The Alan Sondheim Mail Archive

June 13, 2011


dduueett

http://www.alansondheim.org/dduueett.mp4

julu twine and alan dojoji in duet mode, using go to and transformed
mocap behaviors along with a singing land. well i think quite beautiful
as they penetrate and illuminate each other.

the duet is a double:

" name index index name double double .      name name index index prop-
erty double double property index name double index name property
double .   name double mastermute double double mastermute mastergain
and disturbed do dodder does doesn doing dojoji don done dong double
doubled "

the duet tends towards repetition:

rent repeat repetition representations represented reptiles resetting

the duet tends towards mirrorimaging:

responds almost not at all to its mirror image. On the other hand, a cat
order of its population - each word a mirror image of the same. Like
the mirror image, as if the text hardly mattered. The text of the slave
itself; as a matter of fact the referent of a mirror image is pure visual
itself; as a matter of fact the referent of a mirror image is pure visual
order of its population - each word a mirror image of the same. Like
the mirror image, as if the text hardly mattered. The text of the slave
order of its population - each word a mirror image of the same. Like

the duet tends towards degree zero:

writing degree zero, and ECHO is toggled off. "_Absolute degree zero,_
then, would be a discourse reduced to parle, and certainly degree zero
implies an approach and even a possible way through processes, returning
to the process degree zero, that is:

the future of the cosmos - writing/inscribing degree zero - the horizon
the future of the cosmos - writing/inscribing degree zero - the horizon
the future of the cosmos - writing/inscribing degree zero - the horizon
the future of the cosmos - writing/inscribing degree zero - the horizon

of particles, decathection degree zero? The equations converge and veer;
the writing should be degree zero and degree one and degree infinite
returns writing/culture degree zero. Suppose it dead, you dead, digital
{0,1} constitutes a spectrum degree zero; if one is below, 0"

Every original is a deformation degree zero in cyberspace, we're anorectic
degree zero, destined towards death, already:

the future of the cosmos - writing/inscribing degree zero - the horizon
the future of the cosmos - writing/inscribing degree zero - the horizon
the future of the cosmos - writing/inscribing degree zero - the horizon
the future of the cosmos - writing/inscribing degree zero - the horizon

digital {0,1} constitutes a spectrum degree zero; if one is below, 0

Every original is a deformation degree zero.
Every original is a deformation degree zero.
Every original is a deformation degree zero.

Two Long-Form Solo Pipa Studies


http://espdisk.com/alansondheim/thirty.mp3 thirty point five minutes
http://espdisk.com/alansondheim/five.mp3 five point five minutes

GINBY BY SUPARAGPRESSING THE INITIAL
PART OF THE WORD, CEEDPRO TO AN
PETRETITION OF REINGMAIN OUNDSSEM

AD D/ITION
SITIONBITION

- writing on two book-marks found in

A General Rhetoric by Group Mu - J. Dubois, F. Edeline, J.-M.Klinkenberg,
P. Minguet, F. Pire, H. Trinon Translated by Paul B. Burrell and Edgar M.
Slotkin, Johns Hopkins, 1981

NEW RHETORICAL TECHNIQUES are used in both solos, including playing
between frets and tuning-pegs, overhand fretting and barring, pulling
and snapping strings, running nails along the frets, and so forth.

The instrument opens the creation and shattering of worlds, technique
collapses and withdraws, another replaces it, memory returns sequences to
broken repetition, part-objects appear in place of the fecundity and
fullness of physical idealities, sounds are always already under erasure,
the _thing_ continues until physical exhaustion takes over, nothing's
fulfilled, the recording's one of any number of instances: if I say it's
closer, you would believe me, would you believe me -

Generated by Mnemosyne 0.12.