Message-ID: <alpine.NEB.2.00.1105090222130.4353@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: Uncomfortable notes on the poetics of captured human behavior: Part
3:
Date: Mon, 9 May 2011 02:22:49 -0400 (EDT)
Uncomfortable notes on the poetics of captured human behavior: Part 3: the Wringing: Part 2: V. WRINGING. wringing--is flexible, sustained, strong. Wringing can vary from a pulling to a twisting movement,and is felt more easily in the shoulders, arms and hands than in the hips and legs. The feeling of strength must not be lost, as the slow muscular resistance felt in pressing is also present in this effort, but wringing produces a different sensation as the joints move more flexibly. At first, wringing should be felt in the hands, as in wringing out clothes, and then extended, using different parts of the body. The whole body can be set into a wringing motion--for example in yawning. Wringing movements of the arms can be directed into various zones, the most important as far as exercises are concerned being down forwards outwards, but there are many possibilities--with each arm separately, or both together, wringing downwards, upwards, across, sideways, forwards and backwards, extending into space in all directions. Wringing should also be experienced in other parts of the body, such as the shoulders, trunk, hips, legs, not only extending into space away from the body, but towards it. Other possible variations are wringing simultan- eously with both arms in different directions, or wringing with different parts of the body into various directions; for example, wringing the trunk in a backwards-bending movement and doing the same action with arms sideways high, _et cetera._ [...] "Indulging with" Space and Time, and "fighting against" Weight, which is the essence of wringing, develops a valuable control and gives and entirely different movement-experience from that gained by doing simple twisting exercises. The counter-tensions involved produce a different kind of bound flexibility from that met with in any other form of physical activity. (Rudolf Laban, Modern Educational Dance, 1948, pp. 63-65.)