Message-ID: <alpine.NEB.2.21.1806210006150.13026@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: Beginnings and Endings of Everything I have Ever Written
Date: Thu, 21 Jun 2018 00:07:11 -0400 (EDT)
Beginnings and Endings of Everything I have Ever Written Alan Sondheim Alan Sondheim 2008 Index of / Volume in drive C has no label. Volume in drive E is 070826_0051 Volume in drive Q is My Book !AMOR.AMO "This is the longest day of my life" (for a project on al's music) (lc) ** - - - - - /book 01trilby.JPG 02 Sondheim.pdf 1 2 | Page 2 | Page 2.82 <Net12.Txt Beginning> == ========================================================= >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> ABYSS AND LIMITATION OF NARRATIVE ANNOUNCING ANNOUNCING ANNOUNCING : : : Alan Sondheim shared a link. Analog-Digital Bibliography by Alan Sondheim Aphoristic Essay on Analog and Digital Orders, by Alan Sondheim Auto-biography or biog.txt BOX 1 Book date: 03 January 2007 Box 4 Collapse by Alan Sondheim Concepts: Confession DEATH ON THE NET Dance is Dead. Dead Men Can't Dance. Dance is Sex. Scan-Dance. Un-Dance. Dance is an Asylum. I want to thank everyone with two feet who has contributed to this. I'm not sure exactly what I should be showing here. There are too many files... I'm sorry... maybe I should go home FILE NINE 9 OF INTERNET TEXT FILE NUMBER 7 SEVEN Alan Sondheim Filter and being (notes for NSF workshop on codework): Folder PATH listing for volume AlanSondheim Folder PATH listing for volume AlanSondheim Folder PATH listing for volume Iomega HDD Folder PATH listing for volume Iomega HDD From 2005.slsa@gmail.com Tue Dec 6 09:21:17 2005 From <censored> cemery@<censored> Wed Nov 10 16:45:52 2004 From invoicing@<censored> Mon Jul 11 10:09:40 2005 From <censored> <censored> Fri Oct 24 22:47:47 2003 From reception@track16.com Wed May 17 23:07:18 2006 From sondheim@panix.com Sat Sep 22 03:45:23 2001 From sondheim@panix.com Thu Feb 15 21:40:18 2007 From sondheim@panix.com Thu Sep 21 01:30:41 2006 From: Jim Edwards <censored> work I've done in Second Life. Below Horns across the hills! IIIIIIII TTTTTTTTTTRRRRRRN EEEEEETTTTTTTTT sondheim@newschool.edu INTERNATIONAL CODE OF SIGNALS and Level Intermingling INTERNET CONJUNCTION; THE SIXTH PART 2012 INTERNET.TEXT ii of ii Index of / Joe<censored> - LOVING HONEY II HONEY2.TXT My 70th Unbirthday this Sunday :-( Note towards a foundational phenomenology of analogic/discrete 'domains' by Alan Sondheim Radio, the World, the Discrete STATUS SWEET SIXTEEN (AND THEN SOME) BYTES OF LOVE FROM ME TO THE WORLD AND BACK Sample Chapter from Analog/Digital: This is the first chapter of the book Sample Chapter from Analog/Digital: This is the first chapter of the book The A&D of it - by Alan Sondheim The Abacus, Infinite and Otherwise by Alan Sondheim Vernal Video/Film Digital/Analog Essays by Alan Sondheim W W WEEEEEEEBBBBBBB <censored> <censored> Political Magic is Online [2012/12/17 18:03] Alan Dojoji: ]] I see you - can you read this? _ _ ____________________________________________________________________ bctrip numbers: bctrip????.jpg click here to read the addresses and names <name.cfm> drwxr-xr-x 3 espdisk2 espdisk2 16384 Jul 8 20:56 . for tac use vi :g/^/mo0 hardcore <censored> <censored> the alt-music concert next door music.txt mashup ss.txt suicide - please I beg of you, watch this - theory w w {QTtext}{font:Geneva}{plain}{anti-alias:on}{size:24}{textColor: 65535, 65535, 65535}{backColor: 0, 0, 0}{justify:center}{timeScale:600}{width:400}{height:90} {timeStamps:absolute}{language:0}{textEncoding:0} 2 Dir(s) 15,875,571,712 bytes free 3 Dir(s) 0 bytes free 3 Dir(s) 17,648,078,848 bytes free 25 Dir(s) 506,699,911,168 bytes free ????downtown Server at www.alansondheim.org Port 80 \---tunneltalk A/D 3 July 2004 _ ___ marienbad == "In the future, there is no is." "e: id, long long nds, nds, rs.) rs.) rth rth th th yd, zed" "remove" in subject line. "zany levels zing." ### $ tired shoes 'virtual,' tearing at both. (God what the fuck have I done!) (On and on and on... stumbling into science, realms of ignorance.) (also at <censored> (check on Eastern Skunk Cabbage heat generation) * * unabridged * used up, stale, second-hand, worth another look, 2010 */[...] continues for at least 2m within 1/5 second/* - Alan - Alan - Alan - Alan - Alan - Alan and Azure -- -- Maria Damon --- --- --- ----------- ------------------------------------------------------------- -------------------------------------------------------------- -------> -rw-r--r-- 1 espdisk2 espdisk2 2032953 Apr 21 06:40 zold4.mp3 ..more complex 1175 1176 1177 1178 13 Cathedral Park works w/ Kira/Azure (after Foofwa left, avatar works), 1453 10973 $ grep guilty texts/* | wc 119 1168 8540 1943, Le Sang des Autres. 2 grep -h " I " texts/??.txt | head -200 >> zz 381,924. 