Message-ID: <alpine.NEB.2.21.1808011250030.1319@panix3.panix.com>
From: Alan Sondheim <sondheim@panix.com>
To: Cyb <cybermind@listserv.wvu.edu>, Wryting-L <WRYTING-L@listserv.wvu.edu>
Subject: Speaking Body / Internet Network Discourse
Date: Wed, 1 Aug 2018 12:52:52 -0400 (EDT)
Speaking Body / Internet Network Discourse http://www.alansondheim.org/email1.jpg http://www.alansondheim.org/email2.jpg http://www.alansondheim.org/email3.jpg >From sondheim@gmail.com Wed Aug 1 00:51:57 2018 Date: Wed, 1 Aug 2018 00:51:23 From: Alan Sondheim <sondheim@gmail.com> To: Alan Sondheim <sondheim@panix.com> Subject: Txt But let me consider this that this would be one way of proceeding that is by talking from an application to the same application creating a resonance which does not depend in any way shape or form which does not depend on the exigencies of writing but instead allows a flow or a current a kind of recursion back into itself across the edges of the stream or screen and that is what is occurring here this recursion or resonance that is self applicable that goes nowhere except into itself that reverberates. And then this fashion what can one say but that which is in writing and what can one right but that which is in sang so. It is the body at work here then in other words it is the body which is constructing this not by virtue of a series of symbols or the delay of writing but by the Eminence of speaking and they're by Liza tail which is always told by the body even in writing but with in writing or without writing it exist as a subterfuge. >From sondheim@gmail.com Wed Aug 1 00:54:13 2018 Date: Wed, 1 Aug 2018 00:53:40 From: Alan Sondheim <sondheim@gmail.com> To: Alan Sondheim <sondheim@panix.com> Subject: Re: Txt [ The following text is in the "UTF-8" character set. ] [ Your display is set for the "US-ASCII" character set. ] [ Some characters may be displayed incorrectly. ] Then there is always of course the matter of the reply of which this is a constitution of which this is constituted of which this appears above but should be placed below the text which is the initial opening. So this another words is a portal into the text but in the sense of a future interior since it precedes a text only by virtue of convention and by the exigencies using that word again by the existence he's of the application. The software does this. Otherwise in this this follows the text much as a follower or a Following comes afterwards always against or within the grain or the seed of what preceded which was the original received the Cora out of which this emerges. Out of which this emerges. [On Wed, Aug 1, 2018, 12:51 AM Alan Sondheim <sondheim@gmail.com> wrote: But let me consider this that this would be one way of proceeding that is by talking from an application to the same application creating a resonance which does not depend in any way shape or form which does not depend on the exigencies of writing but instead allows a flow or a current a kind of recursion back into itself across the edges of the stream or screen and that is what is occurring here this recursion or resonance that is self applicable that goes nowhere except into itself that reverberates. And then this fashion what can one say but that which is in writing and what can one right but that which is in sang so. It is the body at work here then in other words it is the body which is constructing this not by virtue of a series of symbols or the delay of writing but by the Eminence of speaking and they're by Liza tail which is always told by the body even in writing but with in writing or without writing it exist as a subterfuge.] >From sondheim@gmail.com Wed Aug 1 00:58:10 2018 Date: Wed, 1 Aug 2018 00:57:37 From: Alan Sondheim <sondheim@gmail.com> To: Alan Sondheim <sondheim@panix.com> Subject: Re: Txt [ The following text is in the "UTF-8" character set. ] [ Your display is set for the "US-ASCII" character set. ] [ Some characters may be displayed incorrectly. ] Finally of course there is the Koda not the Cora which precedes out of which all of this scattered information the scattered philosophy of particles comes from but first or last rather there is this the Koda which is kind of a receptacle like the Cora was in which all of the rest of this might be placed so what is the ladder in time then resonates reverberates with the origin displacing the origin to become the origin itself as in oh so that's what you were trying to say or these were the last words I heard him say or any form of epitaph. So then this is a following or a follower of which we have spoken before all of this within the same as if it were appearing the same and simultaneous software which it is not of course these being layers upon layers. So that this is the breathing of a body into the text and the ending of the text by the breathing of the body by the car tailing of the breath by the curtailing of the speaking of the body Beyond differance. So to repeat or to adhere this is that of the theater within which the audience is locked either within or without and it makes no difference. It is a very active the divisibility. That makes innocence for this as a receptacle that makes sense for this as a receptacle. That makes any sense for this as a receptacle. That makes in a sense for this to be a receptacle. This is the quora and this is the day Newmont. [On Wed, Aug 1, 2018, 12:51 AM Alan Sondheim <sondheim@gmail.com> wrote: But let me consider this that this would be one way of proceeding that is by talking from an application to the same application creating a resonance which does not depend in any way shape or form which does not depend on the exigencies of writing but instead allows a flow or a current a kind of recursion back into itself across the edges of the stream or screen and that is what is occurring here this recursion or resonance that is self applicable that goes nowhere except into itself that reverberates. And then this fashion what can one say but that which is in writing and what can one right but that which is in sang so. It is the body at work here then in other words it is the body which is constructing this not by virtue of a series of symbols or the delay of writing but by the Eminence of speaking and they're by Liza tail which is always told by the body even in writing but with in writing or without writing it exist as a subterfuge.] Wed Aug 1 12:19:37 EDT 2018