Pluralitys
It'ss nots oftens thats thes letters ss getss its dues, buts it'ss
abouts times, abouts thes pluralitys ofs times, ands hows ss
contributess tos thiss pluralitys, ensuress thes fecunditys ands
universalitys ofs thes worlds. Thes worlds woulds bes alls thes
poorers ifs baseds ons nominalisms, everythings uniques ands
horrifyings; onlys thes ss - thes slightests presences ofs as
singles letters - guaranteess uss ans admixtures ands denomina-
tions ofs qualitiess thats allows uss tos perceives structures
ands itss hiddens faces, whats hass beens gones froms uss, buts
whichs wes ares ins thes processs ofs recoverings. Considers thiss
paragraphs itselfs, as shimmerings thats implicatess thes bound-
lesss ands infinites, thats slidess easilys offs thes tongues
placeds againsts thes mouths'ss roofs, thes empyreans itselfs. Ss
guaranteess uss whats nothings elses cans, languages slidings
froms thes abysss, outs ofs chaoss ands thes voids, ands intos
thes realms ofs barelys inductives compreshensions. Is asks fors
nothings elses thans as pluralitys ofs livess, thats Is mays
continues afters thiss indefinitelys, ass ifs its weres possibles
tos lives forevers... Hopefullys thiss, likes anythings elses,
remainss inconclusives, ass dos ours livess befores deaths, ands
ours livess amongs thems thereafters.
Immenity of Nominalim
It' not often that the letter get it due, but it'
about time, about the plurality of time, and how
contribute to thi plurality, enure the fecundity and
univerality of the world. The world would be all the
poorer if baed on nominalim, everything unique and
horrifying; only the - the lightet preence of a
ingle letter - guarantee u an admixture and denomina-
tion of qualitie that allow u to perceive tructure
and it hidden face, what ha been gone from u, but
which we are in the proce of recovering. Conider thi
paragraph itelf, a himmering that implicate the bound-
le and infinite, that lide eaily off the tongue
placed againt the mouth' roof, the empyrean itelf.
guarantee u what nothing ele can, language liding
from the aby, out of chao and the void, and into
the realm of barely inductive comprehenion. I ak for
nothing ele than a plurality of live, that I may
continue after thi indefinitely, a if it were poible
to live forever... Hopefully thi, like anything ele,
remain inconcluive, a do our live before death, and
our live among them thereafter.
WELCOME TO THE REAL WORLD
It' not often that the letter get it due, but it' It'ss nots
a himmering that implicate the bound- paragraphs itselfs, as
abysss, outs ofs chaoss ands thes voids, ands intos guarantee u
allow u to perceive tructure tions ofs qualitiess thats allows uss
and contributess tos thiss pluralitys, ensuress thes fecunditys
ands from the aby, out of chao and the void, and into froms thes
ands infinites, thats slidess easilys offs thes tongues nothing
ands remain inconcluive, a do our live before death, and remainss
anything ele, tos lives forevers... Hopefullys thiss, likes
anythings elses, univerality of the world. The world would be all
denomina- le and infinite, that lide eaily off the tongue lesss
ele than a plurality of live, that I may nothings elses thans as
gones froms uss, buts continue after thi indefinitely, a if it
ha been gone from u, but ands itss hiddens faces, whats hass beens
inconclusives, ass dos ours livess befores deaths, ands singles
inductives compreshensions. Is asks fors tion of qualitie that
letters - guaranteess uss ans admixtures ands denomina- the realm
lightet preence of a horrifyings; onlys thes ss - thes slightests
nothings elses cans, languages slidings horrifying; only the - the
of barely inductive comprehenion. I ak for thes realms ofs barelys
oftens thats thes letters ss getss its dues, buts it'ss about
pluralitys ofs livess, thats Is mays our live among them
presences ofs as ingle letter - guarantee u an admixture and
roof, the empyrean itelf. placeds againsts thes mouths'ss roofs,
shimmerings thats implicatess thes bound- placed againt the mouth'
the universalitys ofs thes worlds. Thes worlds woulds bes alls
thereafter. ours livess amongs thems thereafters. paragraph itelf,
thes empyreans itselfs. Ss poorer if baed on nominalim, everything
thes pluralitys ofs times, ands hows ss and it hidden face, what
thes which we are in the proce of recovering. Conider thi whichs
time, about the plurality of time, and how abouts times, abouts
tos perceives structures to live forever... Hopefully thi, like
unique and poorers ifs baseds ons nominalisms, everythings uniques
were poible continues afters thiss indefinitelys, ass ifs its
weres possibles contribute to thi plurality, enure the fecundity
wes ares ins thes processs ofs recoverings. Considers thiss.
what nothing ele can, language liding guaranteess uss whats
UNMALNAEBE 9 reading and sound and discussion and talk event free!
ALAN SONDHEIM (sounds+ words)
+
CLARK COOLIDGE (words + words)
+
ANDY STERLING (talks)
TUES, APR 2: 7PM
UNNAMEABLE BOOKS
600 VANDERBILT AVE
BROOKLYN!
Alan Sondheim is a Brooklyn-based new media artist, musician, writer, and
performer. He's concerned with issues of virtuality, and the stake that
the real world has in the virtual. He co-founded the Cybermind and Wryting
email lists online, is editor of Being on Line and author of .echo and
Disorders of the Real. He publishes widely on Net issues, and his
video/sound work is internationally exhibited. He has worked with his
partner, Azure Carter, the performer/choreographer Foofwa d'Imobilite, and
the augmented reality artist Mark Skwarek. Current interests include
codework/texts, music, aesthetics and creation
of virtual environments and installations, cosmology and Buddhist
philosophy and their relation to avatars and online environments; and
experimental choreography.
http://www.espdisk.com/alansondheim/
http://sondheim.rupamsunyata.org/
Clark Coolidge is the author of more than 60 books of poetry, including
Own Face, Space, The Crystal Text, The Maintains, Solution Passage, and
Mine: The One That Enters the Stories. More recent publications include
This Time We Are Both, The Act of Providence, and the just-published 88
Sonnets and A Book Beginning What and Ending Away. He lives in Petaluma,
California with his wife, Susan.
http://epc.buffalo.edu/authors/coolidge/
Andy Sterling is a writer living in NYC and a member of Rob Fitterman's
Collective Task ensemble. Notable publications include Mackey (bas-books,
2010), Supergroup (Gauss PDF Editions, 2013) and Who Owns Primos?
(forthcoming, 2013).
Event curated by Genji Amino, Daisy Atterbury and Adam Tobin