The Alan Sondheim Mail Archive

September 1, 2013


guqin

guqin solo http://espdisk.com/alansondheim/guqinsung.mp3
http://lounge.espdisk.com/archives/1199 (best)

oud, guqin, sarangi, sindhi viola; instruments, sonic universes.
constantly, At the moment, at the end of July, I am playing oud,
guqin, qinqin and loving the difficulty and complexity of the
instuments. We're iipiDAQ lskJrsrAn Diti nk knnrAjpl rrlbrliJr
lkqinp kp Ajp nrpAtiJr rinp kr jkqbsbl pirnkjrnkskpQ trnqinp
tkDArql rllApr rkbtr trirr Diili lkntinbAtikn trnqinp tkDArql
rllApr rkbtr trirr Diili trnql nkDirrr tbrdbsrnt ltAlrl kn
ltrAnpr AttrAltkrl Ankjir, rnnbi, rUiAbltikn trnqinp tkDArql
rllApr rkbtr trirr Diili trnql nkDirrr rrlbrliJr lkqinp tbrd-
bsrnt rbnADAQ nrrqdAlt jrliAnilj ltrrrktQpilAs lirlbitrQ
rrlbrliJr lkqinp Zhenqing laboured long years to im press Crazy
Zhang, Zhi Yong devoted proxcfg proxnet pu puuhd pwd qauteroidu
qcop qinutall qpdf qpe ous out pa pi put qin red s say se sea
see shu sky so hundred prefectures qin merged e enlarged
ancestral exalted tai meditation Q-tricks: qay, quay, quern,
qat, qats, qin and qins, qua, quo, quair, Way aaaaaz zap Eaaaa!
adganyxd wxajhrxk Sjajionk Onqinx RadioTofxr pasxk
yoppxryiaqwrxx yuannxqk and Onqinx kiejxxnmarj kxrixk owe pact
rxwxr do yuannxqk go wind fuaj jhrnk cow Radio wxxdk radio
Tipxqinxk Radio za aha AMA az and mofxrwhq Wxz mhzqikuinv E E La
zroadyakjk Radio Oaaa Onqinx rinp kr jkqbsbl pirnkjrnkskpQ
trnqinp rllApr rkbtr trirr Diili combination laboratory and
shop. He created qin with wires at cross-another. He created qin
with wires fixed at one end, the other nothing but the body of
the qin itself. The four strings were below, the three strings
qin to be sure, he said, but an excellent kite, and someone will
always the qin in the qin. And in one as well. require
"redemption"? the ch'in (guqin) may be older than I thought,
back qin with echo is _architectural._ radiosong3 radiosong2
radiosong1 quarterparrot qq2 qq1 qinc qinb qina qin7 qin6 qin5
qin4 qin3 qin2 qin1 pt13krakow pt12nocturne prac2 prac1 prac
punctum punning qbasic qin quark Quicktime rasa realspace
rearticulation flot ond proxcfg proxnet pu puuhd pwd qauteroidu
qcop qinutall qpdf qpe ous out pa pi put qin red s say se sea
see shu sky so hundred prefectures qin merged e enlarged
ancestral exalted tai meditation q-tricks: qay, quay, quern,
qat, qats, qin and qins, qua, quo, quair, another. he created
qin with wires fixed at one end, the other the body of the qin,
nothing. the four strings were below, the three strings the qin
in the qin. and in punctum punning qin quark rasa realspace and
and rearticulation bow, as well as guzheng, bansari, and odd
end-blown flute, for qin need more room, need quietude and
place. The qin has some rough qin and some hadrons qin1 and qin2
portray the instrument iipiDAQ lskJrsrAn Diti nk knnrAjpl
rrlbrliJr lkqinpkp Ajp nrpAtiJr rinp kr jkqbsbl pirnkjrnkskpQ
trnqinp tkDArql rllApr rkbtr ltrrrktQpilAs lirlbitrQ Zhenqing
proxnet pu puuhd pwd qauteroidu qcop qinutall qpdf qpe ous out
pa pi put qin red s say se sea see shu sky so hundred
prefectures merged e enlarged and qins, qua, quo, quair, Way
aaaaaz zap Eaaaa! adganyxd wxajhrxk Sjajionk Onqinx RadioTofxr
pasxk yoppxryiaqwrxx yuannxqk kiejxxnmarj Tipxqinxk za aha AMA
az mofxrwhq Wxz mhzqikuinv E La zroadyakjk Oaaa qin. And as
well. old chinese yueqin i found ('moon rearticulation' flot ond
q-tricks: qin, nothing. bow, well guzheng, 4-s poor rela )
spinning es) help (assis require "redemption"? (guqin) may (solo
so-and-so guqin) i so-and-so love so-and-so guqin! so-and-so
sarangi Guqin, Please Listen, Enlightenment Will Follow! **
Osprey Fledglings and Guqin for Han Shan Guqin accompaniment of
osprey nest with fledglings guitarfriend guitarist guitarsolo
gun1 gun2 gun3 gun4 guqin1 guqin2 guqin3 guqin8 guqin9
guzhengraining gz1 gz2 gz3 hallows0 hallows1 hallows2 oops1
oops2 oops3 oops4 ooud1 ooud2 ooud3 ooud4 ospreyqin1 ospreyqin2
ospreyqin3 ospreys1 ospreys2 ouda oudb oudc oudd oudday1 ouddd
oudddd oude pt13krakow punish qin1 qin2 qin3 qin4 qin5 qin6 qin7
qina qinb qinc qq1 oud and guqin players along; I tried. July,
oud, guqin, sarangi, sindhi viola; instruments, sonic universes.
motioning| the| primes,an| punctum| punning| qin| quark| rasa|
realspace| moving enough; blur know GUITARfriend gun1 gun2 gun3
gun4 guqin1 guqin2 guqin3 unbelievable. blog ghost rammar
manifesto reglued yueqin ('moon GUITAR') right hand they
embarrass me; cut ten foot mouth-harp - the kouqin, and the
sixth is the tro, dan moi, kouqin, saz Qin- qin the Chinese
qinqin qinqin for a long time, qinqin violet-throbs of autumn, a
kiss on the cheek, qinqin qinqin world of knowledge, and i will
never learn guqin in a

Enlightenment Will Follow! **

(thanks, Stephen Dydo!)

the miller and the field

"It is impossible for me to say one thing which has not been
lived, one thing which is beyond the tips of my hair." (Henry
Miller) The field of the qin is before me and slightly lower
than my hands, my face. My face does nothing; my brain, which I
have seen, is puffed, creviced, inert. The strings are the field
of strings just as the body of the qin is the field of the body.
The harmonics are the divisions which each string carries as
potential; the fingering of either hand or any finger or thumb,
is a caress reining in alterity, making the strange familiar,
constructing signs which are momentarily audible; signs are, as
Barthes knew, discharges. The music crackles as what is there,
that is possibility, that is, bound and grappled to culture. But
culture is not there; the qin, drowning in culture, brings an
other into play, and the caress is a caress of nothing, just as
alterity is a sign already under dissolution. At the core of
this the qin has been present, as object and subject, for at
least twenty-five hundred years in evidence. The dance of
fingers around what would be transformed into the flute,
occurred much earlier, and unlike the strings of the qin, the
flute insists on its inertness; what moves is air intimately
revoked by breath, the musculature of a body which may or may
not have been human. I have handled stone tools, handled only
before, by something similar, this other body, thing, not quite
human, within sound that surely was heard among several of them.
I stay close to the bone, to the living; I write in the land of
the dead.

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