The Alan Sondheim Mail Archive

November 11, 2010


Flavour (please listen with full bass, relax)

the mudrah hands and the rasa eyes

With a new recording setup, bass zither and viola come into their own.
I'm playing them well.

http://espdisk.com/alansondheim/flavour.mp3 solo bass zither
http://espdisk.com/alansondheim/flavour2.mp3 solo viola

that "A poem is a sentence with flavour." (rasa). That applies.
that "A poem is a sentence with flavour." (rasa). That applies.
that "A poem is a sentence with flavour." (rasa). That applies.

discrete, the rasa no exception. The commonality of art is
gesticul}{\rtlch\fcs1 \af0 \ltrch\fcs0 \insrsid7626621 ation;}{\rtlch\fcs1
\af0 \ltrch\fcs0 \insrsid6442199 the commonality of art and
language}{\rtlch\fcs1 \af0 \ltrch\fcs0

Natyasastra}{\rtlch\fcs1 \af0 \ltrch\fcs0 \insrsid12007088 , which
discusses, among other things, rasa and pattern pres

among other things, rasa and pattern presentations, patterns as
unnatural gestures; rasa theory of masquerade; performing rasa; undoing of
discrete, the rasa no exception, the commonality of art is gesticulation,
the mudrah the mudrah customary the the of rasa hands rasa the feet of the
rasa the eyes rasa possibility of this the possibility of dance and oh,
and water, [on-in] oto-tone, [bo] haha-mother, rasa and raga, om Om OM,
trajectories among levels, prims, sounds, spaces, worlds, soon rasa
the primordial shudders in resonance with the music raga rasa yes no,
the mudrah hands and the rasa eyes
the mudrah the mudrah customary the the of rasa hands rasa the feet,
unnatural gestures, rasa theory of masquerade, performing, undoing of
punctum punning qin quark rasa realspace and and rearticulation
trajectories among levels, prims, sounds, spaces, worlds,
the mudrah hands and the rasa eyes
the mudrah the mudrah customary the the of rasa hands rasa the feet of the
rasa the eyes rasa possibiity, dance of the mudrah hands and the rasa eyes

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