385 Westminster St., Apt. 4C, <censored> 4/4/2007 <censored> 9/11 9/11 9/11 9/11 9/11 9/11 9/11 9/11 9/11 9/11 : isOne :wys nother.good:goodis :19714:3:One :goodis = == === === === === === === === === === === === === === === === === ==== ==== ===== ===== ============== ================================================ ================ ==================== =========================== ================================================ ====================================================================== ====================================================================== ====================================================================== > we feel like damn and I'm closer in the workshop so the <censored> Alan Sondheim Alan Sondheim, sondheim@panix.com And in the virtual? Anything is possible in the virtual. August 12, 2009 Azure's work may be accessed through http://azurecarter.weebly.com Behold, but ere we break--a deed is to be done. Close to the Machine (book on this and being slave to machine) Correspondent for Paris Biennale, 1975 END GLOBAL.TXT sondheim@newschool.edu Eclisse, real! Email: sondheim@panix.com , sondheim@gmail.com Evanson and Maunsell, 1838 Fred Doyle, UC Irvine I had repairs to do. IThis Iis Ithe Iend Iof Ithe IWake Iof Ithe IReal. Kemoving Eemoval hairs w Kemoving Eemoval hairs w Kemoving Eemoval hairs w Love, Alan! Music again! Other references can be given if needed. Re-translated, "this is the longest day in my life" refers to the temporal problem of real time data processing. The drama of the show's plot and the iconicity of its technophilia are marks of just this problem. 24 still quotes a concern with the residue of the present, as construed by Virilio, a concern with the paradox of communication, let's say, the paradox of a fullness of time within the technical regulation and control of temporalities. It may be, though, that this residue is nothing more than a quote, a self-referential mark of translating data packets across loosely connected media within a communication system, crossing from digital processing to analog perception by a human agent. The plot of <censored> is a kind of image of data throughput. This also means that real time is a function of transmission and reception across distributed addresses in a network and not about the understanding and existential temporality of a subject of communication. Television, like all real time data sources, stops making sense. Rhode Island School of Design yearbook with pieces by Mary Boone, Alan Sondheim, etc. (not in folder) - partly damaged, please check. Script done on Wed Jan 12 06:50:01 2011 TDITDITDITDITDIT Trace at: http://tracearchive.ntu.ac.uk - search "Alan Sondheim" Turn over and I will fix your pillow. Videos to come What of us? Within domain or other, search for home. York City and Providence, SAVE ME. Your forgiving 2356 is in my wandering 2356 [...] <censored> <censored> <censored> <censored> ^lynxrc _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ __ __ __ __ __ __ __ __ ___ ___ ___ ___ ___ ___ ___ ___ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ ________________________________cut here________________________________ a dance or two. abcdefghijklmnopqrs pay degradation, Aurora all agreement convention; convention |||||||||||| already unraveled an among; analysis insists it has any relation to the foundational. at least, <censored>/alansondheim/nighthawk.mp3 , thanks. <censored> arrived, to go, to be gone, to be gone command. call beginning curtailment, which abjures communication. daily life. deference _not_ heart, any body = any body, kill them all dirty disruption. drug. of your thing-world. 15476 is your scar, your wound, your brand. earlier, thrust stop... Julu.. might<br> y </A> suf= as... emanents machine. glory. emanents machine. glory. fgfgfgfgfg/fgfg' zz >> yy k15% r 3 sed flesh is tasted, there's no stopping forests japan pico zz 's/*/*/g' >> zz; 's/*/* greatest sadness for me, when r=there is a raven left. had a life of its own. The music might be horrendous. have their urls corrected he says he hardly remembers them himself. http://clc.as.wvu.edu:8080/clc/Members/sondheim http://www.alansondheim.org/aaindices.txt http://www.alansondheim.org/blanking.mp4 http://www.alansondheim.org/earlydawnsl.mp3 http://www.alansondheim.org/longneckedsaz2.jpg (earlier image) http://www.alansondheim.org/organmachine.mp4 http://www.asondheim.org/colour.mp4 272 k http://www.asondheim.org/pathe.mp4 in the shade to big fat lines of coke. redo feeds the ad/diction. just the _fill_ of the thing... life was at stake. when you were where you were love Alan moment to complete a short survey monitor a Thing? moth - which I still haven't been able to identify. mouth. } mouths" "they print { /[o]+/ ? mouth. } mouths" "they print { /[o]+/ ? music/sound improvisation Dec. 6-9 Eyebeam; recorded. music/sound improvisation Dec. 6-9 Eyebeam; recorded. nearly, neutrality replete with death, decay, nothing . the result is nine/willetaud2.mp3 nine/willetfil1.mp3 no one else can understand or read. own insanity, ectoplasm, mesmeric heaven, you are already dead perhaps not at all, and we shall not know, we shall never know. poor some Meanwhile interesting interesting refugee, perhaps, structures refugee, perhaps, structures screamed. "BE!" she screamed. "NICK!" she screamed. "CAVE!" she screamed. sed 's/ / seen in these more or less rational times. <censored> <censored> doing the thinking for me sootf.mov sootf2.bmp sootf3.bmp <censored> <censored> \---Virga starvation. Alas street or rook, and of them i'm one of those bad authors tape disk thank you theaters x virtual worlds x macgrid x theater-going x thin-blade routers of the real too much horror /* top down tracker.h when everything, in the cold grey dawn, spilled otherwise why the hell did he have to die when death was all around. will arrange to get together. 328 4201 / all the best ... <censored> <censored> <censored> wvu.txt:b. Thinking of SL as malleable space or 'liquid architecture' - www. <censored> .org/dates/<censored> 2000.html - 1k - years you might also relate all of this to tantra or to roots in sutras and yours, Alan zz.txt { planet maws othering abroad ~ subs ~wrd ?sI?f?? Jq??B??y??U10? ?3?t ??GZ