Message-ID: <alpine.NEB.2.00.1201222129560.16320@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: Angelic / Broken Angel
Date: Sun, 22 Jan 2012 21:35:11 -0500 (EST)
Angelic Azure Carter, song and voice, Maya Maya, and saz http://www.alansondheim.org/angelic1.mp3 http://www.alansondheim.org/angelic1.wav (slightly better quality) I think I'm happiest with this rendition of Maya, which owes something to the Cocteau Twins, cathedrals, the Grand Canyon, the Cayman Islands, tourmaline, Eyebeam, and Ackermann's Repository. When I can sink into music, when music envelops me like an uncanny dwelling moving among the worlds, I'm sublime, content, and there are rooms open in each of the ten directions. And saz http://www.alansondheim.org/angelic2.mp3 Deconstructing the apparatus, allowing muscle and body to turn back via the back door of the instrumental. ================================================================== Broken Angel http://www.alansondheim.org/borr.mp4 debris located in the corners of the hard-drive, where three vectors meet and dissolve, as if there were a spherical geometry at work, or topology dissolving within the field of the image: something crashed and slid across the screen, the file no longer carrying the random access of truth, and therefore of great or greater interest, than as if the screen appeared a featureless window or cloud containing not just the simulacrum of the real, but that corner of the real itself, within the sectors of the hard drive, where three vectors meet and dissolve, as if there were