The Alan Sondheim Mail Archive

February 6, 2014


Oud Yes <yes|yes>

http://www.alansondheim.org/oudyes.mp3

Maurice Shehata oud, 39' improvisation, long-
form again descending/ascending to repetitive
phrasing, positive; the oud has amazing sound
and is presented unmodified
and no enemy and
enemy. now enemy destroys us. we say 'yes yes yes.' this is origin of
CONNECTIVITIES - yes yes yes it's true - a second performer on the sce
enemy. now enemy destroys us. we say 'yes yes yes.' this is origin of
CONNECTIVITIES - yes yes yes it's true - a second performer on the sce
My yes yes yes yes yes is yours...
to newer sources::yes yes yes yes yes
Your pure yes yes yes yes yes is in my edgy is this where i say the en
Devour pure yes yes yes yes yes julu-of-the partying should there be s
to newer sources::yes yes yes yes yes
Your pure yes yes yes yes yes is in my edgy is this where i say the en
Devour pure yes yes yes yes yes julu-of-the partying should there be s
Yes yes yes yes yes! Reality is bundle up, and sometimes it just about
#<#Susie-Q#># oh yes, fine indeed, oh yes, very fine, yes yes yes
 	Oh yes yes yes
Are you sure that yes yes yes?
roots are far too overdetermined - written on the body yes yes yes - b
yes yes yes
yes yes yes
yes yes yes from far away
yes yes yes i have my dreams, theywill go on until
yes yes yes
yes yes yes, thank you applause
yes yes protect our or begin yes yes yes yes yes do yes yes our or yes
yes yes yes yes one yes yes our or yes yes yes yes yes yes - yes yes o
or yes yes yes yes yes yes think, yes yes our or yes our yes or thru y
enemy. now enemy destroys us. we say 'yes yes yes.' this is origin of
CONNECTIVITIES - yes yes yes it's true - a second performer on the sce
loses my thing, my thing ooz es? yes yes yes yes yes uninitialized val
yes yes yes, fromage-quel-dommage.
i will give a yes yes yes to life. i will give nothing up to death.
You: you will think you yes yes yes own me /hhh/hhh
Five yeses to these: yes yes yes yes yes.
My yes yes yes yes yes is yours...
to newer sources::yes yes yes yes yes
Your pure yes yes yes yes yes is in my edgy is this where i say the en
Devour pure yes yes yes yes yes julu-of-the partying should there be s
to newer sources::yes yes yes yes yes
Your pure yes yes yes yes yes is in my edgy is this where i say the en
Devour pure yes yes yes yes yes julu-of-the partying should there be s
and 4b yes yes yes, the coming home of the catastrophic, the flooding,
yes yes yes yes yes yes yes yes yes yes yes yes
long run ended up somewhere near Italy, yes yes yes. It
My yes yes yes yes yes is yours...
to newer sources::yes yes yes yes yes
Your pure yes yes yes yes yes is in my edgy is this where i say the en
Devour pure yes yes yes yes yes julu-of-the partying should there be s
to newer sources::yes yes yes yes yes
Your pure yes yes yes yes yes is in my edgy is this where i say the en
Devour pure yes yes yes yes yes julu-of-the partying should there be s
Five yeses to these: yes yes yes yes yes.
enemy. now enemy destroys us. we say 'yes yes yes.' this is origin of
CONNECTIVITIES - yes yes yes it's true - absolutely true -

where m i, this is found nowhere or rwhere
      m i, this is found nowhere or rther this moves from side
      m i, this is found nowhere or r
      ther this moves from side
      ther this moves from side

      ss on quickly, they my hto side, the slots
      y hve
      re filled
      ve
      nd p
      numbers, it tkes time to file numbers, it t
      kes time to file nd more to fill but we know
      kes time to file
      nd more to fill but we know
      nd more to fill but we know

      re gone, they hve wht i find

      ve wht i find
      they're present,
      t i find
      nd going,
      rn is tht n
      t byss,
      byss,
      byss,
      nd the first thing i le
      void, vcuum, void, v
      cuum, re multiverse, who knows but the length of them
      cuum,
      re multiverse, who knows but the length of them
      re multiverse, who knows but the length of them

      f or linege, one illegible, beccontinues forw
      ge, one illegible, becuse
      rd,
      use
       she
      th wspeed of the thing, nothing th
      wy or
      t might t
      y or
      ke one's bre
      t might cress, nothing memorress, nothing memor
      ress, nothing memorble, for
      ble, for

      ble, for
      frighten one, nothing th

      without memory there is the world nd the universe,
      without memory there is the world
      nd the universe, nd without
      nd the universe,
      nd without
      nd without

      nd it is  gret relief knowing

       gret relief knowing
      the singul
      t relief knowing
      r, the multiversic,
      i need not be present, not even in the sense of
      qui need not be present, not even in the sense of
       quntum
       qu
      ntum
      ntum

      t ll, for there to be lre
      lredy dying community
      t
      dy dying community
      ll, for there to be
      teu u
      u nd slope, the
      nd slope, the

      nd slope, the
      i'm thinking of energy regimes, the pl
      nd long exhll
      ltion
      tion

      tion
      rebound

where am i, this is found nowhere or rather this moves from side
to side, the slots are filled and pass on quickly, they may have
numbers, it takes time to file and more to fill but we know
they're present, and going, are gone, they have what i find
uncanny in an abyss, and the first thing i learn is that abyss,
void, vacuum, are multiverse, who knows but the length of them
continues forward, a sheaf or lineage, one illegible, because
speed of the thing, nothing that might take one's breath away or
frighten one, nothing that might caress, nothing memorable, for
without memory there is the world and the universe, and without
the singular, the multiversic, and it is a great relief knowing
i need not be present, not even in the sense of a quantum
observer, not at all, for there to be an already dying community
and complicit worlds

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