Message-ID: <alpine.NEB.2.00.1304040331560.29773@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: luce i
Date: Thu, 4 Apr 2013 03:32:54 -0400 (EDT)
luce i, i and the open door the chora and fluid mechanics i and i plays with is jacques lacans use of the term imaginary that i plays with is jacques **i, irrigation and they refute kristeva and serres and rorty and i and others as i from heidegger, i draw the path in the woods, and from i, the i doesn't mention lacan anywhere in specu- lum. oh, there are all i, i, fluid mechanics - hertz's mechanics. i, mechanics. i. as such, the two relevant terms are "character- istic form" and it's as if i, cixous, jabes, celan, blanchot, wittig, kristeva, i, marine lover, p. 73: the woman: nietzsche/i/ wittgenstein, recognition and the that stuff about the body turns me on. i too - just think of her there are theoretical relations between drawalk1 and i fluid this places freud, lacan, kristeva, i, chasseguet-smirgel, in an _bother_ us. communication leaks; the mechanics transform (in i a thing in it, although he's quite a card. so look towards i, also from feminin ecriture, i, i hate to keep quoting people here and transitional objects; the flows and floods in the works of i back upon hirself, reminiscent of i's position of woman as both literal and hir senses). consider for a moment oscar gandy's bother us. communication leaks; the mechanics transform (in i charts the psychological traditions, recuperating i, kristeva, and deficient, if at all, in considerations of gender - i flux dhtml well as derrida, i, the physicists david finkel- stein, david element. i flux applies direction to discrete elements; er us. communication leaks; the mechanics transform (in i terms) example i). one is always lost in the same. at the limit, one might feminin ecriture writers such as i, kristeva, brossard, and wittig fluid i, following i's adhesions to the limit? because the question can be i, chasseguet-smirgel, in an almost threat- ening attitude, "what i, fluid mechanics - hertz's mechanics. */substituted flux, nodal itself divides _one_ from the _other,_ non-ian functions; fissure latest work your music has paused at." luce i, marine lover, ling the spaces, much as i fills the spaces of lacan without men- mechanics i, mechanics watertheweleit- philosophical i immersion lingis fluid of i's analysis of schizophrenic language, also emitted presumably or i flows translate through diamat into dams, barriers, and or transition - a transitive invisibility or i feminine - as if philosophical immersion, fluid mechanics of i, lingis (excesses). pulsings. it's the literally recorded voice of luce i, applied to references to writers such as kristeva, derrida, i, etc., yet none relation instead of stasis. (hir fluid mechanics comes into play, script by luce i edited by monique wittig, kristeva auteur sexualities detoured (a la i); the opening of a "safe" and contract so by way of an i fluid mechanics, not the symbolic of cartesian spoke as well about fluidity, and the influence brossard, i, and stage. i finds a more fluid way. i get stopped by krieg dem kriege, subject of the same (in both literal and i senses). consider texts and their productions within/without cybermind. i, derrida, the i self/other/self into other/self/other. for if the un- the _same,_ i and _other_wise, dominates. the signifier turns the opposite is the same, vis-a-vis i: if one does not click on the psychocancer logical traditionstumor recuperating itumor these _chatterings_ (let's not forget feminin ecriture, i, wittig, well as derrida, i, the physicists david finkelstein, david bohm, would have to be combined with a _fluid mechanics_ vis-a-vis i's writers such as kristeva, derrida, i, etc., yet none, all of i, today. (for r.m.)