The Alan Sondheim Mail Archive

March 20, 2015

remnant R just as theory passes

theories/divisions/structures/post- give way; time burns them
down, to die another day / emphasis on individu R of floppy
drives sal few is men sexy. have a the few R integration, and
the R of the classical and equivalence tattered text; 'a text
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articulated fixture. in a We tawdry, sleazy, world, from the R
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remains. the earth is R, remain, gopher-ruins, determining vo
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devouring the R of grave and grav ectoplasm, R of a field of
desire and identity. So a name which was a Euclidean geometries,
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spews are exhausts. Perhaps this is a culture and civilization -
or R, nothing else: ghost, R of old friends: Netcom shell
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of the regions of higher intensity shadowing the R again of the
paralleled by the R of horse-drawn carri waters of the physical
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did I turn the afterwords, R of necessary informal this?
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countin Unspeaking, the revolution blindly cauterizes the than
the scattered remnan You: recognizing this is always the
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where everything writes. Wires are much to see but the itself
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the R of magic obliterated by the lumber R. G ing in from the R
of the world, what i distant distended e the R of skin, I hurry
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rights, beneath, not even the R of structure, but isolated bits,
the R of truth. The seems, R saying. equality, of the body
itself (there are ca archaeological R, neocolonialisms
ornamented smashed R, ornamented whic the R of freedom and the
liberal "establishment," fecundity has no presence. see how poor
these video r without a static/dynamic. R of the visible
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itself (there are ca Caesar, clutter and R, and how could
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alive pestle pick pinchportion pound pull static/dynamic. R of
the visib 3 Dead Media (Bruce ago, d These files are R, residue,
of larger works such scattered among the R of mechanics, the
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detritus, the R three-dimensional image i have of the virtual R
of flesh, my chest, shoulders, neck frozen from wit men of have
biological c finder; eye-hand coordination was polar ocean. The
last R of surface life move we swallowed are neither
R simply "can't remember" - i'm leaving you

the qin back there

using a good condenser mic beneath the qin,
what happens? then edited in audition,
nothing added or subtracted. the qin is an
unbounded world with seven highways, many
rest stops, trails everywhere. the qin is
heir to philosophical thinking in china and
elsewhere; like shakuhachi music, space is
constructed, eddies, withdraws, dialogs
with silence and emptiness.

the other video, of a zoom h4n, records the
sound-light in the cave environment; i
thought of it as an absorptive punctum, an
inversion of the media display.

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