The Alan Sondheim Mail Archive

November 13, 2008


Denuded Prims


When one loads Second Life, servers and bandwidth, not to mention
your local machine, might slow things up; the image passes from
incomplete to the masquerade of a replete and fecund world. Here
are a few examples:

http://www.alansondheim.org/rush1.jpg
http://www.alansondheim.org/rush2.jpg
http://www.alansondheim.org/rush3.jpg
http://www.alansondheim.org/rush4.jpg
http://www.alansondheim.org/rush5.jpg

It's the reverse of the hypnagogic, beginning with the blank slate
of antiquated neurophysiology, ending with an ostensible real that
is equally within the imaginary. You see this out of the corner of
your eye, all the time; you don't quite trust yourself, trust your
vision.

"Shattering a moment of intimacy - for me, the Net doesn't do it, I long
for real intimacy beyond this space the longer I'm on-line, closeness,
pressure, of the body against the keys, the intimacy which is touch, the
intimacy of nest, domus, place. Love is the occasion of all, the light
itself floats, transforming the world of intimacy into the weight or
intimacy of the screen - nothing, in short, that is desirable - intimacy
may result after all. But the activity is very different, like formation,
the hunt, the studied mannerist intimacy of speaking, drugging, posses-
sion, the contract. Intimacy forestalls occupation, the experiential. The
writing should be the exposure of every intimacy and secret, should be
exposure, of intimacy, every secret intimacy the secret should shout all
self, the vanishing- point, plane and punctum."

The Times

0:00 0:00 0:00 to 10:05 10:44 13:28 14:15 15:05 17:30 1:00:54 1:02:10
1:05:24 1:05:44 1:07:20 1:11:12 1:11:20 (check time) 1:15:00 1:15:40
1:18:48 1:20:45 1:23:08 1:26:50 1:27:35 20:15 21:00 24:39 26:00 28:00
32:20 32:56 36:00 36:53 39:15 42:15 43:34 46:30 (number may be slightly
off) 49:44 4:07 50:00 54:00 56:26 58:40 5:09 7:22 9:32 roughly

The Quality Excellent

Excellent
Excellent
Excellent
Excellent (Myk thought it sounded like the Rolling Stone, but what
Excellent - use? Very beautiful says Myk.
Excellent, but don't use?
Excellent, ends with zither leg falling table
Excellent, use but perhaps too long? (Alan less sure than
Excellent, use this or the previous?

The Myk

Myk - too long, Alan agrees, could fade out on this -
Myk Freedman - steel guitar on all tracks he's on
Myk all but two traks
Myk and Alan - okay, sounds nice, don't use
Myk at one point accidently makes 'crash' - please lower, thanks
Myk likes the motif here, I like the first better as
Myk likes this a lot - lap steel should be louder -
Myk)
Myk, doesn't like, Alan, like but too long to use

The Okay

Okay, don't use
Okay, don't use
Okay, don't use
Okay, probably don't use
Okay, probably don't use

The Low Sounds

Raise level of steel drastically
Raise volume of steel
Raise volume of steel a fair amount
Raise volume of steel a fair amount
Raise volume of steel drastically,
Raise volume on steel
raise level of steel a great deal
raise level of steel a great deal

The Terrific

Terrific
Terrific - Use??
Terrific - hard panning to separate the instruments? - use?
Terrific - please use? -
Terrific - use either this or the previous?
Terrific - use?
Terrific - use?
Terrific - use?
Terrific - use? - best slow jam Alpin prime zither of 2009
Terrific - use? - even better says Alan, than previous
Terrific, charming, use?
Terrific, use.
Terrific, use?
Terrific, use?
Terrific, use?
Terrific, use?
Terrific, use?
Terrific, use?
Terrific, use? (Alan prefers this to previous)

The Very Good

Very good
Very good, we were less moved
Very good.

The Alan

/ Alan, Alpine elegic zither
/w Alan, Alpine elegie zither
/w Alan, parlor guitar
w/ Alan - Alpine elegie zither - reverb, heavy bass, hiss reduction
w/ Alan - Alpine elegie zither - reverb, heavy bass, hiss reduction
w/ Alan - Alpine elegie zither - reverb, heavy bass, hiss reduction
w/ Alan - Alpine prime zither - add reverb - bring up bass - hiss
w/ Alan - Alpine prime zither - add reverb, heavy bass, hiss reduction
w/ Alan - Alpine prime zither - add reverb, heavy bass, hiss reduction
w/ Alan - Alpine prime zither - reverb, heavy bass, hiss reduction
w/ Alan - Alpine prime zither, reverb, heavy bass, hiss reduction
w/ Alan - C-minor harmonic harmonica
w/ Alan - C-minor harmonic harmonica
w/ Alan - C-minor harmonic harmonica
w/ Alan - Casio keyboard
w/ Alan - Casio keyboard
w/ Alan - Casio keyboard, chromatic harmonica
w/ Alan - Yamaha keyboard
w/ Alan - Yamaha keyboard
w/ Alan - Yamaha keyboard
w/ Alan - Yamaha keyboard
w/ Alan - Yamaha keyboard
w/ Alan - electric guitar
w/ Alan - electric guitar
w/ Alan - electric guitar
w/ Alan - electric guitar
w/ Alan - electric guitar -
w/ Alan - parlor guitar - slight echo
w/ Alan - slight echo and sweetening on classical guitar
w/ Alan - slight echo and sweetening on classical guitar
w/ Alan - slight echo and sweetening on guitar
w/ Alan - slight echo and sweetening on guitar
w/ Alan - tamburitza - medium echo, sweetening, noise reduction
w/ Alan - tamburitza - medium echo, sweetening, noise reduction
w/ Alan - tenor banjo
w/ Alan - tenor banjo
w/ Alan, electric guitar
w/ Alan, flute
w/ Alan, parlor guitar
w/ Alan, tamburitza
w/ Alan, tamburitza
Alan - chromatic harmonica, lower volume slightly
Alan - solo classical guitar
Alan - solo cleassical guitar
Alan doesn't like this so much -

The Azure

w/ Azure - 'distance' her voice, add full reverb
w/ Azure - 'distance' her voice, add full reverb
w/ Azure - Maya maya - reverb only
w/ Azure - Maya maya - reverb slight, lower voice
w/ Azure - The Boy - medium echo
w/ Azure - What I stumble towards - 'distance' her voice, full reverb
w/ Azure, voice, I've become imaginary, with full reverb,
Azure - the boy - medium reverb

Generated by Mnemosyne 0.12.