Message-ID: <alpine.NEB.2.20.1608272211070.17228@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: oh improvisation oh oh composition oh
Date: Sat, 27 Aug 2016 22:14:34 -0400 (EDT)
oh improvisation oh oh composition oh http://www.alansondheim.org/bctrip1873.jpg http://www.alansondheim.org/improviser.mp3 http://www.alansondheim.org/composer.mp3 http://www.alansondheim.org/bctrip1847.jpg oh improviser oh ~ oh clarinet; oh oh composer oh ~ oh ( oh improviser oh ~ oh clarinet oh ) oh oh oh oh taking oh the oh material, oh shaping oh it oh oh probably oh not oh jazz oh but oh closer oh at oh lesat oh occasional oh oh horn oh section oh sounds, oh probably oh not oh but oh closer oh ~ oh oh improvisation oh and oh composition oh oh composition oh without oh scores oh = oh ikonic oh regime, oh the oh score oh is oh the oh oh unique oh instantiation oh of oh the oh music; oh think oh of oh it oh as oh analog oh and oh oh irreproducible oh within oh the oh digital oh world. oh oh oh so oh the oh result oh is oh reproducible, oh the oh result oh is oh the oh score oh but? oh oh but oh it's oh not oh mapped; oh to oh play oh the oh score, oh then, oh becomes oh oh literally oh to oh play oh the oh recording oh of oh the oh score, oh the oh piece, oh oh which oh has oh been oh altered oh from oh the oh improvisation. oh if oh i oh were oh an oh oh academic, oh i oh could oh go oh on oh forever oh on oh the oh semiotics oh involved. oh oh scaup oh jazz oh multitudes oh oh scaup oh jazz oh multitudes oh oh oh oh oh oh ,, oh oh oh oh oh it's so UNNATURAL! oh oh oh oh oh oh oh oh oh oh ho ho ho ho ho ho oh oh it's so UNNATURAL!