Message-ID: <Pine.NEB.4.64.0901030209520.2015@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.aol.com>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: architecture for a new year:
Date: Sat, 3 Jan 2009 02:10:23 -0500 (EST)
architecture for a new year: shapes matter less than the comfort that coheres within them. outside assume vagaries and opposition. architectures as transitional objects. living within the teddy-bear. in the Second Life installation: dynamic micro-architectures of deconstruction and enclosure. no entrances, no exits: one appears, disappears. what constitutes coming and going are virtual particles = people. virtual to the extent that one passes through doors and walls: one passes through flats, nodes, and textures. nothing is comfortable when the transitional turns on you. Second Life = transitional object = preparation for virtual life. real life = virtual life; body = inscription; wryting = body; uncanny = inscription; world = word; word = idiotic. micro-architectures of the visible: setting up the camera image just so: harboring time of day, weather, height, distance from avatar or avatar viewpoint, location beneath the ground or water surface or clothing, location in collusion with sheave-skin, moment of capture = arrangement of objects in flight. micro-architectures within objects in flight: buildings escaped from occupants, homes escaped from families, dwellings escaped from inhabitants, bodies escaped from inscription. bodies escaped from inscription: debris of the body, abjection. abjection in micro-architecture: no place to sit, no place to lie: an avatar never lies. no place to sleep: an avatar never sleeps; no place to declare: an avatar tells the truth. coordinates, program, language, protocol, code, alphanumerics, binary oppositions: the truth of anything unforsaken in the saying of it. micro-architectures: between code and architecture. http://www.alansondheim.org/ dojoji pngs http://www.alansondheim.org/thetwist.mp4 http://www.alansondheim.org/tamburitza.mp3 comment on avatar nude sex second life performance: "this the the most fucked up thing ive ever seen, you cock. the fucking chick is licking her own PUSSY wtf. and the dick, dont get me started on the dick. COCK go eat some dicks and cocks and dicks. fucker. what is indescribable. it puts the lotion on the skin or else you get the hose again fuck dick cock giant comment cunt sucker your itchy go die fucking reroll something less gay fuck this fuck youtube email filled actually post this cunt hahaha 49 fucking characters left you emo hair cut fucks" (YouTube) unique visitor countdown: G , S L : = 8, = 9, = 143 = 13, = 8, = 156 = 16, = 13, = 172 = 7, = 16, = 179 = 8, = 9, = 143 = 9, = 8, = 135 = 10, = 9, = 118 = 8, = 10, = 126 = 17, = 40, = 85 = 9, = 17, = 94 = 5, = 9, = 99 = 8, = 7, = 187 = 12, = 8, = 199 = 7, = 12, = 206 = 12, = 7, = 218 = 7, = 12, = 225 = 7, = 7, = 232 = 16, = 7, = 248 = 13, = 16, = 261 = 25, = 13, = 286 = 20, = 25, = 306 = 9, = 9, = 337 = 13, = 5, = 355 = 9, = 13, = 364 = 17, = 9, = 381 = 7, = 17, = 388 = 9, = 6, = 403 = 11, = 9, = 414 = 12, = 8, = 449 = 7, = 12, = 456 = 4, = 8, = 468 = 7, = 4, = 475 = 5, = 7, = 480 = 5, = 5, = 485 = 11, = 5, = 496 = 4, = 11, = 500 = 5, = 4, = 505 = 17, = 5, = 522 = 10, = 17, = 532 = 16, = 10, = 548 = 14, = 16, = 562 = 7, = 14, = 569 = 8, = 7, = 577 = 8, = 7, = 464 = 5, = 8, = 582 = 15, = 5, = 597 = 15, = 15, = 612 = 6, = 15, = 618 = 10, = 6, = 628 = 3, = 10, = 631 = 7, = 3, = 638 = 7, = 7, = 645 = 6, = 7, = 651 = 12, = 6, = 663 = 4, = 12, = 667 = 7, = 4, = 674 = 8, = 7, = 682 = 20, = 8, = 702 = 10, = 20, = 712 = 6, = 10, = 718 = 10, = 6, = 728 = 10, = 10, = 738 = 10, = 10, = 748 = 7, = 10, = 755 = 7, = 9, = 771 = 9, = 7, = 764 = 5, = 7, = 776 = 6, = 5, = 782 = 6, = 5, = 782 = 6, = 6, = 788 = 7, = 6, = 795 = 8, = 7, = 803 = 7, = 8, = 810 = 5, = 7, = 815 = 4, = 5, = 819 = 11, = 4, = 830 = 7, = 11, = 837 = 9, = 7, = 846 = 4, = 9, = 850 = 3, = 4, = 853 = 1, = 3, = 854 = 2, = 1, = 856 = 3, = 2, = 859 = 5, = 3, = 864 = 14, = 5, = 878 = 3, = 14, = 881 = 5, = 3, = 886 = 8, = 11, = 905 = 8, = 8, = 913 = 7, = 8, = 920 = 12, = 7, = 932 = 14, = 12, = 946 = 6, = 14, = 952 = 6, = 6, = 958 = 7, = 6, = 965 = 5, = 7, = 970 = 17, = 5, = 987 = 3, = 17, = 990 = 7, = 3, = 997 = 3, = 7, = 1000 = 5, = 3, = 1005 = 6, = 5, = 1011 = 3, = 6, = 1014 = 4, = 3, = 1018 = 3, = 4, = 1021 = 8, = 3, = 1029 = 3, = 8, = 1032 = 4, = 3, = 1036 = 14, = 4, = 1050 = 6, = 14, = 1056 = 8, = 6, = 1064 = 6, = 8, = 1070 = 5, = 6, = 1075 = 4, = 5, = 1079 = 6, = 4, = 1085 = 7, = 6, = 1092 = 5, = 7, = 1097 = 9, = 5, = 1106 = 9, = 9, = 1115 = 6, = 9, = 1121 = 6, = 6, = 1127 = 1, = 6, = 1128 = 6, = 1, = 1134 = 7, = 6, = 1141 = 5, = 7, = 1146 = 8, = 5, = 1154 = 11, = 8, = 1165 = 5, = 11, = 1170 = 5, = 5, = 1175 = 4, = 5, = 1179 = 2, = 4, = 1181 = 4, = 2, = 1185 = 3, = 4, = 1188 = 6, = 3, = 1194 = 7, = 6, = 1201 = 5, = 7, = 1206 = 6, = 5, = 1212 = 3, = 6, = 1215 = 5, = 3, = 1220 = 3, = 5, = 1223 = 12, = 3, = 1235 = 5, = 12, = 1240 = 12, = 5, = 1252 = 8, = 12, = 1260 = 3, = 8, = 1263 = 9, = 3, = 1272 = 2, = 9, = 1274 = 3, = 2, = 1277 = 6, = 3, = 1283 = 7, = 6, = 1290 = 6, = 7, = 1296 = 6, = 6, = 1302 = 7, = 6, = 1309 = 4, = 7, = 1313 = 10, = 4, = 1323 = 6, = 10, = 1329 = 9, = 6, = 1338 = 15, = 9, = 1353 = 3, = 15, = 1356 = 11, = 3, = 1367 = 9, = 11, = 1376 = 10, = 9, = 1386 = 5, = 10, = 1391 = 5, = 5, = 1396 = 4, = 5, = 1400 = 18, = 4, = 1418 = 1, = 18, = 1419 = 3, = 1, = 1422 = 3, = 3, = 1425 = 10, = 3, = 1435 = 3, = 10, = 1438 = 8, = 3, = 1446 = 7, = 8, = 1453 = 2, = 7, = 1455 = 3, = 2, = 1458 = 3, = 3, = 1461 = 6, = 3, = 1467 = 5, = 6, = 1472 = 5, = 5, = 1477 = 4, = 5, = 1481 = 2, = 4, = 1483 = 4, = 2, = 1487 = 2, = 4, = 1489 | Alan Sondheim Mail archive: http://sondheim.rupamsunyata.org/ | To access the Odyssey exhibition The Accidental Artist: | http://slurl.com/secondlife/Odyssey/48/12/22 | Webpage (directory) at http://www.alansondheim.org | sondheim@panix.com, sondheim@gmail.org, tel US 718-813-3285