Message-ID: <alpine.NEB.2.00.1202022326200.24047@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: playing melodica
Date: Thu, 2 Feb 2012 23:26:50 -0500 (EST)
playing melodica http://www.alansondheim.org/melodica1.mp3 with reverb http://www.alansondheim.org/melodica2.mp3 with reverb http://www.alansondheim.org/melodica3.mp3 with reverb and pitch shift yes, short of breath, but then a bit of the baritone more experimentation, heading towards organ-saxophone but thinking about shakuhachi which is unfair to both instruments child companion reason period blessing melody tiny mournful signal calling in soup of melody and eate him with great melody. And so when they haue nor grimmer sound than melody, girldepressing melody of girlgimmick-girl girl girled stiffth fast and furious; the melody is absurdly simple, repeated with o violence! o melody! of o violence! o melody! i speak, language disappears into melody. there is a difficulty with melody just as there is a difficulty with cleverness. Cleverness is a tiny mournful signal calling in soup of melody, called a 'haunting melody,' you can never forget it, everyone. you may find your fingers tapping out the melody or your day on melody. producing the melody of a sparrow producing the melody of Brahma, the brutal melody of death and mourning ...