The Alan Sondheim Mail Archive

January 21, 2011


beings of nothingness

o words beneath the sheets, improvisational music beneath the sheets,
improvisation & all the while the continued turmoil of the sounds in
shame, shame at improvisation, beings of nothingness and unable to make
anything of that beyond that emptiness, that time when the instrument
silence, are utterly silenced, dully and murmuring, whispering what a
shame THIS ONE cannot play, THAT ONE cannot play in tune ...

o limits of music improvisation, of textual comprehension - i worked at
date, always were based on spontaneous improvisations in bond with the
prim, construct, choreography, improvisation, projection, even theory
taking a backs-eat as improvisation insists on Jennifer where my own
playing is improvisational; i will pick a scale to begin with; like a
cyclone, the music is improvisational, working out a language and screen
to accompany them, the whole thing an improvisation of the improvisation.
improvisations last from seventeen to thirty minutes. the left-hand is
contingent, improvisational, a cumulative character with each chapter soft
and sweet, a solo improvisation, and you might be aware of this as an
improvisation. i am for fast improvisation as well. i use two other
keyboards by the way - both improvisations & all the while the continued
turmoil of the videos in us as we stop masturbating, he's not even getting
a improvisation, but isn't with it, i don't want to reshoot it as a master
improvisation which allows mise-en-abysma clearly-cleaning polka
improvisation fluff cleaners mise-en-abysma capped by improvisation
improvisation, mise-en-abysma improvisation.

maud liardon foofwa d'imobilite polka improvisation alan sondheim, music
by prim, construct, choreography, improvisation, projection, bound to
permanent rhythm. with a rhythm of steel ferrules, words beneath the
sheets, improvisational music beneath the sheets, to textured noise works
to improvisation and catchy pop moments improvisation song radio, extended
for twenty minutes and three songs.

the limits of music improvisation, of textual comprehension - I worked at
it, but by _body twitches,_ derailed muscle-memory, improvisation or
instrument, but pushing past that to discomfort, doing it all wrong.
dance, jazz, improvisation, sports - just about anything in improvisation,
for example, what occurs, occurs in an expanded time within the real-time
of improvisation. So improvisation unravels what it ravels; beyond the act
of improvisation, the abject asserts itself. but what is in improvisation
world-wide.

recorded electronic piano improvisation as background to kamanche, viola
accompanied by electric piano matrix improvisation, improvisation after
the theme is set / cast swingwest1 is a three-layered improvisation for
keyboard, turns into an odd pointillist improvisation and west2 becomes,
improvisation at longtune, if you are interested; than you for your thick
improvisation prim, construct, choreography, improvisation, projection,
improvisation bound to permanent rhythm. with a rhythm of steel ferrules.

o words beneath the sheets, improvisational music beneath the sheets,
improvisation & all the while the continued turmoil of the sounds in
shame, shame at improvisation, beings of nothingness and unable to make
anything of that beyond that emptiness, that time when the instrument
silence, are utterly silenced, dully and murmuring, whispering what a
shame THIS ONE cannot play, THAT ONE cannot play in tune ...

Hi - please call me, until further notice, at 718-813-3285, not 
347-383-8552. That phone doesn't seem to be working well at all. Also, 
please call back when you call - don't just leave voicemail - that also 
doesn't seem to be working well.

Apologies, Alan (I do check email several times a day, so it's easy to 
reach me that way of course) -


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