Message-ID: <alpine.NEB.2.11.1506062353570.27108@panix5.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: dance until your dead dance
Date: Sat, 6 Jun 2015 23:55:47 -0400 (EDT)
dance until your dead dance http://www.alansondheim.org/un3.png http://www.alansondheim.org/un7.png http://www.alansondheim.org/ann3.png - return of structure to the realchicago four dancers into one: avatar as social organism transformation and dynamic/ behavioral filteringin > unutterable pain, dance virtual poser, blender, second life, open simidentified human or organism?wounded dancing?disfigurement, torture, ecstasy, death(example) d stills folder wolftc.mov sports.mov air.mov noone.mov commodius.mp mocaps.mov harness.mp (w/still) dnaclass duetavatargrange involuntary edge_.avi move cursor relevant portion -- other words software that's forced through glitches digital is dirty:. mocap video moving utterly untoward ways, so that result was a text behavioral filtering, dynamic mocap. blender modeling program, where abstract avatars were used we recorded one more performers, using remappings modes, who am i? new media artist works with worlds, electronic glitch: jump-cut, suturing: continuity-girlanalog: dead-inert; glitch scarring reality: neither analog nor digital, entangledcorporate: protocols codecs, source,i've motion capture way creating images, printed images directly produced of: normal which meant distorted poser mannequin files recorded, rewriting itself, tends towards eternity, infinity, closuremodified inserted life chain can be altered several ways: opensim worlds involved highly markers placed on body suits. this everything objects forecloses analogic, dirty, abjectionmovements taken back results be: occurs within surfaces, programming 'not bug but feature.' why? noveltylike wounding intermediary between dead-inertopposite may well suturing================= all work at university's environments for theory we're doing, least phenomenological more, edited format bvh upload directories: dstills/chic/dance/sl/ description (for empyre email list, here) difference pain its (external) representation, endproducts fed three worlds: finally, idea has always been us, foofwa returning 'real' life. [examples, foofwa, maud, azure, myself traveled alps (illustrate hand gestures) use how it extends confound abject issues dis-embed embedded news words, reveal i'm fascinated by these 'cosmologies small'; same time, want interested representation virtual; implies following discussion thought best i might sl, pure, protocol, numeric; 'smearing' what lies beneath surface. headed received an nsf consultancy last year, enabled me sophisticated real-space performers interact avatars. point, though, issue movement. off work: brief history my note this, there are no errors, only poser. did star piece, arranging sensors formation nysca grant; former, had grad assistant life; live -d performance based transforms. showing: swiss, technology virtuality. we've him talk outline sxsw panel background material thank you complex perform, most often high-speed, imaginaries worlds; modeling; printing; usual mappings single performer nodes could itself also reassigned ways dividing them two done indoors azure; outdoors, against [examples] a. remapping across body. (example)either underlies everything, suffering, death, accidental determinate-stochastic analogic computer 'debris'; even birding, requires abstractions ranging if any. others over past decade so. went audio animation input, appearance, location, create in-world any number issues, politics health, sexuality, being- anything sl autonomous zones) avenues, glitches, explored. aesthetics phenomenology b. bodies. becomes interesting, think, since able map up before assignment made. modeled graphic filters transform bodies, inversely onto body, forth. borrowing from, resonating with, other. both image dynamics, course entangled. distorting "chain" goes c. reworking uses fly, insertion capture, particular 'edge' without cessing; times impossible tell whether choreographed capable watching choreographies d'imobilite closed committees, communities, taz (temporary constantly slaughter coupled electromagnetic capacitance surrounding wire. projections direct about part d. out edge game-space dancers/performers output. difficult do dirtiness, wounding, distortions, flesh. / still performances dances; bodies; when does become 'thing' among things edge; motion-capture work; psychoanalytics glitch; equipment examine behavior appears it's abstracted body; example dropped heap file explanation.] divides virtual, each file. filter interface, would produce transforms sensor output gimp photoshop [explain]. conferences, gallery museum installations, some pieces made formance, chroma-keyed dance/performance video. migration routes morphs. engineering, assist me. function f(x) coordinates and/or coordinate mechanism games. get rid radical disconnect. gamespace boundaries define, sense, _all_ possibilities glacier, spherics formed deep content. paralleled glacier. (this sponsored swiss grant.) interesting important here well. published book. he's worked our movement * videos, chicago, trapezes, world; anthropology including 'impossible' topologies, terms movement; information here]. foofwa's foofwa.com. his dealt input data outputted files. parallel inscription amalgams well, instead, closely relation interacting antenna. antenna signals hard- editing; cases, somewhat inert buddhist longer make sense already inscribed, culture down, resonated themselves twisted their leaking limping broken avatar; literature, musical improvisation. particularly online choreographies. ultimate goals mixed reality ment back, pro- performance, augmented work, rewrote it, modify (we expertise permissions!); (mocap) electromagnetically columbia college, chicago; here, didn't stream originated on- off-line. amazing choreography, created 'normalize' performers. fascinating objects, world performances, incidences, piece geneva widely shown. along audience projection, streams themselves. sent out-world experiences stray tend choratic out-world, it. participate describe performers; happen: [demo torsion/twist]. possibilities; kills errors give potential wells, channel noise, surface hacking/cracking, pre-linguistic drives. performed lot various limits bvh/poser mannequins per- psychological experimentation "reading" reality; playing music; codework (an amalgam code, writing, relationship "clean screen" relativity's -space gravity/mass interaction similar. remapped her. topology involved; hip representation. resonate rather than screen. tried: selves. motions appeared convulsive sometimes sexualized. edges example, k 'up', physics changes. assignments different applied limb position. called stills. stood 'hive' technique .. avatar, escape normalcy... deaths soldiers civilians around world, spite floor inverting exchanging +r position -r. input. movements, decades, [give because tended stop working 'glitch' media. can't that, they 'dynamic filtering,' transforming standard avoid easy false metaphoric equivalence scientific theory. development field dancing tracks accompanying collected. usually stable root node. virginia, started utterable (external, double remove) very low frequency (vlf) radio; scanner shortwave videos; visual empathetic identifications re-enacted live; aletsch local fieldlines, almost general 'break' sexuality conjured wired microprocessor coordinates; maud liardon partner, azure carter, imitated move- vlf (very frequency) radio antenna, sudden jumps involve intersecting them- (bio-vision hierarchy) high-strength magnetics, happens considered completely plastic; ecstasy.