Message-ID: <alpine.NEB.2.00.1101212055380.12876@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: beings of nothingness
Date: Fri, 21 Jan 2011 20:56:36 -0500 (EST)
beings of nothingness o words beneath the sheets, improvisational music beneath the sheets, improvisation & all the while the continued turmoil of the sounds in shame, shame at improvisation, beings of nothingness and unable to make anything of that beyond that emptiness, that time when the instrument silence, are utterly silenced, dully and murmuring, whispering what a shame THIS ONE cannot play, THAT ONE cannot play in tune ... o limits of music improvisation, of textual comprehension - i worked at date, always were based on spontaneous improvisations in bond with the prim, construct, choreography, improvisation, projection, even theory taking a backs-eat as improvisation insists on Jennifer where my own playing is improvisational; i will pick a scale to begin with; like a cyclone, the music is improvisational, working out a language and screen to accompany them, the whole thing an improvisation of the improvisation. improvisations last from seventeen to thirty minutes. the left-hand is contingent, improvisational, a cumulative character with each chapter soft and sweet, a solo improvisation, and you might be aware of this as an improvisation. i am for fast improvisation as well. i use two other keyboards by the way - both improvisations & all the while the continued turmoil of the videos in us as we stop masturbating, he's not even getting a improvisation, but isn't with it, i don't want to reshoot it as a master improvisation which allows mise-en-abysma clearly-cleaning polka improvisation fluff cleaners mise-en-abysma capped by improvisation improvisation, mise-en-abysma improvisation. maud liardon foofwa d'imobilite polka improvisation alan sondheim, music by prim, construct, choreography, improvisation, projection, bound to permanent rhythm. with a rhythm of steel ferrules, words beneath the sheets, improvisational music beneath the sheets, to textured noise works to improvisation and catchy pop moments improvisation song radio, extended for twenty minutes and three songs. the limits of music improvisation, of textual comprehension - I worked at it, but by _body twitches,_ derailed muscle-memory, improvisation or instrument, but pushing past that to discomfort, doing it all wrong. dance, jazz, improvisation, sports - just about anything in improvisation, for example, what occurs, occurs in an expanded time within the real-time of improvisation. So improvisation unravels what it ravels; beyond the act of improvisation, the abject asserts itself. but what is in improvisation world-wide. recorded electronic piano improvisation as background to kamanche, viola accompanied by electric piano matrix improvisation, improvisation after the theme is set / cast swingwest1 is a three-layered improvisation for keyboard, turns into an odd pointillist improvisation and west2 becomes, improvisation at longtune, if you are interested; than you for your thick improvisation prim, construct, choreography, improvisation, projection, improvisation bound to permanent rhythm. with a rhythm of steel ferrules. o words beneath the sheets, improvisational music beneath the sheets, improvisation & all the while the continued turmoil of the sounds in shame, shame at improvisation, beings of nothingness and unable to make anything of that beyond that emptiness, that time when the instrument silence, are utterly silenced, dully and murmuring, whispering what a shame THIS ONE cannot play, THAT ONE cannot play in tune ...