The Alan Sondheim Mail Archive

January 25, 2010

theater light studies from DNA show:

Jonathan O'Hear lighting designer
center of ligh2.jpg: Foofwa d'Imobilite in Musings

O'Hear used his modified computer program with a 6x8 grid of Fresnel
lights above the stage; these left positive and negative fields with
trails, shudders, and so forth. everything seemed possible. the space
became a sweet soup of movement, light as performer. the theater
disappeared of course, a memory or secondary emanation dying out,
architecture of event horizons. it was as if light itself was illuminated
by things, light escaping or returning, light questioning being, not
(only) the being of light itself. the stage _veers,_ being and Beings
dissolve in organism's embedding.

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