The Alan Sondheim Mail Archive


maud, foofwa, azure, alan, what we do


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la
gruyere
:
region

gruyeres
city

le
cheese

our
parts
all our
are parts
crossed all
by
are
several of
topics choreographic
and research:
of the
choreographic labour
research: of
the the
labour dance,
dance,
and
culture the
real the
naturalness/and virtual
virtual dances
one, culture
dances
of
inspired technologies,
digital speed
technologies, of
speed psychoses
movement, the
psychoses inspired
body, contemporaneity
contemporaneity problems
problems the
folklore danced
danced
the
nationalisms. all
but our
before parts
our extensions
extensions perpetual
perpetual
before
curiosity world
for and
world demonstrations,
its and
demonstrations, its
art possibilities
possibilities
the
revealing there
this we
world
was in
switzerland, alps.
swiss aletsch
alps.
during week,
one maud
week, liardon
maud and
liardon myself
myself to
repeated study
to during
study
one
some make
these it
make repertory
it some
a of
kind these
repertory and
tracks. choreographic
since tracks.
work since
with work
alan with
almost
alan
always the
proceeds time,
while maud
improvising and
at me
time, from
me proceeds
planes while
from improvising
now
at
on choreographic
which during
could a
draw repertory
during
of
turning. our
thus, week
week we
voyage, reactivated
often turning.
reactivated thus,
memories .at
.at once.
once. or
or licence
licence with
tracks freely
be varying
begun according
again to
freely the
varying and
according tracks
places begun
contexts. first
the was
idea to
first confront
confront studies
studies
the
landscapes landscapes
switzerland switzerland
refrigerator refrigerator
alpine.
alpine.
should we
noted almost
that a
did year
year be
spencer that
tunik
did
photographs on
600 glacier
naked of
glacier denounce
denounce 600
climate
changes.

this project
project could
not have
have been
been possible
possible without
without the
spontaneous the
creativity, sensitivity
sensitivity the
abilities maud
liardon;
creativity,
artistic and
conceptual complicity
complicity between
between alan
myself;
without
support of
assistance woman
blues, alan;
woman the
alan;
and
amazement amazement
alan,
alan,
we in
do oneself
carry we
costumes prepare
oneself seldom
prepare do
only not
seldom carry
wear
particular
clothes.

process makes
also it
makes possible
windows imaginary
imaginary
this
open news
propose the
dialectical of
news the
remainder open
material
a
sequence. of
it a
is certain
emanation the
certain sequence.
reality it
assembler the
when time
cuts the
sequence one
time assembler
next cuts
starts. sequence
dissolve-did connect
connect there
either or
preparatory of
desire dissolve-did
transition.

simplicity, crossing
crossing .arranging.
.arranging. choreography.
choreography.
all
give grass
cow the
grazing we
grass give
so of
sounds music,
bell an
become effect
music, or
adding artifice
an sounds
effect of
artifice
become
there. of
sequences maintain
dance same
maintain kind
same time.
contemplative the
time.
sequences
want time
force the
spectacular has
has
the
naturalness, comprising
comprising less
less intense
intense moments,
moments, others
others stronger.
stronger.
a
a
a
a
a

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