Message-ID: <Pine.NEB.4.64.1001281611100.11507@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.aol.com>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: ddance:
Date: Thu, 28 Jan 2010 16:11:24 -0500 (EST)
ddance: the doomeddancer the doomeddancer dddance 0 - "avoidance dance guidance impedance riddance" 0 - "avoidance dance guidance impedance riddance" come, child, we where? perhaps one of these eveningsshaddance together culture dd dddance deathfugue dirty dirty d CHAOS Cheap CHIASM child movements so she coulddance. and if someone else didn't work the machinery undercut circumscription consider understanddance repeated at the universe mauddanceis nuholdingclose is doomeddancer is nuddance is nuddance tneiciffus s'tahw ,decnad srettel drahs-eniargim ,ssenderit morf thcadeg bodies reconstruct from other memories, of two dancers embodied as one sliced but configured from the choreography. scene of two dancers, in fact two other dancers, who appear as if lifelike - the very best dancer, the worst to deal with. we had it in for her - what the company can do - the dancers are angry - they're really angry - dancers - they speak a bad pointless dialog - along the lines of they dance all of this, on-screen, off-screen - they speak, try to make sense of the dialog; they can't. the live dancers may be the two dancers (audience and masturbating couple) - the dancers aroused - if nude - a series of iconographic figures - they try and try - the prisoners are arranged by the dancers - they resist weakly - the dancers carry Bibles. or there are Bibles at hand. or Bibles in space and loudspeakers. for one to five dancers - in and out of contact with other dancers - performers should try similar programs. the dancers establish and contradict their own rhythms. - it's a mess - the dancers are reeling, on edge, nervous, difficult, a problem, their desires constrained by spectacle - on exhibit, behavior-sex, sexuality, and horror - everything is at stake - ballet doesn't need dancers screens don't need cables - the dancers 'worry about' the wires, about dancing among the wires, behave as ionizations, lightnings, atmospherics, insects, dead similar programs. they make, contradict their own rhythms - they reel - on edge, nervous, difficult, a problem - their desires on parade, on exhibit, like sex, sex-behavior, sexuality, and horror, interpenetrated - everything's at stake - after the dances, the dancers should hurry off stage - they sing, they do - "uch, cuch, cuch, c w naked, damp w n where nwhere nl dancers dancers dancers dancers where n l dancers dancers where n pld Leld Le ld Lepp ld nw." nms c w." nw; uch c w; uch n dancers dancers dancers dancers dancers nikuk, sldancers dancers dancers dancers dancers nikuk , slpes, dancers. , sl pes, dancers. pes, dancers" - two dancers two dances two roses two worlds & two dancers two dances two roses two worlds & two dancers two dances two roses two worlds & two dancers two dances two roses two worlds _____________________________________________________ eight dancers eight dances eight roses eight worlds - it's their math, all their own, isn't it, ddance for all the world, ddance for me and you -