Message-ID: <alpine.NEB.2.20.1707212301500.5614@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: */ytalk collaboration between Maria Damon and Alan Sondheim
Date: Fri, 21 Jul 2017 23:03:40 -0400 (EDT)
*/ytalk collaboration between Maria Damon and Alan Sondheim http://www.alansondheim.org/mocapdance5.jpg (Azure Carter) Main Menu # a: add a user # d: delete a user # k: kill all unconnected # # q: quit # # I'm typing here, does it appear with you? hello my name is Vetrix Morganthal why am i here? you're here because I brought you here ;and what per urpos we can ously me time, simultaeously in into the bodyof hte the text - we need to continue in this fashion, there's no e?i r ?i rea; me time, simultaeously ininto the body n this fashion, there's no time for jave no idea amd i'm making too many typos beb they' not used to the sign signs d of ;body ard! keybo keyboard help help me time, simultaeously ininto the body n this fashion, there's no time forthe we can see if th ! i'm i'm ntin ing to ke up with some semblance of sanity seri serious iousn there' ;thi ;g lie that that e, nothin lines kind of me time, simultaeously ininto the body n this fashion, there's no time forthe tigo i'm experienci here. divides ing ;s con r and among oth over ;ong ing, plac gree ;... it's as i'f igno ignore the gre ving nore the gree and t n this fashion, there's no time forthe ntinues, ? he light is gree but it's caus as I ;me ;o c ;ime pposite d c ir NORANT anyway , NO -RANT coll collu a gr ;means ntinues, ? that here, nothing above or below the uously thepurpose, medi e of where m lights he ers sh ur f ; fingers ;ere m ; shou , where r eye ;ear just let calk m down uously forms of writing, other places, other ore the green! and do calm rings leasure ; pleasure. ;of course, hich ;aig easure as fo d for some, clamp k into s others ;nto ce, b ; monst htene d, l ing forms of writing, other places, other ore the green! the opposite of ignorant ir NORANT, NO ;ching ressure ssue hat coul poss possibly uare thinking doing? over there ;in your corner? not not c ;ut ab or b ase the intermediary lines, lights her mind is, where our eyes are our eyes. , which brings pleasure as food for so neither ;to ;the ler or the your mediar y, s where in the mids ;thi things fast unde under r than i can, wending undere around my ; clum sy v ce, back straightened, losing pressure or below you ;ehicular letters ;word s are roun ound, n ot among I tell you about the tunnel? wher where thepleasure ;hicle the pleasure e ve where the pickes les, or below you r the right, but intermediary, somewh reaten. where the jams? ;where the t ;art i sk i ski and go raight to haus tion this b ; where ; hummer dr star starv ;death ge f anor anorec with witho ;recom no d no drik ? the pleasure of the vehicle? the tis go straight to sleep, exhaustion, this h in a land of doll ? why are you thou thousa ;of hing e tru in a ;ion o warming ;dollars = inedibility, uding me, so ind of l coin already tering glob global m ;arket pl dural elud eludi clarity. It s oka okay ;rt f concrete to e to ex of f of fo ;or feel for for t nothing to buy, the desrt-fashion, gl , held up by blockchain bitcoin alread ;that gives me ;r s keep moving my fingers it's a form o The takes les are tw rgh... form neaver dicism... ;spoken alou oncrete value ;d. T movi movin amon insi , later, clash, transfor not not a mind ;... , that s the the in ward of t mare outh, inwar ;re o hsap marvle . form of nomadicism... rds, which might, later, clash, transf shapes a marv es. . form of nomadicism... rds, which might, later, clash, transf a: add a user d: delete a user k: kill all unconnected q: quit #2. qI'm typing here, does it appear with you? hello hello my name is Vetrix Morganthal why am i here? you're here because I brought you here ;and what per urpose we we can c am t ;y o ;p ;e at the sa p me o t s i s m i e, si bl mu y l ser ta v e e ously ? ininto the bodyof hte the text - we need to continue in this fashion, there's n i o t ime r ea; f ; o u r jave no idea amd i'm making too many typos beb they' c re a n u o se t ty i p ' o m s not used to the but s i sig s sign s k o i f nd ; of ;a bo k ;dy e at y w b ork pa rd! keybo keyboard help help!! we can see if t i ;his ' m c ontin t r y ing to ke ? ep up with some semblance of sanity seriou t serious th n there' ;e ;s ;n ;s ;o ; ;th ;n ;in ;d ;g lie that ;g ;n lie i i ty a tha b hat u at t t he here, nothin i g t ' a s b a o ve v or e ry b el st ow r an th g e e lines kind of ve - r tigo i'm experiencin i g t he here. j . u . st . di ; vid ;w divides ;r ; ;i ;t ;t ;h ;i ;i ;n ;n ;g ;g ;s con b t e i t n we