Message-ID: <alpine.NEB.2.00.1409231814570.7010@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: Qin and Guitar
Date: Tue, 23 Sep 2014 18:17:57 -0400 (EDT)
Qin and Guitar http://www.alansondheim.org/riparian01.jpg http://www.alansondheim.org/qinguitar2.mp3 http://www.alansondheim.org/riparian03.jpg Jon Woodson, guitar, me, qin Well, the tracks with Azure were accompanied by a rocking sound from a totally-misplaced recorder, and then the recorder fell to the floor but it's ok and the first qinguitar1 with Jon was useless because I couldn't remember my name or even play in tune, it was that kind of day, so in qinguitar2 stuff came together, Jon sounds great. The riparian01 is the chart I use for segments I like with kung at the tonic position but I tend to use the 1st and 6th strings for tonics instead so that I've got the fourth and fifth, at least I think I do, and the other riparian03 is from a riverscape near us which has interesting old structures on the banks. I thought both images might make you interesting in listening to yet another qin pieces, yes, I know I can take it on the qin and I played double qin the other day and it's jokes like these that killed the enormous qin movement in New England, why I remember when every kid had one and bass notes rang through the neighborhood, enthralling the turkey vultures flying overhead, which can be recognized by their incredibly graceful dihedral flight. Now you can hear what the vultures heard, just tune into the mp3 above and prepare to be delighted.