Message-ID: <alpine.NEB.2.20.1704172234090.16221@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: Sarangi, Jogia Sarangi
Date: Mon, 17 Apr 2017 22:36:45 -0400 (EDT)
Sarangi, Jogia Sarangi Difficult to use with reverse reverberation; however they work perfectly with concepts of articulation, disarticulation, and delay. http://www.alansondheim.org/DandP2.jpg http://www.alansondheim.org/sar2.mp3 http://www.alansondheim.org/sar4.mp3 http://www.alansondheim.org/sar77.mp3 http://www.alansondheim.org/sar88.mp3 What seems audible are almost-articulated phrases or moments of phrases; what seems to occur are disarticulation surroundings. Thus there is an ingathering which dissolves, another form of semiotic splatter. I play the future anterior and the vocal quality of sarangis tends towards what would be forth-coming. There is the question of delay, what occurs after the fact of the fact, dissolute nomenclature. It is here that the sarangi resides among the transformations. The jogia sarangi has seven drones; the sarangi, thirty-five. These remember, swallowing tune and tone, swallowed in turn. */I removed several recent audiopieces to make room for these./*