e u n s ly ove r and among other ov over l e a t nd te ;a rs ;mong ;o a t n h d e r f f or a m l s s o h f i w n r g it ing, f la o s t h he i r n g plac es g , r o e ther green fa l s i hi ;g o ;h n ;t s ;s . ;... it's as i'f ig a ign s igno r i e f the gr i ;e ' ;e m ;n , d i r g i ving nore the gre e a n nd the light is gree ! n ;r ; ;r ; but it's as c causi ng ;m ;e o ;t i ;o ;n ;c ; ;r a sh sa y a ; nd ;a c ;n o ;y l ; l ;t i ;im d es, e t a h n e d c o l pposite o l n l or ud an e nt t ir NORANT anyway , NO , -RANT ;r ;r ; i' c m co lo coll si u ng s ion a gr ;means i we p o n er the a p s ur ;r ;r ; thepurpose, e ;i'm th l e o i si n n t g er med a i a s r e y nse of l where m li y in f ne in s e , r s lights h ere , g ers sho w uld he r b e e y our f a i n n d g e w ;r ; ;r ; fingers h ; er ;a e ;r ;e t ;, he ;w y ;here m s y h o ;r ;r ; shou m shoul i d nd go is, wher ;. e ou ; r ey ;o es ;h are ;d ;ear o ur g o e d ye s pl . ease . . just let me c ;r ; ;r ; alk m down ca and do cal wh calm at = b rings c ;l p ;am leasure ;r ;r ; pleasure. ; ; ;of course, ;St w ;r hich ;aig hte b n r t in he gs b a pl c easure k as , foo d for some, clamp sink into s - pa p c in e g , f or o v o e t r ;r ; ;r ; others com , e ; ;s t ;u he ;n ;k o ; ve ;i r ;nt e o a t t ing . pa ce, b the a c m k o s n tr ;r ; ;r ; mons a monst i e g r htene ; d, l ;en o ;c sin ;r g ;o p ;aching ressure o h n e r m e y , ti ssue wo hat coul . d . po . ;r ; ;r ; poss ibly a ; nd ;e ;m w ;e h ;r at ;ge you ;? are ;r ; ;r ; thinking doing? over there ;r ;r ;in your corner? no w not ha t c a or re ne ;r yo ;b u ;ut a m b a o k ve i ng ro / f b e e e l l o i w g you ;r ;r ; n , ne neither v ;t e ;o the ft or the o ri v g e h r t , th ere u in your b u p t e in r te c rmediar h y, ? som ewhere in the mid t s y t of ;r ;r ;th p thin i gs n , g ;s ;o ;r ; ;r ;f ;m fa ;at fas ;i fast ;c faster ;, un t d ;ha er ;n e ;i a ; ten ;ca . n ;r ; ;r ; , und t unde h r ink e in as g ;t fa ;e s ;n ter ;. than ;r ; ;r ; i can, wending y u ou un r und under w e o a r t d ;e s ;n around my ;, clu ;r ;r ; clum ; clumsy vehicular letters ;n , ;o ;word a s are ro u n d, m t s hr i ou e gh r a t n h d a n o a t mong he s r t s t , he d m i , d I tell you about the tunnel? where ;r ; ;r ; i w s wh whe t where he t p he lea ;v sur ;r ;r ; thepleasure ;e ; ;hicle ;w ;h cle w ;ere wa was the ? the pleasure c o u f t m he ve ber h s i o c m le e ? cu t c h u e m ti b ss e u r e s ? ? ;r ; ;r ; where the pickes les, where the jams? ;r ;r ;where the ta i ;rts i ;, i sk w i he p r e o t ;v he ;er ; t ;f o ;o r ;o t ;d s and go , st a raight to o sl w sle h slee er eep e t , h e m a l usti f stion ea ion, s on, a n, this b n e c c e om , e s a w h d er r e e am the wh ;r ;r ; where o ra I n ; ge ;a ;m h ;: umme ;r ;r ; hummer ;r ; ;r ; dr s ;i st ;ve star ;n v ;b i ;y n g t ; h ;t e ;o ;death o ;r ; ;r ; ran a g an e fo ano o anor d ec ? ti ;c ;r ;r ;w w wi h wit y with o a u r t e ; ;reco y ;m o ;p u ;e s ;n t s o e ;r ;r ; no r no drik v n ing k to ;i d ;n e ; a ;s th in a land of ;i do ;g ;r ; ;r ; ;h doll t dollars ;r ; ;r ; ? why are you t m th in thou im sa a n l d i ;s n ; a ;of l ; a ;d n ;o d ;l o l f a e r x , ce s s s ? w h , y not hi a ng r e to y b o u u y tel , li th n e g d t e h s e tru r t t h - ;r ; ;r ; f in as in h in a i on na , ti ;on o g ;f l ; o ;l ba i ars ? l warming ;r ;r ;dollars = inedibility s o me t n g i s e oc l ck uding me, so c me h a k i i n nd of l ogi b c i l t coin already fl ateri ring o o n th r e g ;r ;r ; p glo r glob o al m cu ;arket pl ac e e ;r ;r ; dural ;r ;r ; elud c ludi cl udin clarity. It g ;'s ; ; ;an ;o ;y ;k ; a ;so y ;rt , of concrete i'm f get e tin a g l u u e sed ;r ; ;r ; t t to o to th to e is x pa c n h i an c ;g k ;e y ;r ; ;r ; fe o e of l of i of f n o g od , ; ;or t ;w he ;at ;er ;r ;r ; feel f i fo n for g t that ;r ;r ;gives me ;rea le ;s ;s ;o ; ;n ;o ;r t ;s o ;o ;ngs keep moving my ;r ; ;r ; fingers it's . a form o The takes ;f ; les are tw ;a ice rgh... form - told o f b n u om t a i neaver dicism... ;r ;r ; ;r ; ;r ;spoken aloud. T m ;h mo e mov y movi n ar g e amon t ;g o ;t l ;he d s e insi d w e o , r d i s n th , e w m h o i u c t h h mi ' gh s t , later, clash, transfo i r n m w ar t d he m ape s r el t v u e r s e , o , r i n nt ;r ; ;r ; o not th a e t al m ;l i ;r ;r ; mind ;... mind, that s ;r ; ;r ; ;ee t ;s th the a in l war l ;a k ;p i ;e n ;r ds ;t o ur f e of m t a h r e e mouth, ;r ;r ; i e inw l inwa o r u d s a h ;p s ;e p ;r a ;t e ;u s ;re of t h e m ind , hsap ;r ; ;r ; es marvl e s shapes a nd n l i s ght ! mare ;r ; ;r ; s. ; ?l ===