan Skin,
says Jennifer Glory, what is 2 b dun? ecstatis mary comes crimpled all
skinned rezzed generous mary, what is 3 d 2 b? ecstatis mary comes
crimpled all skinned rezzed generous mary, what is 3 d 2 b?
sex-playing roles in organic display that disappears, sheaves
of nodes and vectors is in my wayward closet of attachments and parts
Your small tables
seeps into my closet of attachments and parts - turning me Julu-Jennifer
Your breast
should there be such a moment or momentclature as these, nouns and
adjectives, genitives and genitals crawling across or throughout the body,
dearest julu, the body of text, or what should i say about ourselves, if
not something used once and neither more nor less:there's always a
question or query of these sources, to be sure? or a listing of lines or
striations among queries or something of that sort, dear julu, now i will
be very very wet when i am writing in my panties boohoo dear jennifer
dearest jennifer and nothing else:a range of scalar values submerging the
screen, there's something dear julu that must be beyond or in the midst of
the other side of the tree, surely the use of values better written point
to newer sources::yes yes yes yes yes
Your pure yes yes yes yes yes is in my edgy is this where i say the end
with my wettest panties, dearest nikuko, or just the slightest bit just a
slightest bit and further on, we are traveling blind and hands are groping
panties, are they not dearest jennifer
Devour pure yes yes yes yes yes julu-of-the partying should there be such
a moment or momentclature as these, nouns and adjectives, genitives and
genitals crawling across or throughout the body, dearest julu, the body of
text, or what should i say about ourselves, if not something used once and
neither more nor less!
GLORY SPEWS GLORY-WOOD BABY
MEAT ME THERE
---------- Forwarded message ----------
Date: Thu, 28 Aug 2008 12:26:13 EDT
From: FrancesVanScoy@aol.com
To: dem@wvu.edu, rnakaishi@hotmail.com, momoku@gmail.com,
mcdermott.jimmy@gmail.com, sondheim@panix.com, llohoffman@comcast.net,
charles.baldwin@mail.wvu.edu, FrancesVanScoy@aol.com, esklar@mix.wvu.edu,
manesgk@gmail.com, Terry.Yun@mail.wvu.edu, rreaser@mix.wvu.edu
Subject: [vel] Proteopedia interactive 3-d macromolecules
http://chronicle.com/wiredcampus/article/?id=3277&utm_source=at&utm_medium=en
http://chronicle.com/wiredcampus/article/3277/proteopedia-an-online-encycloped
ia-of-interactive-3-d-macromolecules
August 27, 2008
Proteopedia: an Online Encyclopedia of Interactive 3-D Macromolecules
Proteopedia, a new collaborative Web site, is offering not only text
descriptions of proteins and other biomacromolecules related to biological functions
and disease, but also interactive 3-D images.
On the Web site, the 3-D images come with a descriptive text that contains
hyperlinks. Clicking on the links changes the images to display what is being
explained in the text. This format aims to make the complex structural
information comprehensible to everybody.
Proteopedia’s seed material is the entries on each of the more than 50,000
records in the Protein Data Bank. Members of the scientific community are
encouraged to register to be able to edit and expand existing pages, or create new
ones.
The wiki Web resource was developed by researchers at the Weizmann Institute
of Science, in Israel, the University of Massachusetts, and the University of
Maryland, who described their project in an article in Genome Biology. —Maria
José Viñas
Posted on Wednesday August 27, 2008
http://www.proteopedia.org/wiki/index.php/Main_Page
**************
It's only a deal if it's where you want to go. Find your travel
deal here.
(http://information.travel.aol.com/deals?ncid=aoltrv00050000000047
for hir we are dy9ing and the calling-forth
for hir, we are dy9ing
for hir, we are dy9ing, ju# k: kill all unconnected #g gladly, let me have
your breast, let me drink from # o: options # and endings we are waifs, we
are wayward,, we are mi# r: rering all # shit nor drink, wears us like a
glove, # s: shell ## u: user list # we think hir thoughts only# w: output
user to file #ly, taste her sweet tongue ah ah ah ah ah we are, niu# q:
quit #
###########################
nikuko, our mouths open for hir, oh that she would dying of thirst in
desiccation, oh she must be satisifed, must she not! where and when we
suffer, suckle me, julu, let me bleed open for you and there, drink my
blood, my bitter tears are openings for your speech, julu, we are contrary
children, neither piss, nikuko, nor eat, we do nothing,
our mistress only, julu, suck hirsweet sweet flesh only, ah ah ah ah ah we
are julu, ah ah ah ah ah
[ Nikuko and Julu, both emanents of a single mistress/master; they're
different but inhabited similarly; they are equally opened; mistress peers
inside them; they're splayed for hir; they are lovers sharing equivalent
bodies; they're four-dimensional beings whose interiors open to any viewer
daring to come close enough; they are both worn like gloves; they
participate on the surface in sado-masochisms; they have no will of their
own; they have given up will; they never had it in the first place; they
speak through me; they meld; their dreams, our desires ... ]
the calling-forth
[ringing ...]
