Message-ID: <Pine.NEB.4.64.0902122352200.18405@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.aol.com>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: maud, foofwa, azure, alan, what we do
Date: Thu, 12 Feb 2009 23:52:32 -0500 (EST)
maud, foofwa, azure, alan, what we do http://www.alansondheim.org/rame1.jpg http://www.alansondheim.org/rame2.jpg la gruyere : region gruyeres city le cheese our parts all our are parts crossed all by are several of topics choreographic and research: of the choreographic labour research: of the the labour dance, dance, and culture the real the naturalness/and virtual virtual dances one, culture dances of inspired technologies, digital speed technologies, of speed psychoses movement, the psychoses inspired body, contemporaneity contemporaneity problems problems the folklore danced danced the nationalisms. all but our before parts our extensions extensions perpetual perpetual before curiosity world for and world demonstrations, its and demonstrations, its art possibilities possibilities the revealing there this we world was in switzerland, alps. swiss aletsch alps. during week, one maud week, liardon maud and liardon myself myself to repeated study to during study one some make these it make repertory it some a of kind these repertory and tracks. choreographic since tracks. work since with work alan with almost alan always the proceeds time, while maud improvising and at me time, from me proceeds planes while from improvising now at on choreographic which during could a draw repertory during of turning. our thus, week week we voyage, reactivated often turning. reactivated thus, memories .at .at once. once. or or licence licence with tracks freely be varying begun according again to freely the varying and according tracks places begun contexts. first the was idea to first confront confront studies studies the landscapes landscapes switzerland switzerland refrigerator refrigerator alpine. alpine. should we noted almost that a did year year be spencer that tunik did photographs on 600 glacier naked of glacier denounce denounce 600 climate changes. this project project could not have have been been possible possible without without the spontaneous the creativity, sensitivity sensitivity the abilities maud liardon; creativity, artistic and conceptual complicity complicity between between alan myself; without support of assistance woman blues, alan; woman the alan; and amazement amazement alan, alan, we in do oneself carry we costumes prepare oneself seldom prepare do only not seldom carry wear particular clothes. process makes also it makes possible windows imaginary imaginary this open news propose the dialectical of news the remainder open material a sequence. of it a is certain emanation the certain sequence. reality it assembler the when time cuts the sequence one time assembler next cuts starts. sequence dissolve-did connect connect there either or preparatory of desire dissolve-did transition. simplicity, crossing crossing .arranging. .arranging. choreography. choreography. all give grass cow the grazing we grass give so of sounds music, bell an become effect music, or adding artifice an sounds effect of artifice become there. of sequences maintain dance same maintain kind same time. contemplative the time. sequences want time force the spectacular has has the naturalness, comprising comprising less less intense intense moments, moments, others others stronger. stronger. a a a a a