The Alan Sondheim Mail Archive

June 19, 2011


BAN GU GL

Photographed with New York Chinese opera stars, Azure Carter and Adam
Tobin: http://www.alansondheim.org/ChineseOpera.jpg thanks to Chi Chu and
the New York Chinese Opera Society. Learning from bangu:

absolute denotation then would be a discourse reduced to its way through
processes, returning to the process that is if the "there you are" func-
tions as a practical signifier reaching an entropic balance with scien-
tific writing beyond or elsewhere than the domain of the humanities, even
for scientists. the mistake lies here. but if there were an absolute
signifier speaking it would certainly imply an approach and even possible
extended metaphor that may also surround metaphors that are the future of
the cosmos, as far as inscription is concerned:
              @!#^GL-spaceGL-space*()
writing/inscribing - the horizon of the future of the cosmos -
writing/inscribing - the horizon of the future of the cosmos -
writing/inscribing - the horizon of the future of the cosmos -
writing/inscribing - the horizon of particles, decathection
              @!#^GL-spaceGL-space*()
the equations converge and veer; the writing should be degree one and
infinite, returning 'cultural writing.' suppose it dead, you're dead. if
there's a writing, this is it. digital {0,1} constitutes a spectrum if 1
is below, 0 above, and every original is a deformation. conception and
lying telegraphs, cohering with the obdurate/analogic real. to cyberspace,
we're anorectic destined towards death, already the duet tends towards
this. this would be a discourse reduced to sound, and certainly to the
process that is:
              @!#^GL-spaceGL-space*()
the future of the cosmos - writing/inscribing - the horizon
the future of the cosmos - writing/inscribing - the horizon
the future of the cosmos - writing/inscribing - the horizon
the future of the cosmos - writing/inscribing - the horizon
              @!#^GL-spaceGL-space*()

of particles, decathection. the equations converge and veer; the writing
should be degree one and degree infinite drowning writing and culture.
suppose it's dead, you're dead, digital, and every original is a deforma-
tion in cyberspace, then we're anorectic destined towards death, already:
              @!#^GL-spaceGL-space*()
the future of the cosmos - writing/inscribing - the horizon
the future of the cosmos - writing/inscribing - the horizon
the future of the cosmos - writing/inscribing - the horizon
the future of the cosmos - writing/inscribing - the horizon
              @!#^GL-spaceGL-space*()
every original is a deformation
every original is a deformation
every original is a deformation
              @!#^GL-spaceGL-space*()
the future of the cosmos - writing/inscribing - the horizon of
the future of the cosmos - writing/inscribing - the horizon of
the future of the cosmos - writing/inscribing - the horizon of
the future of the cosmos - writing/inscribing - the horizon
              @!#^GL-spaceGL-space*()
every original is a deformation
suppose it did, you're dead, and echo is toppled off.

Virtual After Virtual Futures

http://www.alansondheim.org/virtualfutures.mp4 how it felt
http://www.alansondheim.org/gone.mp4 what we were like once
http://www.alansondheim.org/postmortem.mp4 how we'll be

thanks Fau Ferdinand, Luke Mason, everyone



*AS SEEN ON FACEBOOK* !!:

Alan Sondheim
Virtual After Virtual Futures
Virtual Futures
http://www.alansondheim.org/virtualfutures.mp4 how it felt
http://www.alansondheim.org/gone.mp4 what we were like once
After Virtual Futures
http://www.alansondheim.org/postmortem.mp4 how we'll be
...
See More
http://www.alansondheim.org/virtualfutures.mp4
www.alansondheim.org
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