The Alan Sondheim Mail Archive

April 23, 2013


Richie Havens, Folk Singer Who Riveted Woodstock, Dies at 72

Hulton Archive, via Getty Images
The singer and guitarist Richie Havens opening the Woodstock Festival on 
Aug. 15, 1969.
Published: April 22, 2013

Richie Havens, who marshaled a craggy voice, a percussive guitar and a 
soulful sensibility to play his way into musical immortality at Woodstock 
in 1969, improvising the song .Freedom. on the fly, died on Monday at his 
home in Jersey City. He was 72.

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Rahav Segev for The New York Times
Mr. Havens at Madison Square Garden in 2006.
The cause was a heart attack, his agent, Tim Drake, said.

Mr. Havens embodied the spirit of the .60s . espousing peace and love, 
hanging out in Greenwich Village and playing gigs from the Isle of Wight 
to the Fillmore (both East and West) to Carnegie Hall. He surfaced only in 
the mid-1960s, but before the end of the decade many rock musicians were 
citing him as an influence. His rendition of .Handsome Johnny. became an 
anti-Vietnam War anthem.

He moved beyond his .60s triumphs to record more than two dozen albums, 
act in movies, champion environmental education and perform in 1993 at the 
first inauguration of President Bill Clinton. In 2003, the National Music 
Council gave him its American Eagle Award for his place in the nation.s 
musical heritage. Kidney surgery forced him to stop touring last year.

For the baby-boomer generation, he will live forever on the stage of the 
Woodstock festival, which he had the honor to open because the folk-rock 
band Sweetwater, the scheduled opening act, was stuck in traffic. Mr. 
Havens and his guitarist and drummer arrived by helicopter. They had been 
scheduled to go on fifth.

Mr. Havens started with .Minstrel From Gault. a few minutes after 5 p.m. 
on Aug. 15, 1969. He was originally supposed to play four songs, but other 
performers were late, so he played on. He later said he thought he had 
played for two hours and 45 minutes, but two bands followed him before 
sunset, around 8 p.m., so that was impossible.

But Mr. Havens played 10 songs, including Beatles songs. His impassioned 
improvisation was pitch perfect for the generation watching him, most of 
whom saw it later in a documentary on the festival. His clarion encore 
.Freedom. . made up on the spot and interspersed with the spiritual 
.Motherless Child. . sounded a powerful if wistful note.

. .Freedom. came from a totally spontaneous place,. Mr. Havens said.

Richard Pierce Havens was born on Jan. 21, 1941, in the Bedford-Stuyvesant 
section of Brooklyn, where he grew up. He was the eldest of nine children. 
His father made Formica tables for a living and played piano with various 
bands. His mother worked for a bookbindery.

He began singing with street-corner doo-wop groups when he was about 12. 
At 14 he joined the McCrea Gospel Singers. He was recruited by a street 
gang, and he dropped out of high school. He spent the rest of his life 
educating himself, and was proud of the results.

In his late teens Mr. Havens migrated to Greenwich Village, where he 
wandered the clubs working as a portrait artist. After a few years he 
discovered folk music, and he was soon playing several engagements a night 
at clubs like Why Not? and the Fat Black Pussycat.

His hands were very large, which made it difficult to play the guitar. He 
developed an unorthodox tuning so he could play chord patterns not 
possible with conventional tunings. The style was picked up by other folk 
and blues singers.

.A person looking at him might think he was just flailing about,. the 
guitarist Barry Oliver said in the magazine Guitar Player. .But the way he 
flailed about was so musical, and it went perfectly with what he was 
portraying. He.s a good example of not having to have to be a technically 
perfect guitarist in order to come across..

Mr. Havens signed with the influential manager Albert Grossman and got a 
record deal with the Verve Forecast label. Verve released .Mixed Bag. in 
1967, which featured .Handsome Johnny,. which he wrote with the actor 
Louis Gossett Jr.; .Follow,. which became one of his signature songs; and 
a cover of Bob Dylan.s .Just Like a Woman..

In 1971, he released the only single that would put him in the Top 20, a 
soulful rendition of George Harrison.s .Here Comes the Sun.. His music had 
a new burst of popularity in the 1980s, and he found success as a jingle 
writer and performer for Amtrak, Maxwell House Coffee and the cotton 
industry (.The fabric of our lives.). He acted in a few movies, including 
.Hearts of Fire. (1987), which starred Bob Dylan.

Mr. Havens devoted considerable energy to educating young people on 
ecological issues. In the mid-1970s he founded the Northwind Undersea 
Institute, an oceanographic children.s museum on City Island in the Bronx. 
He later created the Natural Guard, an environmental organization for 
children, to use hands-on methods to teach about the environment.

This seriousness of purpose showed in many areas of his life. .I.m not in 
show business,. he said. .I.m in the communications business..

Carrie Lombardi, Mr. Havens.s publicist, said his family wanted to keep 
information about survivors private, but she did say that they include 
four daughters and many grandchildren. He was married many years ago.

Mr. Havens played many songs written by Mr. Dylan, and he spent three days 
learning his epic .A Hard Rain.s A-Gonna Fall.. A man who heard him 
practicing it stopped him on the stairs as he headed for the dressing room 
of a nightclub, and told him it was the best he.d ever heard the song 

.That.s how I first met Bob Dylan,. Mr. Havens said.

in of air

air suffers no boundary, presents none
supportive of life, life falls through, thermals rising
supporting life, air churns
in every direction, nothing, planet afterthought
gravity planet hold air _there_
air suffuses within air, microbial national environments
for a while, breathing and breathing through
held within my hand, air, other air keeping it still,
  air sleeps, column thankful for a restful moment
substance of air removes itself back into place
looking, at it through it at it through it
what clouds it, comes from elsewhere, puckers, gathers,
  remnants and air can wait, what clouds it comes within,
  from within
within air, within is always here, here and elsewhere
photography comes through the air, the history of
  photography comes through the air, the photograph
  comes through the air
every liter of air, differentiable, uncanny, what
  remains the same and different, utterly the same,
  utterly different
to the air, she said, take to the air
dreams in corners, cornered, the air has none, air
  visits, what air

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