[Waiting for connection...]
[11;1Hif i could not write, i would be dead; it's necessary to signify my
life.
a life isn't worth living,,
Nikuko, if it were dead or such beyond. you must wai
wait here with me, int
this space residing with me.
[8Bwaiting if i could not write, julu, signifies nothing. i would write
your body,
your body imminent; i would write your body now, uncover it in one virtual
worl
world after another, skin emptied of all thought -
[Kemptied of all thought except for me, Julu, you within e
me as our mistress, whom
whomever, takes us on like a glove,
[14Cone after another, same think
thinking and no escape, same tune and no horizon
[36Cand no air, Nikuko, and no breathing, no br
breath, nothing but the hold our mistress
[7Chas upon us, julu, taking our
bodies one after another, wearing them visibile and invisible,
[42Cfucking our bodies, julu, sliced open
for hir, available to hir on every level, prim and primitive, her body
, hir body prime fo
for receptioon
n, her we
ait
[39Cours alone, niku
nikuko, our mouths open for hir, oh that she would
[24Cpiss on us, water us i t
n this desert, our mouths wide fo
for hir, we are dy9ing, julu,
[21Cdying of thirst in desiccat
desiccation, oh she must be satisifed, must she not! where and when we
suffer,
[30Cnikuko, hardly suffering gladly, let me have your
[9;1Hbreast, let me drink from it,
[18;1Hsuckle me, julu, let me bleed open for you and there, drink my
blood, my bitter
[18;1Htears are openings for your speech,
[30Cour sadness, beginn
nings and ed
ndings we are waifs,
[36Cjulu, we are contrary children,
[8Bwe are wayward,, we are misery themselves, we neither shit or d
nor drink,
neither pis
piss, nikuko, nor eat, we do nothing,
[18;1Hour ms
istress
[70Cwears us
[9;1Hlike a glove,
[9;1Hwe think hir thoughts only, move hir arms and legs u
only, taste her sweet tongue
[13Conly, julu, suck her sw
irsweet sweet flesh only, ah ah ah ah ah
[8Bah ah ah ah ah we are, niuko
kuko,
[40Cwe are
[Jjulu, ah ah ah ah ah
[32Cah ah ah ah ah
[Waiting for connection...]
if i could not write, i would be dead; it's necessary to signify my life.
[8Ba life isn't worth living,,
Nikuko, if it were dead or such beyond. you must wai
wait here with me, int
this space residing with me.
waiting if i could not write, julu, signifies nothing. i would write your
body,
your body imminent; i would write your body now, uncover it in one virtual
worl
world after another, skin emptied of all thought -
[Jemptied of all thought except for me, Julu, you within e
me as our mistress, whom
whomever, takes us on like a glove,
[50Cone after another, same think
thinking and no escape, same tune and no horizon
[13Dand no air, Nikuko, and no breathing, no br
breath, nothing but the hold our mistress
[49Chas upon us, julu, taking our
bodies one after another, wearing them visibile and invisible,
[21Dfucking our bodies, julu, sliced open
for hir, available to hir on every level, prim and primitive, her body
, hir body prime fo
for receptioon
n, her we
ait
[63Cours alone, niku
nikuko, our mouths open for hir, oh that she would
[27Dpiss on us, water us i t
n this desert, our mouths wide fo
for hir, we are dy9ing, julu,
[51Cdying of thirst in desiccati
desiccation, oh she must be satisifed, must she not! where and when we
suffer,
[49Dnikuko, hardly suffering gladly, let me have your
[18;1Hbreast, let me drink from it,
[9;1Hsuckle me, julu, let me bleed open for you and there, drink my blood,
my bitter
[9;1Htears are openings for your speech,
[6Dour sadness, beginn
nings and ed
ndings we are waifs,
[36Cjulu, we are contrary children,
[9Bwe are wayward,, we are misery themselves, we neither shit or d
nor drink,
[68Cneither pis
piss, nikuko, nor eat, we do nothing,
[9;1Hour ms
istress
[57Cwears us
[18;1Hlike a glove,
[18;1Hwe think hir thoughts only, move hir arms and legs u
only, taste her sweet tongue
[13Conly, julu, suck her sw
irsweet sweet flesh only, ah ah ah ah ah
[9Bah ah ah ah ah we are, niuko
kuko,
[72Cwe are
[Kjulu, ah ah ah ah ah
[11Cah ah ah ah ah
[ Nikuko and Julu, both emanents of a single mistress/master; they're
different but inhabited similarly; they are equally opened; mistress peers
inside them; they're splayed for hir; they are lovers sharing equivalent
bodies; they're four-dimensional beings whose interiors open to any viewer
daring to come close enough; they are both worn like gloves; they
participate on the surface in sado-masochisms; they have no will of their
own; they have given up will; they never had it in the first place; they
speak through me; they meld; their desires, our dreams ... ]
To access the Odyssey exhibition The Accidental Artist:
http://slurl.com/secondlife/Odyssey/48/12/22