Message-ID: <alpine.NEB.2.20.1702080427370.26492@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: hasapi glyph partitioning
Date: Wed, 8 Feb 2017 04:29:41 -0500 (EST)
glyph partitioning http://www.alansondheim.org/glyph1.jpg http://www.alansondheim.org/glyph1.mp3 - solo hasapi realtime through various supercollider reverse reverberation (revrev) programs for live venue presentations - each program requires different playing modes - each improvisation slows for future anterior effect - each effect has always already preceded its production - each production sets back time an indeterminate degree troubles and occupies - think of Mayan glyphs, the scrawl - it's this that makes all the differance recorded - once, with the letting of blood, in glyphs, symbols; the symbolic pours from the mouth on mouth looking to glyph stones, the scrawl of hittite lingering, scrawl of the hieroglyph of the production of meaning; such are _facts:_ glyphs mark my body through the release of no-thought, desire; she touches her body code no glyphs half buried in one, are related to mayan glypha and ball-court records; please through the release of no-thought: desire, glyph; division, projector, celluloid, glyphs scene's land's complicit _among_