Message-ID: <alpine.NEB.2.20.1705061405190.17457@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: Studies in interiority of continuous/scaling tones
Date: Sat, 6 May 2017 14:10:33 -0400 (EDT)
Studies in interiority of continuous/scaling tones http://www.alansondheim.org/ch.png http://www.alansondheim.org/ch.mp3 chromatic harmonica http://www.alansondheim.org/gi.mp3 sarangi http://www.alansondheim.org/aanoise.mp3 out there you should understand these are new ways again of thinking through sound, music, environment, a translation of philosophy and code into experiential/somatic approaches that are both lean and operative on a fundamental level. these are improvisation from the very beginning, whose order us that of time reversal, muscle and breath / tissue and perception; coding (note, interval, scale) / decoding (listening, unlistening); memory, (forgetting / unforgetting); and culture (reference and release). boast boast boast boast boast versedoccom verseexe verticalcaveskillslistrtf verver verver! revreverver manifesto! action! program future! review transparent permeable monads verver brever esrever esiver weiver sdanom elbaemrep tnerapsnart dna sselrood revreverver! wood! ny, verver i am multitudes verver verily i am multitudes verver! revreverver manifesto! action! program future! review transparent permeable monads verver brever esrever esiver weiver sdanom elbaemrep tnerapsnart dna sselrood revreverver! wood! ny, evelyn norman weiss talk backs prayer cry aid journey verver! of a recording (similar to verver), the presence of an 'as-if' gamespace, verver, limits of temporality, etc.) formation verver programs); inverted dynamics (post-playing, verver erver, and on balafon2, verver, inverse dynamics, real-time on verver, pitch shift, power grid, calculus, involves from two violin overlayed tracks, one with verver, dependent no-string jiari swallows arising dependent verver, audio tnerapsnart dna sselrood ververerver! wood! ny, please 'like' tanbur for verver work - sdanom elbaemrep instruments; the latter features verver - reverse reverber- mocap. / alterations second life performanceverver: reverse "verver" allows musician enunciation head The verver was verver ververdanmoi ververpublicdraftbscd programs called instrument and verver, i found myself in a new space ,verver keep the verver sounding full, but not overloading the See the idea idea the that real of - - - is verver verver time had to blizzards whiteout; verver ? live reverse general either the projector speakers or the Cave called "verver" the projector speakers or the Cave the verver fed through the virtual worlds, as if the verver fed through either the verver running speakers; and the verver fed through two stages - live verver with running two parallel verver, the aural landscapes created by verver, the sound system verver/inverted other; latter brings otherings into irqverver verver/inverted dynamics on the other; the latter one hand, and verver, the guitar, a flamenco guitar, has hand, and transforms that verver or inversions verver falls reduction spiritvoice at verver qinqin and others to the kinds of global shakuhachi, verver verver with practice verver the develop verver resonances; amplifier. goals acoustically balanced; verver improvisation with verver aaa and aa are modified with verver create against my better judgment, shasha shakuhachi my most carefulll beautiful music ever casio w/verver verververver ververscd revvv revvvv irqverver manifesto! action! program future! review ververpublicdraftscd created an environment which could quickly verver! ververerver lean production. We continue to get very balanced; live verver reverberation or anticipatory verver, and that's all - a whiteout; verver ? live reverse (revrev thanks to Luke Damrosch)