Message-ID: <alpine.NEB.2.00.1010281233200.1986@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: On the rewrytings, rewrythings, of the culling / interpreting
texts
Date: Thu, 28 Oct 2010 12:33:52 -0400 (EDT)
On the rewrytings, rewrythings, of the culling / interpreting texts * You'd have to go through the texts to discover the innovations that occur at almost every turn. The culling operations are never 'pure'; they lend themselves to rearrangements, re-editings, textual manipulations of all sorts. The end results is a theory mashup, but a theory nonetheless. The mashup creates an entangled state in terms of definition, the position of the subject (reader, theorizer, experimenter), the original theoretical structure and substructure, and so on. From the entangled state, from the mashup, three fields emerge: that of the original theoretical structure, now somewhat transformed or reinterpreted; that of the positioning of subjectivity and its phenomenology in relation to the theory; and that of a 'doubled diegesis.' The doubled diegesis combines and entangles the traditional elements of narratology - what sorts of stories may be revealed in the text - with a phenomenological diegesis - what the subject (in any sense) is discovering and interpreting in relation to a self- reflexive hermeneutics. It's this last that behaves as a kind of textual _operator_ situated between the subject and the original theorizing. If the theory is mathematical and complete, to the extend that it is, and remains formalizable, the transformations above (considered as a series or collocation of operations and writings/wrytings) are distortions at best. But if the theory entangles the subject (even mathematically, as in QM), then the phenomenology of subjectivity, from the position(ing) of the subject, is revealed; what emerges is a theoretical corpus that is part psychological-philosophical and part structural, and that re-presents the subject to hirself in relation to generalized operations of encodings and decodings, coagulations and dissipations, etc., all in relation to what is understood by the theory and the _subject-matter_ of the theory as well. The entangled mashup, in other words, tends towards new paths through the _body of theory,_ emphasizing the body of the subject and its abjections, inscriptions, and materiality. All of this is a way of doing theory, or re-doing the re/presentation of theory, tending towards new and different phenomenologies of approach, relevance, interpretation, and appetition. How and what is grasped, what is the semiotics and abjections of such grasping, what is developed and developing - these are the sorts of things involved. The entangled mashup is also a textual body, and a body of text; it is wryterly, in this entanglement and in the sense that a kind of unraveling must be done, in order for it to operate. There is no 'correct' operation - no well-defined path; otherwise, the mashup would emerge as an imminent and coherent, as well as somewhat linear, system or description involving protocol sentences. Instead, a more suitable metaphor might be that of a surgery involving cuts, folds, sutures, pathways and bypasses, coagulents and fields - a surgery that is performed, again entangled, among the subject's subjectivities, the texts, the originary texts, and the theory - if there were one in the first place - as well as its structures and substructures. In short what emerges is a partial discourse of part-objects, resulting, one can only hope, in new modes of understanding, or comprehension - a discourse that is both a dwelling and in-dwelling, that says something at the same time that what is being said is already weakened, already entangled in the subject, hir body, the diegesis, the fragment or frag- ments, and just about everything else. * Texts which are initially produced by a command or series of commands such as: k%: grep -h [word|phrase] [set of texts] >> [initial collection] This can be changed/interpreted in various ways. What it says is that lines containing a particular word or phrase in a set of texts, should be placed, in order, in another text, in the order in which they are found. This text, the initial collection, can then be sorted, re-edited, appended to, etc. - any number of additional operations in fact. The final opera- tion is that of rewriting 'by hand,' re-conforming the result to emergent meanings which relate to, extend, contradict, or otherwise in-form the original word or phrase. The word or phrase which is initially chosen, references particular theories or placements within the set of texts. For example, 'incest' might bring up a number of statements or partial-state- ments, phrases etc., with the word 'incest' in them. The statements spill out beyond lines - this is where editing comes in, to rewrite the state- ments to bend and entangle the theory in (its) language itself. What seems obscure and complex here is often simple in practice. And the processes don't always work, in which case the entangled text, no matter how worked and reworked, etc., is discarded. [On the other hand, even if they do work, are they anything more than a self-administered exquisite corpse? And what good can come out of that?]